DECEMBER 2018
Association’s journal of EYE-Photo Club
I SS U E # 12
WWW.EYE-PHOTOMAGAZINE.COM
Letters from the editor
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trange but true! It is December again, the year is coming to an end. What a great and eventful year that was! For us, in the editorial office, a lot has happened this year. In the summer of 2018, we finally founded the EYEPhoto Club, a registered cultural association. From now on EYE-Photo Magazine and our sister edition, Fine EYE-Magazine (FEM), are the club magazines of this association. Our non-profit work to provide a platform to aspiring and enthusiastic photographers from around the world to present themselves and their works to an international readership this association will provide a solid foundation. In autumn 2018 we managed to hold our first own photo workshop for landscape and nature photography in the Swiss mountains. What a great experience! Many cooperations have been launched this year too. Whether with the great IG Windkraft and their fantastic photo contest or with Urban Street Photography, a great photo group on Facebook with over 60,000 members. Not to mention the hundreds of photographers we presented in our 12 editions this year. Several hundred pages per issue in total but many thousands of photos from all photographic genres.
But now let’s focus on our last issue for 2018! We start again with an exciting column by Thomas Füngerlings titled “The thrill of the particular moment” and we like to continue with our collaboration with Urban Street Photography, whose selected and awarded photos we proudly present in this 2
issue again. A very special contribution is dedicated to Markus Brandstetter’s documentary photos. Markus is not only one of our online editors, but he is also involved as a voluntary assistant in crisis areas. His expressive and emotional images document the situation in these areas in a very impressive and touching way. In our Photo Reviews, we present the following photographers: Andreas Kamoutsis, Charles Chojnacki, Fabrice Dank, Francesco D’Alonzo, Hara Sklika, Johan Famel, John Gill, Klaus Wegele, Loulou Bruna, Maxime Crozet, Michele Bartalini, Michele Mondragon, Orna Naor, Sebastian Gruia, Wilfried Gebhard and Nasos Karabelas. Not to forget our EYE-Catching Moments: These are award-winning pictures selected by our online editors from our Facebook photo group with now over 17,000 active members. With this in mind, the team of EYE-Photo Magazine wishes you all a Merry Christmas, Happy Holidays and a happy and healthy New Year! Stay with us and enjoy reading!
Yours, STEFAN CIMER Founder and Managing Editor
Cover photo by MICHELE BARTALINI Š
Because getting your work published DOES matter! EYE-Photo Magazine is the independent, online magazine of EYE-Photo Club, a registred cultural association, providing a platform to talented and enthusiastic photographers from all over the world to present their work, regardless of their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any materials used in this issue. Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form. EYE-Photo Magazine Š- all rights reserved www.eye-photomagazine.com office@eye-photomagazine.com
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MICHELE BARTALINI
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COLUMN BY THOMAS FÜNGERLINGS
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PHOTO DOCUMENTATION BY MARKUS BRANDSTETTER
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PHOTO CONTEST “REFLECTION” BY URBAN STREET PHOTOGRAPHY
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PHOTOREVIEW WITH MICHELE BARTALINI
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PHOTOREVIEW WITH ANDREAS KAMOUTSIS
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PHOTOREVIEW WITH CHARLES CHOJNACKI
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PHOTOREVIEW WITH FABRICE DANG
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PHOTOREVIEW WITH FRANCESCO D’ALONZO
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PHOTOREVIEW WITH HARA SKLIKA
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PHOTOREVIEW WITH JOHAN FAMEL
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PHOTOREVIEW WITH JOHN GILL
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PHOTOREVIEW WITH KLAUS WEGELE
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PHOTOREVIEW WITH LOULOU BRUNA
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PHOTOREVIEW WITH MAXIME CROZET
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PHOTOREVIEW WITH MICHELLE MONDRAGON
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PHOTOREVIEW WITH ORNA NAOR
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PHOTOREVIEW WITH SEBASTIAN GRUIA
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PHOTOREVIEW WITH WILFRIED GEBHARD
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PHOTOREVIEW WITH NASOS KARABELAS
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EYE-CATCHING MOMENTS SELECTION NOVEMBER 2018
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Web: www.kasefilters.de Mail: mc@kasefilters.de Fon: +49 4402 973913 0
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The thrill for the particular moment Street portraits are high art
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The thrill for the particular moment Street portraits are high art BY
T HOMAS F ÜNGERLINGS
In street photography is endlessly talked about what real street photography is. I do not care, but street portraits are part of it for me. In my eyes (my) photography lives on human emotions. I do not like cold and soulless street pictures. I decided to go as close as possible to portraits. I’ll show you how to do that.
The thrill for the particular moment Why do I take pictures of strangers on the street? I find it incredibly exciting to stroll through the city with my eyes open, only to see for a moment and catch him “right”. Or I see a great guy or a strange situation, and then I draw my “ready to shoot” camera immediately. At first, I was scared, too, but that comes with time. Because of the thrill before and the feeling of having a real snapshot in the box is already intoxicating. Yes, it is also a kind of challenge and risky. Especially in Germany, people are almost hysterical about their privacy. But rest assured, (almost) nothing can happen with respect, courtesy and friendliness. I have only been asked once by a woman to erase the picture, which I then did before her eyes.mera immediately. At first, I was scared, too, but that comes with time. Because of the thrill before and the feeling of having a real snapshot in the box is already intoxicating.
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Street portraits are high art It gives me real satisfaction when I succeed on the road a well-composed picture or the portrait of a person with emotions. I think that’s fine art because in the studio you can control everything (light, pose, settings) and you have endless time. You can not do all that on the street. And that makes the charm. In contrast to the brutal approach of a Bruce Gilden or always cross-border Eric Kim, I do not follow a series, story, or project when I photograph people on the street. I like to do it, and I decide from the stomach who and how I shoot.
How do I proceed? How do I approach a stranger? Especially in the beginning, it is easier to look for people who are standing around, waiting or sitting comfortably somewhere. It is best to be careful not to disturb those who work. Or generally, avoid that my request is undesirable or causes problems. Look closely at the body language. It will improve with time and experience, along with the ability to anticipate if someone will agree to be photographed. I can not say enough that if the person is busy, does not look happy, or is not in the mood to talk to a stranger ... it will not work. Break the ice It’s not always easy. I’ve learned that a sincere smile and a polite response can break the dam. My tip: Begin by establishing your presence within the subject’s field of vision, and then approach slowly but surely. Be like a harmless tourist who turns around. But keep an eye on the actual target person and read the signals. Because when you enter the comfort zone, then you have to expect a reaction. But if you feel good, if you are sure and confident, ask if you are allowed to take a picture of it. The answer is usually a YES.
Mostly follows a short conversation (for example, great hat or beautiful light here). Sometimes it’s just a mutual nod to show if someone approves of a photo. In rare cases, I then had interesting discussions, which can also be an experience in itself. Sure, a rejection also happens, that’s inevitable. So what? Just smile politely and move on. There are dozens of reasons for any refusal, stay positive, not only mentally but physically as well. Your facial expression and how you present yourself is the key to a positive response. The first people’s reaction to you is based on your physical appearance and person, especially because you are utterly alien to them.
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The thrill for the particular moment Street portraits are high art BY
T HOMAS F ÜNGERLINGS
A smile is like magic Many say street portraits have more character when photographed at a surprising moment (Candid), so they do not smile familiarly. I think a smile is natural, enjoyable and we all smile when we meet, especially friends and family. A human smile is magical, even in photos, it helps to build bridges. Animals have other forms of greeting. In humans, the smile is essential. Why exclude something that is so exclusive when you’re snapping people? Back to the photograph itself. If you have the permission, then it has to be fast. No one thinks it’s great to start fiddling at the camera and then take countless pictures. The camera settings have to be fixed in advance. You stay one arm’s length and do not wave the lens in front of your nose. I’m not interested in the shock effects of a Bruce Gilden, but I want to capture the unique beauty and character.
3.5 important tips and tricks Finally, a few camera tips and tricks for your street photos. Sets the camera to P mode and opens the aperture as far as possible (f2.8 or better f1.8). Autofocus should be focused on the nearer eye. ISO: As low as possible, usually ISO200-400. My favorite lens for street portraits is the Olympus M.Zuiko 45mm F1.8 fixed focal length in Micro-Four-Thirds format (that’s 90mm in full size). This allows me to stand about two meters away from my subject and make head and shoulder shots. This focal length brings decisive advantages: The open aperture produces only a shallow depth of field. As a result, it focuses flattering and without distortion on the face and captures the (disturbing) background just blurry (the so-called bokeh). Anything shorter than 50mm creates ugly distortions in the close-up format (huge nose or moon faces) on portraits. At over 100mm, you have to go too far and lose the “closeness” to the person. Black and white are particularly suitable for street portraits. It draws attention to the facial expression and reduces anxiety.
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Be brave and honest I know a few photographers who approach people in their very own way and who intuitively manage to win the trust of a personal photo. Dieter Wunderlich, Hendrik Lohmann, Alex Pfeifer, Tobias Löhr, Chris Candid or Martin U Waltz would be an example. The most important thing is that you have an honest interest in the person you want to photograph. These can be externalities, clichés, long beards, tattoos, an individual expression, many shopping bags, new clothes, the general style. It can also be an extraordinary charisma. Something about the man will have aroused your interest, and that should show up later in the picture. Good luck and have fun Still something fundamental. Men are much easier to photograph than women. It may be because they care less about their attention, hair or make-up? If you go alone (not in a group of photographers) your success rate will increase. Also, I’ve noticed people react positively to smaller cameras (like my Olympus OM-D 10 or the posh PEN-F).
The author Thomas Füngerlings is a photographer, blogger (weekly), editor and administrator at EYE-Photo Magazine.
https://www.thomas-fuengerlings.de
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Brücken über Grenzen -
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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Brücken über Grenzen -
Bridges across Borders -
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igentlich ist Markus Brandstetter leidenschaftlicher Landschaftsfotograf und wann immer Zeit findet, organisiert und leitet er Foto-Workshops für unseren „EYE-Photo Club“. Hauptberuflich ist er jedoch CEO und Gründungsvater einer humanitären Hilfsorganisation und unterstützt Menschen in Krisen- und Kriegsgebieten. Aufgrund diverser Hilfsprojekte seiner Organisation die „Drei Musketiere Reutlingen e.V.“ treibt es Markus Brandstetter, häufig in den mittleren und nahen Osten. Selbstverständlich hat er auch hier immer seine Kamera dabei. Wann immer es seine Arbeit zulässt und er die Zeit dazu findet, dokumentiert er die Menschen und ihre Lebensumstände mit seiner Kamera.
TITEL FILM UND AUSSTELLUNG: „Brücken über Grenzen - Grenzen überbrücken“ TERMIN VERNISSAGE / AUSSTELLUNG UND FILMPREMIERE: 19.12.2018 Ort: 72764 Reutlingen / Kamino Reutlingen / Ziegelweg 3 VORVERKAUF: www.kamino-reutlingen.de BEGINN VERNISSAGE: 18:00 Uhr FILMVORSTELLUNG: 18:30 Uhr & 20:00 Uhr
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- Grenzen überbrücken
- Bridging Borders
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ctually, Markus Brandstetter is a passionate landscape photographer and whenever he finds the time, he organizes and conducts photo workshops for ours “EYE-Photo Club”. As a full-time employee, however, he is the CEO and founding father of a humanitarian aid organization and supports people in crisis and war zones. Due to various aid projects of his organization called “Drei Musketiere Reutlingen e.V.” Markus Brandstetter is often out in the Near and the Middle East. Of course his camera is his constant companion. Whenever his tight schedule allows, he documents the people and their life circumstances with his camera.
DOCUMENTATION MOVIE AND EXHIBITION: „Brücken über Grenzen - Grenzen überbrücken“ (“Bridges across Borders - Bridging Borders”) DATE FOR THE EXHIBITION AND FILM PREMIERE: 19/12/2018 Location: 72764 Reutlingen / Kamino Reutlingen / Ziegelweg 3 ADVANCE BOOKING: www.kamino-reutlingen.de BEGINNING VERNISSAGE: 6:00 pm MOVIE PRESENTATION: 6:30 pm & 8:00 pm
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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Brücken über Grenzen -
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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Brücken über Grenzen -
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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- Grenzen ĂźberbrĂźcken by Markus Brandstetter
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URBAN STREET PHOTO GALLERY contest: “reflection”
MAULANA BUDI © (1st place winner)
URBAN STREET PHOTO GALLERY
photo contest “reflection”
THE CONTEST “REFLECTION” We proudly present the second contest organised by Urban Street Photo Gallery Instagram Channel (@urbanstreetphotogallery), in partnership with EYE Photo Magazine and sponsored by Hyperion Camera Straps and Fineartphotoprinting.com. The Guest Judge, Mark Fearnley (@mark.fearnley) selected 3 images from the photos submitted for this contest. Thanks to everyone who joined the contest, we were highly impressed by the quality of the submissions! CONGRATULATIONS TO THE WINNERS: 1ST PLACE MAULANA BUDI @maulanabudi/ 2ND PLACE DIMPY BHALOTIA @dimpy.bhalotia/ 3RD PLACE FLORENTINUS JOSEPH @josephflorentinus/ PRIZES The three winners will receive an amazing handmade strap by Hyperion Camera Straps. The prizes will be delivered directly from our sponsor, Hyperion Camera Straps. The first winner will also receive an A4 print of the selected image. The print will be delivered by our sponsor
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FineArtPhotoPrinting.com as a high-quality artisanal print made in Italy, on Hahnemühle fine art paper from Germany. All the participants will receive a 20% discount for FineArtPhotoPrinting.com for December 2018 in addition, by using the coupon code ‘uspcontest2’ upon ordering.
LINKS MARK FEARNLEY (Guest Judge) https://www.instagram.com/mark.fearnley/ http://markfearnley.co.uk/ MAULANA BUDI (1st place winner) https://www.instagram.com/maulanabudi/ DIMPY BHALOTIA (2nd place winner) https://www.instagram.com/dimpy.bhalotia/ FLORENTINUS JOSEPH (3rd place winner) https://www.instagram.com/josephflorentinus/ https://1x.com/member/florentinus
URBAN STREET PHOTO GALLERY (Organiser) https://www.instagram.com/urbanstreetphotogallery/ https://urbanstreetphotogallery.com/ EYE PHOTO MAGAZINE (Partner) https://www.instagram.com/eyephotomagazine/ http://eye-photomagazine.com/ HYPERION CAMERA STRAPS (Sponsor) https://www.instagram.com/hyperion_camera_straps/ https://www.hyperioncamerastraps.com/ FINE ART PHOTO PRINTING (Sponsor) https://www.instagram.com/fineart_photoprinting/ http://fineartphotoprinting.com/
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URBAN STREET PHOTO GALLERY contest: “reflection”
MAULANA BUDI © (1st place winner) Instagram:@maulanabudi 40
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URBAN STREET PHOTO GALLERY contest: “reflection”
DIMPY BHALOTIA (2nd place winner) 42
Instagram: @dimpy.bhalotia
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URBAN STREET PHOTO GALLERY contest: “reflection”
FLORENTINUS JOSEPH © (3rd place winner) Instagram: @josephflorentinus
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PHOTO RE VIEW MICHELE BARTALINI
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MICHELE BARTALINI
BIOGRAPHY My name is Michele I am I from Pisa, Tuscany. I was born in 1973 and I started to take pictures when I was attending university, but only later I began to shoot with more consciousness, even if I quit for some time. It is a few years now that photography is a faithful friend. In 2008 I enrolled in a photographic club (I am still with them), this let me meet with many expert and passionate people. I attended several courses on photography and education to image but it was only in 2015 while I was wisiting the workshop by Umberto Verdoliva that I truly understood I was on the right path. I never attended to a photographic school but nonetheless, I took several classes for both photography and postproduction work. I am not keen on the second one; I’d rather go outside to shoot than spending my time in front of a computer. Whenever I can I read up books or web articles. I took part in several collective shows, I publish my photos on some Facebook groups or my Instagram profile; recently I started using Tumblr. --Facebook:
www.facebook.com/michele.bartalini
Instagram:
www.instagram.com/mikkelling
Tumblr:
mr-baring.tumblr.com
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INTERVIEW How did you get into photography? I developed my interest in photography as an adult, before that I used to shoot photos without a real aim; my goal was just pressing that button. I cannot say I am a photographer but a photo amateur. Photography can be a passion but also a real job for many people, for me, it is a robust and intense passion, but it remains a passion. This can be a pro and a con: pro because I can choose what to shoot without being commissioned and con because I cannot spend as much time as I would because I have another full-time job. Inspiration has arrived slowly, I always liked some other art forms such as architecture or cinema, and maybe it is there that I found my “inspiration� What is in our subjects that makes you want to capture them? To me, photography is a way to communicate. It is a vision, sometimes it is explicit some others it is mysterious and personal. I think that we photograph what we are, we show ourselves for what we are even by the way we shoot. My work is curiosity, it is the ability to freeze funny situations, it is looking for light and darkness, gestures and expressions trying to communicate my point of view. My work is what I still have to find out. What equipment do you use? Today I shoot with a RICOH GR and Fuji X-T20 What advice would you give a newcomer who asks for an advice? The advice I can give is to have fun and try to do your best.
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PHOTO RE VIEW ANDREAS KAMOUTSIS
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ANDREAS KAMOUTSIS
ABOUT ME: I was born and raised in Athens, Greece, which now also serves as my professional photographic base, although I do travel extensively, on various photo assignments, throughout the country and abroad. My primary photographic goal is to capture strong visual elements, such as mystery, feelings, harmony & simplicity. This unique art also exists as an artistic expression of myself, a great field of continuous self – discovery, a path for personal creative fulfilment through the ever-changing vision of this world‌
BLISS ON THE BEACH: In these difficult times of cultural and economic crisis that we experience in Greece, the beaches offer moments of relaxation and bliss to their visitors, since they live and play without worries, they relax and reveal hidden aspects of themselves. By approaching them, I became one with the swimmers and the walkers of every gender and age, observing the various feelings they manifest through their spontaneous movements at random moments, something that you find difficult in the city in such a large variety and frequency. The challenge that burned through this project took place on the beaches of Attica, which are close to the city center. They have always triggered my interest and motivated me to work in this field many times throughout the years. The features I stood out for decoding these scenes were, among other things, the depiction of their fleeting but steady gaze and their body language. So the color or the black and white and schematic diversity of unanticipated comportment of people together with their interaction with the environment inspired me to approach this theme through my lens. --Website:
www.AndreasKamoutsis.gr
Instagram: @andreas_kamoutsis Facebook:
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www.facebook.com/AndreasKamoutsis.photographer
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PHOTO RE VIEW CHARLES CHOJNACKI
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CHARLES CHOJNACKI
From Belgium where I am living to all over in Europe, from Bhutan to India, from Mali to Vietnam, from Myanmar to China, and in many other countries, I travel a lot. In my luggage in addition to my camera, I take a specific element of fate with me. Because once I am elsewhere, separated from everyday life, these elements of fate alone know how to lead me to what has become my oxygen: the expression in color or in black and white of everything that usually is left unsaid, between what I see and what I feel. I love meeting new people who live in a universe like Rockabilly’s one. It’s a world apart from that I was following everywhere for several years, filled with cars, motorbikes, that vintage look, tattoos and of course, the music and dance. That was the subject of my first book “50s’ Today” (Have a look on my website). EYE-Photo Magazine offers me the opportunity to present my new work, my vision of our modern cities. A graphical environment made by angles, lines, and shadows… I intend to show how much the human is essential to break this order but also sometimes shows his loneliness. It’s another kind of journey. Though my photographs, I invite you to discover something that is different. I let you make your interpretation, hear what is not heard and let your imagination do the rest.
--Website:
www.charlesphotography.eu
Facebook:
www.facebook.com /Charles Chojnacki Photography
Instagram:
www.instagram.com /Charles Chojnacki Photography
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PHOTO RE VIEW FABRICE DANG
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FABRICE DANG
BIOGRAPHY Born of a French mother and an Asian father, Fabrice DANG had a strict upbringing that required a relentless pursuit of excellence. As he strives to meet his family’s expectations studying engineering, the little boy within longed to escape real life and early confrontation with the adult world by developing a poetic and oneiric imagination. His artistic world will be made of these two elements. Little by little, Fabrice thus creates his own miroir aux alouettes, that reflects whatever mirage people expect to see. It will mirror a model of success to his parents, the pledge of everlasting beauty to his muses and a family model to society He has been drawing inspiration from Art Nouveau in general, Sarah Moon as he likes the atmosphere of her pictures and Tim Walker’s mise-en-scènes REFERENCES: Many exhibitions: at least 3-4 per years. Fabrice DANG regularly participate to Arles Voix Off, The European Nude festival (FEPN) in Arles, etc… He also receives regularly some awards: human price for the Federation Photographique de France (French association of Photography), Price of the photography for the Salon d’Automne (Paris) and also finalist for the photoShoot Awards, NUDE 2018. --Website:
www.fabricedang.com
Facebook:
www.facebook.com/MoonetShadows/
Instagram:
@fabrice_dang_photography
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PHOTO RE VIEW FRANCESCO D’ALONZO
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FRANCESCO D’ALONZO
Francesco was born in Pescara on 20 September 1981. He began to photograph at the beginning of the second half of the 2000s, mainly landscapes inspired by love for nature and biodiversity. Over the years 2008-2011, the collaboration with the discorsifotografici.it website has been carried out for the creation of a page devoted to travel photography and paesaggidrabruzzo.com on the enhancement of Abruzzo’s territory. He began to deepen his photography, and in these years, he attended an advanced Reportage course in Rome at Photographic Offices, winning a special photo contest “Roma in a click” always at the Roman school in the same year. The human factor, investigating urban spaces, geometries, and forms of life within them are fundamental and fundamental themes of photographic evolution. This research brings him to participate in several international exhibitions (exhibition at Blank Wall Gallery in Athens) publications on several international street and black & white photographer magazines (Corridor Elephant, Paris, Apf Magazine Street Photography), entering 2017 within the “Exhibit Around” (Urban and Human Empathy) with exhibitions around Europe. To date, his photographic research, which is expressed through b & w images, concerns the study of urban spaces and its inhabitants, ranging from street to social reportage. --Website:
www.francescodalonzo.it
Instagram:
@francesco_photography81
Facebook:
www.facebook.com/francescofreelance
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PHOTO RE VIEW HARA SKLIKA
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HARA SKLIKA
BIOGRAPHY After years of studying and researching creative photography, educating herself in Greece and abroad, Hara has become an explorer of visual arts techniques. She has honed her gaze around knowing the ordinary and the extraordinary and beyond, to expressing the quotidian as special. Hara has achieved this by exploring different kinds of photography. Her starting point was human contact. Intense voluntary work at non-profit organisations and solidarity actions highlight her visual background, giving an emphasising the human aspect of the subjects she chooses. Direct communication with those groups, as well as the understanding of social behaviour and diversity, were personal aims and goals through the image. She then moved on to architecture. With almost archaic attention to geometry, she captures architecture as a great human creation and achievement, to become the professional that she is now. “Days at the Channel� series where taken during a period of regular visits to various locations around the English Channel, in an attempt to observe and capture the coexistence of people and the urban landscape. Capturing the banal, every day, the action through the inaction, the order, the harmony and the solemnity form, make up the overall philosophical perception of city life.
--Website:
www.harasklika.com
Facebook:
www.facebook.com/harasklikaphotography
Instagram:
www.instagram.com/harasklika
LinkedIn:
www.linkedin.com/in/hara-sklika-68030b60
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PHOTO RE VIEW JOHAN FAMEL
PHOTO RE VIEW ANTOINE RAZIEL
scars and emotions by antoine raziel Antoine RAZIEL www.antoineraziel.com FINE ART NUDE. Voir plus... Copyright © 2018 Antoine RAZIEL. Maquilleuse pour les cicatrices https://www.facebook.com/EvyCaliBeautyDesigner Model https://www.facebook.com/Uprising-832204483485171/
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JOHAN FAMEL
MODEL BOUDOIR EROTIC AMANDINE CENSURE Johan Famel, under the name of artist of "Yozic photography", passionate photographer since 2014, on Toulouse. A look, shapes and colors .... I love this particular bond that is created during an artistic bubble between a model and that to bring it to light. Friendliness, respect, complicity and simplicity are complementary and fundamental to the smooth running of a session. In a word, I am here to capture love and light. I pay particular attention to the light that caresses and sublimates the feminine curves. Her images depict the women's bodies, without artifice, and celebrate their natural beauty. Photographer yozic photography photographe yozic photographie https://yozic4.wixsite.com/yozic-photographie/publatation-mag https://www.instagram.com/yozicphoto/
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PHOTO RE VIEW JOHN GILL
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JOHN GILL
BIOGRAPHY My name is John Gill, a photographer from Castleford in West Yorkshire in the UK. I specialise primarily in street and documentary work in the local area. The area has seen drastic changes over the past couple of decades with the disappearance of the traditional heavy industries such as coal mining. Although there has been some reinvestment the smaller towns have seen a significant decline; not just economically but in a focal point to the communities. Over the past few years, together with my wife Bridget, I have been recording life in these post-industrial areas as part of a project called After the Coal Dust. This consists of candid street photographs of the people left behind in these ‘tired towns’. It is not intended to be nostalgia for the ‘good old days’ but a dispassionate look at what comes after major social and economic change. The After the Coal Dust project has had several print exhibitions in the North of England with another scheduled for 2019. Recently I have started another project called 100 Faces which still follows the candid approach to street photography but concentrates on a portraiture style. I do not socialise easily so photography gives me a way to interact with people from a distance. I feel more of an observer than a participant. Humans are the driving force for change in other genres including landscapes. Often the human involvement can have a detrimental effect so even if I do photograph landscapes there will often be a human element. In addition to the photography projects I do some web development work and also offer photographic training and mentoring. I also give talks on photography. RECENT EXHIBITIONS Great Yorkshire Show 2015 National Mining Museum for England 2016-2017 Bradford Industrial Museum 2017-2018 Doncaster Art Gallery scheduled March 2019 --https://www.afterthecoaldust.com https://johngill.photography Facebook: https://facebook.com/johngillphotography/ Instagram: https://instagram.com/johngillphotography/
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INTERVIEW How did you get into photography? I’ve taken pictures for many years buying my first SLR when I left school. Photography came about initially as a creative outlet. I’ve always been interested in art, music and literature. I can’t paint or play any instruments so photography was one of the few options I had left. I admired the work of photographers such as Bill Brandt so built a small darkroom at home so I could get into black and white printing.
What is in your subjects that makes you want to capture them? I primarily photograph people, almost always candidly. I want to portray people as they really are which is not always the way they might seek to portray themselves. The candid approach is the only way to accomplish this. I hope I can capture the essence of the person not just their appearance. I feel it is important to document the changing times, we don’t always appreciate things until they have gone.
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INTERVIEW Black&White vs. Color - what is the deciding factor for you? I shoot mainly black and white. Often colour adds nothing extra to the image and can sometimes be a distraction. After the Coal Dust is entirely shot in Black and White. Black and White can also be more forgiving, not having to worry about accurate colours is one less thing to worry about. Black and White also seem more dramatic to me, stripping away the colour forces the viewer to concentrate solely on the image content. Having said that the ‘100 Faces’ project will most likely be in colour if only to provide a greater distinction from the After the Coal Dust project.
What equipment do you use? Ideally, I’d be using the FF Canon I use in the studio for street work but it’s just not practical to shoot unseen with a large camera unless you’re in a tourist area. Most of my street work is done on Olympus m4/3 or even pocket cameras such as the Ricoh GR or even 1-inch sensor compacts. Several of the exhibition prints were done on a Sony RX100. Lens wise I tend to stick to the 28m-35mm (equivalent) range. I like to get close and using a wide lens allows me to include the subject and the environment. By restricting myself to just a small range I can pre-visualise what will be in the frame without using the viewfinder. Some recent images are taken with a 90mm equivalent lens as I’ve been experimenting with candid portraiture.
What advice would you give a newcomer who asks for an advice? To take as many pictures as possible and keep it simple. Too many photographers see it as a technical exercise. Learn a few basics and concentrate on the image rather than the equipment. Photography is about learning to see more than it is about learning to use a camera. I think it’s also important to know why you’re taking the pictures, work out what you want to portray and go for it even if it might not be instantly popular. The street photographs initially got quite a lot of criticism but perseverance paid off eventually. Get people to feel something; whether it’s anger, sadness or whatever. If the viewer doesn’t have an emotional response then the photograph is a failure. 133
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PHOTO RE VIEW KLAUS WEGELE
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KLAUS WEGELE
BIOGRAPHY Klaus Wegele (born on May 1961) During a business trip to San Francisco in 1989, Klaus got the first contact to the sujet “Nude Photography”, For some time nude photography was the major part of his work. Soon he developed an interest for other photographic sujets though. He went from nude photography to portrait photography and finally, he reached his current main interest - Ballet Photography. Klaus exhibited his work in Germany but also internationally. Since more than 20 years he teaches photography on international workshops. The workshops cover Portrait, Ballet, and Nude. He won international photography contests and his photos are printed in magazines. His photos are also used on theatres posters. Klaus work was presented in major online magazines and on several social media pages. Currently, Klaus is freelancing and working on ‚quit pro quo‘ basis for various smaller privately run ballet companies and for national theatres in Europe and soon in Latin and North America. CURRENT AND PLANNED PROJECTS: - Kyiv, dancing at historic sites - Havanna, dancing in the streets of Havanna - Buenos Aires, tango time - Oruro (Bolivia), Carnaval --Website:
www.dancemovements.de
Website:
www.artclassics.de
Facebook:
www.facebook.com/artclassics
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PHOTO RE VIEW LOULOU BRUNA
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LOULOU BRUNA
BIOGRAPHY Observing strangers in streets combined with a kind of ‘fear’ of forgetting about them, or at least a strong desire to not let these observed moments slip away into nothingness, resulted in my decision to start trying to capture them. I initially carried tons of disposable cameras with me as I walked through the streets of Utrecht and Paris, the former being my hometown and the latter I have come to feel most at home like. All my photos are mere attempts at capturing the split seconds during which people’s being, their presence and behaviour, touched me. Connectedness between people especially continues to intrigue me: a parent carrying a child; lovers holding hands; people saying their final goodbyes; and those holding no one but themselves. The more of these moments I witnessed, the more I have come to appreciate how strangers can so unknowingly (and yet correctly) be the creators of these scenes. The exciting as well as slightly horrible thing about taking analogue photos is the unpredictability. Currently shooting with a second-hand Ricoh GR1 camera with a broken display, I never know what mode it is in and when the battery is about to die - from time to time resulting in rolls of the film turning out to be completely useless. Street photography itself is also both exciting and frustrating: there is only one chance to capture a moment before it dissolves right in front of your eyes. Personally, failure in doing so forces me to accept letting go, which more than anything motivates me to move on to the next. --Website:
www.LoulouBruna.com
Instagram:
@LoulouBruna
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PHOTO RE VIEW MAXIME CROZET
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MAXIME CROZET
BIOGRAPHY Born in 1985, Maxime Crozet is an audiovisual technician. In 2007, with a thirst for freedom and escape, he embarked on a two-year trip around the world, alone, travelling as much as possible by overland. At the beginning of 2011, he retook the road again and travelled through Europe and the Middle East for nine months, before touring the Black Continent for sixteen months. Since then, he has continued his travels towards various horizons, often for many months‌ It is during his many trips that his passion for photography developed, until taking a central place in his way of exploring the world. Humans are always at the heart of Maxime’s photographic work, and he sublimates them through portraits full of emotions. Close to reportage, he moves away from the set to focus on a unit, oscillating between intimacy and distance. He uses light equipment for his shots and favours natural light. --WEBSITE: http://maximecrozet.wixsite.com/photography
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PHOTO RE VIEW MICHELLE MONDRAGON
Bottles, Boxes and Bones No1
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BIOGRAPHY The nature of my work varies from time to time, but it always involves photography. I love photography in every form. I teach a variety of classes at Pikes Peak Community College and Bemis School of Art (at Colorado College) from the fundamentals of photography through traditional and digital processing. While my photography training helped me to see the world more closely and allows me to pre-visualize the canvas I look in my head—Photoshop will enable me to fill the gap between my imagination and the limits of a camera. My journey began after graduating in 2000 from PPCC with a degree in Visual Communications/Graphic Design. The knowledge of design provided me with a great foundation as I learned photography. For me, the two creative approaches are intertwined. For many years I offered consumer portraiture and events services on a freelance basis as well as some time as a staff photographer at the United States Air Force Academy. My fine artwork has been published in several international magazines. I dedicate my time between shooting for the joy of the process and teaching others who share my passion. Having the opportunity to help others discover their own creativity through the use of photography, mixed media and digital art keep me learning new things. --WEBSITES http://mondragonphotoanddesign.com/ https://artboja.com/art/l084pt/ https://www.facebook.com/mondragonphoto/ https://www.instagram.com/mondragonphotoartist/
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Caged
Family Tree
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Late Lunch
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From the series “Bottles, Boxes and Bones”
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From the series “Porcelain and Rust ”
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PHOTO RE VIEW ORNA NAOR
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ORNA NAOR
BIOGRAPHY My name is Orna Naor, a street photographer from Tel Aviv, Israel. I travel a lot and being exposed to different people, different cultures, religions, costumes and living conditions. I always seek for the human reactions, the special moments that happen and reflect emotions. I’m looking at the world through my eyes, my natural point of view (low) and my heart and trying to capture the moments that makes an ordinary scene special and unique. I’m focusing on people and their relationship, the compaction, the love, the brotherhood, and by doing so, I hope it helps, even a bit, to regain humanity to humanity. --WEBSITE
Website:
www.ornanaor.com
Facebook:
www.facebook.com/orna.naor.5
Instagram:
www.instagram.com/orna50/
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PHOTO RE VIEW SEBASTIAN GRUIA
From the series “The Mute City”
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SEBASTIAN GRUIA
BIOGRAPHY My name is Sebastian Gruia, I’m a 38 years old photographer currently based in Eberstadt-Darmstadt, Germany. The appearance of digital photography fascinated me from the start and the first moment when I had enough finance I bought an Hp digital camera. That was the moment I’ve entered the photography realm, but the real start was through wedding photography. This medium gave me the opportunity to get closer to people and to realise that good photography must have a story in the background and people create and tell great stories. I’m interested in different genres of photography, like street, conceptual, abstract, architectural and I can mix most of my ideas and vision in the wedding territory, I can say that weddings are for me a place for experimentation. For a couple of years my primary interest shifted in the direction of street photography, where you can be an observer but also a storyteller, I like that you don’t have control over your subject and I’m thrilled about the way photography every time finds a way to surprise me. Until now I took part in several collective exhibitions and I hope that somewhere soon my first personal exhibition will take place. PROJECTS - Life and simple things: Sometimes casual things and places can offer a lot if you look closely. (current project) - The seven sins: My vision about the sevens sins of Humanity: Adventurer, Hypocrite, Irresponsible, Mystical, Proud, Seducer, Seeker. - The Mute City: the city of the future where humans will be an antisocial species trapped in the cities they created. (current project) - Street- black and white: street photography in black and white (current project) - Elemental: A study about elements (current project) --WEBSITES Website:
https://sebastiangruia.wixsite.com/photography
Facebook:
https://www.facebook.com/sebastian.gruia
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From the series “The Seven Sins”
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From the series “The Seven Sins”
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PHOTO RE VIEW WILFRIED GEBHARD
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WILFRIED GEBHARD
BIOGRAPHY Wilfried Gebhard *1944, worked as illustrator, cartoonist and picture book author. In 1966, during my studies at the “Academy of Fine Arts” in Stuttgart, I was on a three-month journey through Turkey. I photographed with a Rolleiflex. After more than 50 years I finally edited the nearly forgotten pictorial material. This brought me back to photography, I find my pictures on the way, in far cities but also in the closer surroundings of the small town in which I’m living. Special plays of light and shadow theatre inspire me - on the street, in urban space but also in nature. It’s are mostly silent pictures that I capture, quietly telling about people or small, everyday things along the way. I’m on my way with no particular intentions. I’m not searching, I let myself be surprised. In this way, picture collections on various topics come together. “What is special about Gebhard’s photographs is on the one side the sensitivity for the decisive moment in which the shutter is released, but also for the spatial structure in which this spontaneous event takes place, i.e. for the special architecture, as herein Maulbronn for the Gothic tracery, the vaults and tabernacles that characterise this masterful building and for the geometry. What matters to him, however, is not the reproduction of the architecture, but the feeling that one has when entering such a room”. So the art historian Dr. Helmut Orpel, at an exhibition opening. PUBLICATIONS Book publication: “Turkey 1966 - Pictures of a Journey” ISBN 978-3-8442-8492-8 Solo Exhibitions 2017 Istanbul Photography Museum: “Turkey in 1966 - Photographs of a trip” and “Istanbul 2015” 2017 City of Maulbronn: “Lightgames - shadow theatres” WEBSITES www.fotowege.de https://www.facebook.com/wilfried.gebhard.1 https://www.instagram.com/fotowege/
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PHOTO RE VIEW NASOS KARABELAS
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NASOS KARABELAS
BIOGRAPHY I was born in Pyrgos, Greece and I’m 25 years old. I started dealing with photography in the last six years and I have produced five short films and one feature film(OSMOSIS) which took part in festivals, in Greece and abroad. The kind of photography I’ve been dealing with is experimental black and white photography and in particular “the possibilities of deformation of the human body”. I attempt to escape from what we traditionally know as photography and to turn towards to other mediums of art such as painting. The alienated body and fuzzy features of the engravings of the matter reflect the ambiguous and unstable emotions and thoughts that constitute the subject of photography. One of the main features of my work is the frequent use of “long exposure” technique through which I try to explore, from a new point of view, my various subjects. Using the human figure as my central theme, I aim at creating new forms and giving a new meaning to them. PROJECT TITLE: DEFORMED FIGURES This series is the attempt to understand the functioning of sensations. To explore the space of emotions and the interaction between the forms of the image and the viewer. Each photo is an entity, which includes a certain mental condition. So, we are dealing with a variety of emotional loads within a world that is equally ambiguous with ours. The forms obtain a dreamlike dimension. Sometimes you cannot easily understand their contours. The exploration of the forms inside the photographs gives us the opportunity to discover the various aspects of our psychosynthesis. The imprinted forms indicate an extension of ourselves and express our deeper psychic world. The deformed and fragile forms are like an endless flow of feelings. The camera is transformed into the prime tool for observation, exploration and re-discovery of the world of emotions and the use of black & white offers the right aesthetics for depicting forms and framing emotions. With the idea of movement continually imprinted on photos, the people look like enclosed within a new reality. A fuzzy and deformed reality. A dimension that belongs.
WEBSITES Facebook:
www.facebook.com/nasoskarabelasphotography
Artlimited: www.artlimited.net/23384 Tumblr:
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eye Catching - Moments
Our Facebook photo group admins and online editors, Helena COSTA, Antje SCHIRMAIER, Thomas FÜNGERLINGS and Markus Brandstetter, did their best to compile an interesting, albeit an immense collection of unique, remarkable and fantastic photos. We call them the “EYE Catching Moments”.
With great pride and joy, we present these images here, selected in November 2018.
EYE-Photo Magazine always strive to provide you with a lively cross-section of the different photo styles. The photographs were selected from our Facebook photo group, a group of more than 17,000 members and photographers, sharing hundreds of fantastic pictures every day.
Visit the photo group here: www.facebook.com/groups/eyephotomagazineeditorschoice
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Nuno SG ©, jumping puddles 233
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Mafy Main Š, dancing 235
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Charles Chojnacki ©
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Bruno Lavi ©
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Kongsak Chiamsakol ©, smoke
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EYE CATCHING MOMENTS Claudio Federico ©, Father
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EYE CATCHING MOMENTS Mahesh Krishnamurthy ©
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Daido Fireyama ©
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Alexander Hafemann ©, Burj Khalifa, UA
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Roberto Di Patrizi ©
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EYE CATCHING MOMENTS Didier Fouasson ©
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Alexander Hesse ©, spinning wheels
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Corinne Spector © 256
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EYE CATCHING MOMENTS Vittorio Fabianelli ©
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Debarghya Mukherjee © Model: Anamika Dutta, Title: Light in shadow
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Goran Boricic ©
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EYE CATCHING MOMENTS Jaruška Besi Toboříková ©, Children’s fears
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EYE CATCHING MOMENTS Jacek Swiercz ©, Iceland
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EYE CATCHING MOMENTS Oliver Herbold ©, A Devon Morning
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Rana Jabeen ©, Bramante Staircase
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Vicki Jensen Otte ©
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Nuno Gomes ©
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Norbert Müller ©
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Callie Eh ©
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Mateusz Górniak ©, The glare of the eye
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Andrew Silesia ©
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Marzio Toniolo ©
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Ralle Buzz ©, Copy Me
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Amandio Antunes ©
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Xavier Warnier de Wailly ©
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EYE CATCHING MOMENTS Michele Carelli ©
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Daniele Dainelli ©
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Kat Rin ©
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EYE CATCHING MOMENTS Nuno SG ©, jumping
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Erich Reichel ©
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Dominique Agius ©
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Bernd Drawe ©, Searcher
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Ksav Clicks ©
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Sheikh Kabir ©
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EYE CATCHING MOMENTS Nuno Andrade ©, X
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Jenny Cameron Š, Elysian
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Avi Nahum ©
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EYE CATCHING MOMENTS Gus Fine Art ©, The first spring sun
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Selaru Ovidiu ©, Details
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Hajime Art ©, Welcome my son
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EYE CATCHING MOMENTS Doru Fadoras ©, Dream
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Jim Graham ©, Shacked up
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EYE CATCHING MOMENTS Xerwyn Flores ©, Beauty of the Desert
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Wolfgang Schmitt ©, Title: melancholy mirror, Model: Isabel Kiel
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Mei Bakker ©
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Ashhad Ali ©, Sadness!
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Mihai Jeic © - So fragile
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Tony Vt ©
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Peter F. Wingerter ©, Winter break at Lake Constance.
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Aiko Inamura ©
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Robert Freytag Š, Lake Ammersee - Bavaria
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EYE CATCHING MOMENTS Stefan Kreienbrock ©
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EYE CATCHING MOMENTS Piotr Dochniak ©, Title: “Lady autumn” Mod : Katarzyna Markiewicz, Mua :Sylwia Pastryk 347
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EYE CATCHING MOMENTS Massimuenchen Toby ©, HOPE NYC
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Michael Mayer ©, Views
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Dieter Wunderlich ©, Streetportrait, Euskirchen
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Brian Wigglesworth Š, Separation
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T INDEX ARTIST INDEX ARTIST NOTE: Indes NOT in alphabetic order • Mafy Main
www.facebook.com/mafy.main.3
• Bruno Lavi
www.facebook.com/bruno.lavi
• Charles Chojnacki
www.facebook.com/charles.chojnacki.5
• Claudio Fede Federico
www.facebook.com/claudio.federico.9
• Kongsak Chiamsakol
www.facebook.com/kongsak.chiamsakol
• Mahesh Krishnamurthy
www.facebook.com/mahesh.krishnamurthy.980
• Daido Fireyama
www.facebook.com/daido.fireyama
• Roberto Di Patrizi
www.facebook.com/robertodipatrizi
• Alexander Hafemann
www.facebook.com/alexander.mlenny
• Didier Fouasson
www.facebook.com/profile.php?id=100000386019143
• Alex Hesse
www.facebook.com/alex.hesse1
• Corinne Spector
www.facebook.com/profile.php?id=100006082037404
• Vittorio Fabianelli
www.facebook.com/vittorio.fabianelli.1
• Debarghya Mukherjee
www.facebook.com/debarghya.mukherjee
• Goran Boricic
www.facebook.com/apartmani.hercegnovi.3
• Jaruška Besi Toboříková
www.facebook.com/profile.php?id=100013692459087
• Jacek Swiercz
www.facebook.com/jacek.swiercz
• Oliver Herbold
www.facebook.com/oliver.herbold
• Rana Jabeen
www.facebook.com/rana.jabeen.5
• Vicki Jensen Otte
www.facebook.com/virginia.jensen.5492
• Nuno Gomes
www.facebook.com/nuno.gomes.3304
• Norbert Müller
www.facebook.com/norbert.muller.9849
• Callie Eh
www.facebook.com/callieehbb
• Mateusz Górniak
www.facebook.com/mateusz.gorniak.9
• Andrew Silesia
www.facebook.com/AndrewSilesia
• Marzio Toniolo
www.facebook.com/marzio.toniolo.7
• Ralle Buzz
www.facebook.com/profile.php?id=100010899962474
• Amandio Antunes
www.facebook.com/amandioantunesphotographie
• Michele Carelli
www.facebook.com/mikael.carelli.7
• Xavier Warnier de Wailly
www.facebook.com/xwarnierdewailly
• Daniele Dainelli
www.facebook.com/vincent.gallo66
• Nuno SG
www.facebook.com/nuno.gonsalves
• Erich Reichel
www.facebook.com/erich.reichel.9
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T INDEX ARTIST INDEX ARTIST • Kat Rin
www.facebook.com/wolfgang.h26
• Dominique Agius
www.facebook.com/dominique.agius.3
• Bernd Drawe
www.facebook.com/berndpdrawe
• Sheikh Kabir
www.facebook.com/sheikh.kabir
• Nuno Andrade
www.facebook.com/nuno.andrade.779
• Jenny Cameron
www.facebook.com/JennyCameronPhotog
• Avi Nahum
www.facebook.com/avi.nahum.10
• Gus Fine Art
www.facebook.com/gus.fineart.501
• Ksav Clicks
www.facebook.com/ksav.klicks
• Selaru Ovidiu
www.facebook.com/ovidiu.dishu
• Hajime Art
www.facebook.com/HajimeArt1608
• Doru Fadoras
www.facebook.com/DoruFadoras
• Jim Graham
www.facebook.com/jim.graham.3114
• Xerwyn Flores
www.facebook.com/xerwyn.flores
• Wolfgang Schmitt
www.facebook.com/spiegelwelten
• Mei Bakker
www.facebook.com/profile.php?id=100014886582561
• Ashhad Ali
www.facebook.com/ashhad.ali.12
• Mihai Jeic
www.facebook.com/mihai.jeic
• Tony Vt
www.facebook.com/tony.victorien
• Peter F. Wingerter
www.facebook.com/peter.wingerter
• Aiko Inamura
www.facebook.com/aikoinamuraphoto
• Robert Freytag
www.facebook.com/freytag.robert
• Stefan Kreienbrock
www.facebook.com/stefan.kreienbrock
• Piotr Dochniak
www.facebook.com/profile.php?id=100005585897237
• Massimuenchen Toby
www.facebook.com/massimuenchen.toby
• Michael Mayer
www.facebook.com/michael.mayer.7165
• Dieter Wunderlich
www.facebook.com/dieter.wunderlich.79
• Brian Wigglesworth
www.facebook.com/profile.php?id=100005974936680
EYE-Photo Magazine is an independent, online magazine, providing a platform to talented and enthusiastic photographers from all over the world to present their work, regardless their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any materials used in this issue. Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form. EYE-Photo Magazine © - all rights reserved www.eye-photomagazine.com office@eye-photomagazine.com
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EYE-Photo Magazine is an independent, online magazine, providing a platform to talented and enthusiastic photographers from all over the world to present their work, regardless of their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any materials used in this issue. Without written permission of its legal can be reproduced, edited, copied or EYE-Photo Magazine Š - all rights reserved
owner, no distributed
photo or text in any form.
EYE-PHOTO MAGAZINE - EST - 2013
Imprint: EYE-Photo Magazine © - Club Magazine of EYE-PHoto Club ZVR 1299861057 https://eyephotoclub.weebly.com Founder, Managing Editor: Stefan CIMER Editor and Proofreading:
Gerri McLAUGHLIN
Editor and Columnist:
Thomas FÜNGERLINGS
Online Editors:
Helena COSTA, Antje SCHIRMAIER, Markus BRANDSTETTER
All rights reserved. ® Copyright by Stefan CIMER ©
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office@eye-photomagazine.com www.eye-photomagazine.com
Y EE EYE PHOTO MAGAZINE
association’s journal of EYE-Photo Club