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Houston News: Poisoned Pelicans p7 | Music: Yodeling for Hollers p31 | Film: As the ‘Earth’ Burns p41

2 APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

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eee [SbQ`ch Q][ 115 Cooper St, Santa Cruz, CA 95060 831.457.9000 (phone) 831.457.5828 (fax) 831.457.8500 (classified) msc@metcruz.com Metro Santa Cruz is available free of charge, limited to one copy per reader. Additional copies of the current issue of Metro Santa Cruz may be purchased for $1, payable at the Metro Santa Cruz office in advance. Metro Santa Cruz may be distributed only by Metro Santa Cruz’s authorized distributors. No person may, without permission of Metro Publishing, Inc., take more than one copy of each Metro Santa Cruz issue. Subscriptions: $40/six months, $76/one year. Entire contents Š 2009 Metro Publishing, Inc. All rights reserved. Reproduction in any form prohibited without publisher’s written permission. Unsolicited material should be accompanied by a stamped, self-addressed envelope; Metro is not responsible for the return of such submissions.

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4 APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

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I WAS disappointed in your article on marine protection areas (“At Sea,� News&Views, April 15), as it painted only a part of the picture and implied that, in these uncertain financial times, if we don’t have a solid, long-term funding stream for ocean protection, maybe we should let further fish populations crash off our shore. That’s a false choice. Sardines in the Monterey Bay were overfished and the fish population and economy built around them crashed together, never to return. We are in the second year of a canceled salmon season because onshore and offshore human activities have left the salmon population devastated. Last month the federal government allocated $400 million for the San Joaquin River restoration, just one piece of the attempt to bring back future salmon fishing seasons, when a much smaller expenditure, done much earlier, might have kept the coastal salmon population alive. Now that other fish populations are crashing, a small expenditure on prevention will prevent a much larger expenditure to attempt to restore the fish populations once they have gone the way of salmon and sardines. We don’t worry about continuing the jewels in our land-based state park system because of inadequate long-term funding, something I tried to fix last year in the Legislature. And we should not slack on underwater parks that protect crashing fish populations because we don’t have a permanent funding source yet fully worked out. If we waver, future generations will ask why we let it go—just the way we wish that past generations had asked these questions for us about salmon and sardines. The choice is between spending a smaller amount of money now to protect the future of coastal fish, or spending substantially much more later with uncertain success in bringing back those crashed populations. That’s the full choice you should have presented in your article. John Laird, Santa Cruz

Perhaps we need a law that limits how many houses and how much land any person or corporation can own so as spread the wealth. The university has become a profit-oriented corporation rather than an educational institution. And, as an afterthought, RENT SUCKS. Don Dibble, Santa Cruz

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=C@ 43C2/: >/AB THANKS for the article “Family Values� (News& Views, April 15). The fact that the rent market is forcing people into desperate situations is nothing new. The word “rent� is the past participle of the verb “to render,� which refers to feudal times when the nobility held their lands as a consequence of “rendering� service to the monarch in war. In lieu of actual service so the monarch could use the money to hire mercenaries as substitutes for battle. Here we are centuries later, still carrying the load of our feudal past. It seems to me that some things belong to all of us, we the people. Among those is the earth itself, the air we breathe and the water we drink.

@3<BA =CB =4 E6/19 THE UNIVERSITY has a choice: to follow its ideals of a diverse student body, with families and people in many stages in life, or to reconfigure our educational community along narrower lines. Family Student Housing was designed as a protected bubble because the university recognized that students with families contribute tremendously to the community. It was called “affordable,� which involved a consideration of the kinds of incomes available. Yet in the past decade, by using market mechanisms to determine the rent but not the wages of FSH residents, the difference between salary and rent has reached a breaking point. We would all be happy to pay

Santa Cruz rents if we made anything like Santa Cruz salaries. Josh Brahinsky, Santa Cruz

A/D3 B63 E33 :70@/@G I WAS deeply disappointed to hear that there is a proposal to close the Garfield Branch library on the Westside of Santa Cruz. My family uses this library on a weekly basis. The staff is so friendly and attentive. This library reaches out to teenagers with movie nights, craft activities and a welcoming attitude. I often see groups of teenagers hanging out there in comfort and wholesome camaraderie. Visiting dogs get fresh water and biscuits. This sweet little library has a homey and small town feel that you just can’t get at the next nearest library: Central. I know the library is facing serious budget issues but it would be such a shame to lose this wonderful resource on the underserved Westside. Is there some other solution? Please email library board members (on library website) or attend the May 4 board meeting at 7:30 at Central Branch and give your ideas and opinions. Christine Altermann, Santa Cruz

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hen word came to Moss Landing–based WildRescue that California brown pelicans were showing up in the mountains or wandering on roads far from the sea, wildlife paramedics set out to ďŹ nd them. They saw dozens of dead ones in the greater Monterey Bay area, said WildRescue founder Rebecca Dmytryk. Those that were still alive acted “down,â€? a term used to describe a bird that is not bright and alert. The 28 surviving pelicans were carefully captured and transported to the International Bird Rescue Research Center in Cordelia at the northern end of San Francisco Bay. During the pelican mortality event this winter at least 500 pelicans were reported dead or debilitated along the West Coast from Astoria, Ore., to Baja California. Some showed signs of disorientation and were found in odd places, such as a mountain in New Mexico. Many had severe frostbite on their pouches and feet, leading scientists to believe that the cause of the event was likely related to climate change. With unseasonably warm fall weather in the PaciďŹ c Northwest, some 5,000 pelicans had

lingered at their summer and fall roosting sites in northern Oregon. When a freezing winter storm hit in mid-December, they were forced to migrate in harsh conditions that included 60 mph winds. During the event scientists, vets and rehabilitators shared notes and tested the dead birds. San Diego’s Sea World performed necropsy exams on eight to 10 birds. The U.S. Geological Survey National Wildlife Health Center in Wisconsin tested four. Tests were also run at the California Animal Health and Food Safety Lab at UC-Davis and the California Department of Fish and Game’s Marine Wildlife Lab in Santa Cruz. The birds tested negative for avian inuenza and West Nile virus, and though there were a few birds that tested positive for domoic acid—a type of harmful algae bloom that has been the cause of bird and marine mammal mortalities since its discovery in 1991—the levels were low. David Jessup, senior wildlife veterinarian for the California Department of Fish and Game, compiled information from pathology reports, transect counts and observations from ďŹ eld biologists and

clinicians. What he found was a variety of signs and symptoms that weren’t consistent. The ďŹ ndings led him to state in an interim report that the December storm seems to have been the primary cause of the event—but it doesn’t account for all observations or ďŹ ndings. “Some other causes of illness and death remain unexplained,â€? he wrote. One thing researchers didn’t test for was saxitoxin, one of the most potent natural toxins known. Saxitoxins are a family of single-celled naturally occurring dinoagellates that cause paralytic seafood poisoning (PSP) in humans. Maybe they should have run those tests. While the pelicans dive-bombed for ďŹ sh in Oregon’s late Indian summer weather, the entire coast of Oregon was closed to mussel harvesting due to elevated levels of PSP toxins. Is it possible that PSP toxins were a factor in the pelican mortality event? “It’s highly possible,â€? said Matt Hunter, shellďŹ sh project leader of the Oregon Department of Fish and Wildlife, “but without testing it’s hard to say.â€? 3&

WWW.METCRUZ.COM | M E T R O SA N TA C R U Z | APRIL 22-29, 2009

7

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AOf]b]fW\ A^WYS Why didn’t they test the birds for saxitoxin? For one, as of late February, Jessup wasn’t aware of the mussel harvesting closure. Perhaps that’s because there wasn’t a big redtide event that covered multiple counties like the one California had in 1991. Gregg Langlois, a senior environmental scientist with the California Department of Public Health, had just started his job in 1991 when he witnessed a saxitoxin-laced bloom, or red tide, that covered Marin County’s Drake’s Bay. (Physical discolorations in the water are referred to as blooms, but not all visible blooms are toxic.) There wasn’t a bloom in Oregon this winter, just mussels with enough toxins in their esh to warrant a ban on harvesting.

¡BVS QZ]ac`Sa O`S \]b c\cacOZ EVOb Wa c\cacOZ Wa bVS ZS\UbV ]T bW[S bVS PSOQVSa eS`S QZ]aSR b] VO`dSabW\U bVWa TOZZ O\R eW\bS` ¸´AO`OV AQVeOP =`SU]\ 2S^O`b[S\b ]T /U`WQcZbc`S Along the West Coast, PSP toxins are associated with upwelling and can threaten human health and coastal economies. To help keep the public safe, shellďŹ sh are tested regularly. In California shellďŹ sh are monitored for neurotoxins year-round, in addition to seasonal quarantines. In Oregon, the Department of Agriculture (ODA) tests razor clams, oysters and mussels for PSP toxins and domoic acid, both of which can cause minor illness and more serious problems leading to death. If the bivalves tested show 20 parts per million for domoic acid or 0.8 parts per million for PSP (80 Îźg/100 g), the area is closed to harvesting for a minimum of two weeks. “The closures are not unusual,â€? says Sarah Schwab, a food safety specialist with the ODA. “What is unusual is the length of time the beaches were closed to harvesting this fall and winter.â€? ODA closed the entire coastline of Oregon to mussel harvesting on Oct. 10, 2008, and didn’t deem harvesting safe until Jan. 20, 2009, when they reopened the beaches. The highest spike in PSP toxins found was on

Nov. 10 in northern Oregon at Silver Point with 441.4 Îźg/100 g, and at Cape Meares with 384.6 Îźg/100 g, four to ďŹ ve times the threshold amount. Both locations are south of the Columbia River and within foraging range of East Sand Island, the largest communal pelican night roost north of the Farallon Islands. The numbers seen in Oregon don’t reect mussels that are particularly “hot,â€? says Hunter. To put the numbers into perspective, the 1991 PSP red tide seen by Langlois in Marin County topped out at 10,000 Îźg/100 g. But it’s possible that even relatively low concentrations are dangerous to wildlife. It’s unknown how sublethal exposure affects a bird’s long-term health. “We don’t have a handle on the lethal dose of toxins for birds,â€? says Langlois. “It’s just a black hole.â€? PSP toxins are known to bioaccumulate in shellďŹ sh, like mussels and razor clams, but not necessarily in pelagic ďŹ sh like sardines and anchovies. “Normally we think of PSP toxins as showing up in shellďŹ sh,â€? says Raphael Kundela, a professor in ocean sciences at UC–Santa Cruz, “but many organisms eat phytoplankton, including ďŹ sh.â€? In an article in the January 2009 issue of Harmful Algae, a group of scientists reported that they found the ďŹ rst evidence of PSP toxins in northern anchovies and PaciďŹ c sardines in Monterey Bay and some California coastal regions. Pelicans don’t eat shellďŹ sh, but they do eat sardines and anchovies.

EVOZS ]T O >`]PZS[ Scientists on the East Coast are more sensitive to the idea that PSP toxins may be a factor in mortality events, says Kundela. The Woods Hole Oceanographic Institution’s website shows a picture of a dead humpback whale beached near Cape Cod, Mass. It was one of 14 that died after feeding on saxitoxinlaced mackerel in 1987. Still, little is known about the connection between bird mortalities and harmful algal blooms. Jan Landsberg, a research scientist for the Florida Fish and Wildlife Conservation Commission, wrote in a journal article about biotoxins: “There is a growing body of evidence that seabird mortalities accompany harmful algae blooms worldwide, but with only a few exceptions, most avian mortalities associated with harmful algae blooms events are anecdotal.â€? Landsberg cites a mortality event in England that occurred in 1969, when a total of 636 dead seabirds were found. Some of the symptoms recorded for the dying European shags sound similar to those reported during the recent pelican mortality event: a loss of equilibrium, lack of motor coordination, paralysis, excessive vomiting, intestinal hemorrhaging, failure of circulatory system and congestion of the organs, including the lungs. In Jessup’s interim report, the clinical ďŹ ndings for the pelicans included anemia, hypo-perfused lungs (congestion), depression, strange behavior and “infections and/or

intoxications, of varying severity including hepatitis, pancreatitis, endocarditas, bronchitis and interitus, and evidence of reduced immune system function.â€? Most of the vets and scientists agree that there were probably a number of factors involved. “Exposures that are not initially lethal may still cause mortality in wildfowl, both during and after stresses such as migration,â€? says Don Anderson, senior scientist at Woods Hole. In early February, ocean scientists and resource managers met for a ďŹ rst-time West Coast Harmful Algal Bloom Summit in Portland, Ore. One of the goals of the summit was to plan for a monitoring network for detecting and forecasting toxic algae blooms. There are thousands of microscopic algae oating around the ocean, including several dozen that produce toxins. Kundela said that one of the things to come out of the summit was the realization that scientists need to be more focused on PSP toxins. “We have a pretty good handle on domoic acid. We know when it’s coming and going, we know how to test for it, and we watch its affect on wildlife carefully,â€? says Kundela. “We haven’t made the same progress with PSP.â€?

/ <Se BV`SOb California brown pelicans are getting to ready to y off the state’s endangered species list. In early February, the state Fish and Game Commission voted to take them off the list where they have been since 1971. If approved by the Office of Administrative Law, the pelican will be the ďŹ rst endangered species in the state to be delisted due to recovery. Their numbers have now reached 8,500 pairs. As pelicans y into the sunset with their 8-foot wingspan, harmful algae blooms are increasing with virility around the world. Scientists aren’t certain why, but suspect increased nutrients from agricultural runoff and human waste, changes in the climate, and the movement of algae in ballast water. In California, there has been a sea change in the dominant phytoplankton community since 2004, says Kundela. Dinoagellates are on the rise. Scientists don’t know the reason for this either, he says, but they suspect that with less upwelling and warmer surface water, conditions are selecting for more dinoagellates. Oregon’s waters are changing, too. “When I ďŹ rst started 14 years ago PSP was a summertime event and domoic acid was a cooler water, winter event,â€? says ODA’s Dawn Smith. “That’s not the case anymore. We’re now seeing PSP in the dead of winter.â€? The good news is that the West Coast is well monitored and regulated. As a result, there hasn’t been a human illness caused by PSP in the last decade. The bad news for pelicans and other seabirds is that they can’t read the posted signs or check their emails for notices of harmful algae blooms. They gulp what they see, and as an indicator species, communicate what’s going on in our oceans. Ă

WWW.METCRUZ.COM | M E T R O SA N TA C R U Z | APRIL 22-29, 2009

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lthough NPR science reporter and UCSC alum Richard Harris is in town to discuss the dangers of climate change, there are some things round these parts he doesn’t mind hot. “I must say, I always drive down Mission and see if Ferrell’s donuts is still around,� he says. “The old-fashioned came out at 10:30 at night and we used to get them piping hot.� That was back in the late ’70s, when Harris was earning his bachelor’s in biology and writing

his first science articles under the tutelage of science writing program founder John Wilkes. Just a year after his graduation, in 1980, he penned his very first article on climate change. “It was one of those things where people said, ‘Ooh, yeah, that will be a big problem 100 years from now,’� he says. “I knew it was important, but there was no spark at the time. It takes a lot get people to go beyond thinking that this is some sort of vague threat in the future.� More than 25 years in science

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journalism later, Harris has now seen that spark kindled, but what to do next is another question altogether. That’s partially what he’ll be talking about at a panel discussion of Robert F. Kennedy Jr.’s talk the previous evening, titled “Our Environmental Destiny,� at the UCSC Reunion Weekend 2009. Harris will share the stage with other prominent alumni like organic farmer Claire Strader, who won the most votes in an online poll of who should become the “White House Farmer,� and environmental studies professor David Press, chairman of the Environmental Studies Program. Harris will contribute his perspective on the role of the media in an age when going green is finally trendy but the challenges are bigger than ever. “My job is not to be an advocate per se, but help people understand what all the facts are, and the facts often lead us to an obvious direction we should be heading in,� he says. Harris says he also tries to show in his pieces that there is no quick fix, but rather that sweeping societal changes will have to be to made to slow the pace of global warming. “It’s so much more than, you go buy a Prius and the problem is solved,� he says. In his many years behind the microphone, Harris has also witnessed the decline in the fourth estate, which he sees as having very real consequences—not just for the writers who’ve lost their jobs as newspapers ax their science sections but on the public’s access

to unbiased information about important issues. “It does add to the polarization of the issues. It’s not black and white. It’s not certain to be a catastrophe, but you have to recognize that it is a very real possibility,� he says. “Then some news outlets or blogs work full-time to say climate change is a hoax. There is a collection of people who focus their attention only on information that supports their own belief system.� That, he says, given the extraordinary amount of work to be done, is just not productive. Because as trendy as the Klean Kanteens and sustainable cotton T-shirts may be, the real solution will be a revolution. “I think we need to quietly find out a way to transform our technology,� he says. “You create technology so that everyone will naturally want to adapt and not be talked into it. That’s an incredibly tall order. It may be impossible.� RICHARD HARRIS joins a discussion with Claire Strader and Daniel Press on Robert F. Kennedy Jr.’s talk ‘Our Environmental Destiny’ on Saturday, April 25, at 10:30am at UCSC Humanities Lecture Hall, 368 McLaughlin Dr., Santa Cruz. Admission is free but advance registration is requested at www.alumni .ucsc.edu/reunions/events2009.html. ROBERT F. KENNEDY JR. presents ‘Our Environmental Destiny’ Wednesday, April 29, at 7:30pm at Cocoanut Grove Ballroom, 400 Beach St., Santa Cruz. Tickets are $27/$35/$50 at www.santacruztickets.com or 831.459.2159.

14 APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

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here does a writer begin a story? My friend James D. (“Jim�) Houston, a mentor and colleague, a literary father figure and cultural signpost—for Santa Cruz and California, for the entire Pacific Rim—is no longer here to answer that question, a circumstance that at this moment remains difficult to grasp. He has seemingly always been here, steady and true, a quiet, dignified presence on the local literary landscape, and always with a helping hand for young writers, for his friends, for anyone clenched in struggle with the muse. The news of Jim’s death this past Thursday hits hard, and I find myself pulling down his various books from my shelves—his early novel Gig, a tiny chapbook Three Songs for My Father, a first edition of Farewell to Manzanar, his masterful Snow Mountain Passage—and suddenly there is a pile, a substantial heap of novels and nonfiction histories and travelogues and biographies and remembrances, and it strikes me that therein lies the answer to my question of where to begin, that Jim is still here to guide and mentor, to lead the way.

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8O[Sa 2 6]cab]\ § # been there when he had first sailed into San Francisco Bay, on his way home to Texas, when his tattoo was new. . . . A few years later he was back, with his bride. Something glittered for him here. I’m still not sure what it was. I can only guess. We never talked about it.â€? Jim made sure that his own children understood his love affair with the Golden State and the Pacific Rim. Californians is dedicated To my children, Corinne, Joshua, Gabrielle, and to all the travelers who brought them to this crossroads— from Hawaii, Honshu and Niigata, from Cumberland Mountain, County Antrim and Glasgow.

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Several months ago, when I was sitting with Jim as he underwent chemotherapy treatments in the offices of the oncologist we both shared, I looked down at the plastic PICC-line going into his forearm and was reminded of a passage that Jim had written about the journey toward death of his own father, Dudley Houston, a house painter for most of his life. It was a passage in the prologue to his book, Californians: Searching for the Golden State, and it was a piece of Jim’s writing I had always loved. Jim had linked his World War II memory of his father’s tattoo on his forearm—a purple anchor with a rope wrapped around its stem and an eagle atop the crosspiece—to a moment a quarter-century later, in which his father was battling intestinal cancer at the UC Medical Center in San Francisco. A nurse was administering a PICC-line into his father’s forearm for a blood transfusion, from son to father. These were precisely the kind of links that mattered to Jim, the flow of generations, the passing of the mantle, the strong sense of place, the profound love that often goes unstated between men. Jim’s father had been born in East Texas, was stationed as a Navy sailor in Honolulu during the 1920s and had later migrated west to San Francisco. Jim began his celebrated book about California with his father’s tattoo. “He saw me staring at his arm,� Jim wrote. “I looked away, out the window, toward the vista to the north. . . . The view was easier to watch, and it started me thinking about his life and mine. The spires [of the Golden Gate Bridge] had not

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lood and place and fatherhood are what mattered to Jim Houston. It was upon those cornerstones that he built not only his life but also his professional career. Indeed, as I now survey his biography and literary oeuvre, they are nearly impossible to separate. Obituaries from across the country— from Honolulu to New York—have covered the requisite details: Born in San Francisco on November 10, 1933, he grew up on the western edge of the city, in the Sunset District, overlooking his beloved Pacific Ocean. It provided a childhood purview facing West that would shape and define his sensibilities for the remainder of his life. In the aftermath of World War II, the Houston clan moved 45 miles south to the then-rural Santa Clara Valley, near Saratoga, where Jim came of age and first discovered the joys of traveling over the mountains to Santa Cruz. He quickly fell in love with the southward facing coastline and the lazy summertime beaches and pounding surf. During the early 1950s he attended San Jose State College, pursuing a degree in dramatic arts. It was there that he met his future bride—Jeanne Wakatsuki—the wildly popular daughter of a JapaneseAmerican fisherman cum strawberry farmer, and she was to serve as Jim’s life partner for nearly six decades. They orbited each other’s lives. As Jim would mention at various times in his writing, his father’s military stint in Hawaii, where he had learned to play the Hawaiian slack key guitar, had a near mystical impact on his son’s imagination. As soon as he was able, Jim made what was to be the first of several sojourns to the islands; he and Jeanne were married on the beach at Waikiki in 1957.

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8O[Sa 2 6]cab]\ § % After Jim served in the U.S. Air Force in England, the couple toured Europe before returning to Northern California, where Jim received an MA in American literature at Stanford University. In 1959, his first published story appeared in a London literary journal. The writing bug had taken hold. In 1962, he and Jeanne relocated to Santa Cruz and moved into the 19thcentury Frazier Lewis mansion with its fabled cupola overlooking Schwann Lagoon and Twin Lakes beach. Jim loved old homes, and this one had a hidden history—Lewis’ mother, Patty Reed Lewis of Donner Party fame, had lived in the home—and it was dark and intricately constructed of redwood and cherry wood. Jim was to live and write there for the rest of his life. As his first daughter, Corinne, came along, and then the twins, Joshua and Gabrielle, Jim subsidized his writing endeavors as a musician, teaching classical and folk guitar and playing standup bass in local bars and nightclubs. He also taught creative writing at Stanford and later at UC–Santa Cruz and several other institutions and workshops (most notably at Squaw Valley) around the world. His students were many and remain fiercely loyal. Jim cared as much about them as he did about writing. It was in 1973 that Jim and Jeanne collaborated on Farewell to Manzanar, which chronicled Jeanne’s childhood experiences in a Japanese-American internment camp during World War II. It was a book that would change forever the American consciousness toward this ugly and previously buried piece of the nation’s history. Now in its 63rd printing, it remains one of the most important works in the American canon. From that point on, the books seemed to cascade out of Jim’s writing room. The awards and recognition also followed— two American Book Awards, a Joseph Henry Jackson Award for Fiction and the Humanitas Prize, among them—but he was happiest when he was surrounded by family and friends and good music. A beach party with the Houstons was an absolutely magical experience. During the 1980s, Jim began an extensive film collaboration with master Hawaiian ukulele player and ethnographer Eddie Kamae, resulting in eight documentary films on the legacy of indigenous Hawaiian music and a beautiful biography by Jim of Kamae titled Hawaiian Son. Jim and Jeanne, along with their daughter Corinne, also brought the Pacific Rim Film Festival to Santa Cruz during this period, and Jim continued to serve as an adviser to the festival through its 20th anniversary this past year. As he celebrated his 75th birthday last fall, Jim had completed nine novels, most

recently Snow Mountain Passage and Bird of Another Heaven, and more than a dozen works of nonfiction, including In the Ring of Fire and Where Light Takes Its Color From the Sea.

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im’s great gift to American arts and letters was his unique perspective on the Pacific Rim and the confluence of Eastern and Western history in the region. As his wife, Jeanne, noted in a casual discussion this past week, in many ways Jim served as a bridge between these two traditions, as a translator, of sorts, and he gave voice to those who had been dispossessed in the region—early day Californios, Japanese-American internees and forgotten figures in Hawaiian history. Jim caught the wave of Pacific Rim consciousness right as it formed and rode it all the way into shore. After rummaging through my library, I finally find a favorite book by Jim, The Men in My Life, which closes with a short piece titled “Elegy.â€? “At the county dump,â€? it begins, “I am throwing away my father. His old paint rags, and stumps of brushes. Color catalogues. The caked leather suitcase he used for so many years carrying small tools and tiny jars of his trade.â€? The tools of Jim’s trade were decidedly different, but Jim, like his father, was a master craftsman, someone who paid close attention to the details, who took his work to heart. Jim was a writer’s writer, the most dedicated and determined and disciplined I have ever encountered. Jim’s friend Alan Cheuse wrote in the introduction to Where Light Takes Its Color From the Sea, that Jim’s “literary father is John Steinbeck, his favorite uncles are Wallace Stegner and Oakley Hall, his sibling is Joan Didion,â€? and so on. Cheuse got the lineage right. Now, in the aftermath of Jim’s death, during this both beautiful and mournful time, I realize that we in Santa Cruz are all his literary children, living on the edge of the Pacific Rim, the region that captured Jim’s imagination for an entire lifetime. At the time of his death, Jim was working on a new novel, based on the life of Hawaii’s deposed Queen Liliuokalani, the last in the long line of Hawaiian royalty. These days I think of the lyrics to the famous farewell song she wrote, Aloha ‘Oe: Aloha ‘oe, aloha ‘oe . . . Farewell to thee, farewell to thee . . . Until we meet again.• Memorial services for James D. (‘Jim’) Houston will be held at Chaminade Saturday, April 25, 12:30pm. Contributions in Jim’s honor can be sent to: Community of Writers at Squaw Valley, P.O. Box 1416, Nevada City, CA 95959 (www.squawvalleywriters.org).

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here is the real world. And then there is what goes on for three days and nights at the 1=/163::/ D/::3G ;CA71 /@BA 43AB7D/:. _ MuZ journeyed to the deserts of Indie-O for this year’s festivities and will now attempt to break down the mind-numbing experience in 550 words or less. The headliners were hit and miss this year. >/C: ;11/@B<3G delivered a heartfelt extended set of mostly Beatles jams, including “Helter _ Skelter,â€? “Blackbird,â€? “Back in the USSR,â€? “Let it Beâ€? and “Yesterday.â€? MuZ skipped over B63 97::3@A, who headlined Saturday night, in favor of a blistering performance by 4:G7<5 :=BCA, but word on the street is that they were mediocre at best. Sunday saw the return of 2004 headliner B63 1C@3; @=03@B A;7B6 was in rare form, dropping wicked guitar solos and wristslitting vocals during the band’s nearly three-hour set. Friday brought plenty of feel-good music to kick off the weekend. B63 0:/19 93GA needed only a guitarist and drummer to rock the main stage. 1@GAB/: 1/AB:3A had the Sahara Tent in a near riot when lead siren /:713 5:/AA dove into the crowd amid a barrage of Nintendo sounds and screeching vocals. At the Outdoor Theatre, :3=</@2 1=63< growled out his trademark ballads “Bird on a Wireâ€? and “You Know Who I Am.â€? 037@CB struck a decidedly Mexican tone with his Mojave Tent performance. And the 1@GAB/: ;3B6=2 closed down Friday night with a live set of electronic rump rock. On Saturday, the crowd was at its giddiest with the heart of the festival in full swing. ;716/3: 4@/<B7 A>3/@63/2 brought an upbeat feel to the main stage with their brand of reggae grooves. 4:33B 4=F3A, each member sporting a beard grizzlier than the next, harmonized at the Outdoor Theatre. And 0/<2 =4 6=@A3A delivered a mellow assortment of hits that had several fans in a full waltz. The performance of the night, if not of the entire festival, took place away from the main stages, inside the electronica-heavy Dome. There, Los Angeles laptop manipulator _ Flying Lotus unleashed the most genius display of live beat creation MuZ has ever witnessed. The food was delicious and only moderately overpriced, with Big Willie’s BBQ topping my list and a grand total of seven churros still making their way through my digestive tract. Beers were $8 and mostly lost out to smuggled Jägermeister and Bud Light. The art was spectacular yet again. Fire was the major theme this year, with three of the chief exhibits equipped with some fashion of flamethrower. The moving fire snake sculpture “Serpent Motherâ€? was a major hit with its blazing spine and fire-breathing head. Another standout was Christian Ristow’s “Hand of Man,â€? a massive robot hand, controlled by fans and used to pick up and smash an old Buick. On the final day of the festival, Somali rapper 9¸<//< inspired the Gobi Tent crowd with his biographical lyrics, and ;G 0:==2G D/:3<B7<3 assaulted the main stage with an ear-splitting noise holocaust. Meanwhile, B63 =@0 reared its rarely seen head with a full band and B6@=007<5 5@7AB:3 brought a bizarre sideshow that closed down the Mojave Tent. All told, it was 38 hours of hot sun, warm beer, good friends and great music. So thanks, Coachella. See you next year. ` Send Nv [ an aspirin: ccartier@metcruz.com.

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Entoxicados $3 Adv./ $5 Dr. • Drs. 8:30 p.m., Show 9 p.m.

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1011 PACIFIC AVENUE SANTA CRUZ 831-423-1336

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$26 Adv./ $30 Dr. Drs. 7 p.m., Show 8 p.m. Thursday, May 7 AGES 16+

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$12 Adv./ $15 Dr. Doors 8 p.m. Show 9 p.m. Friday, April 24 • AGES 16+ • In the Atrium

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$30 Adv./ $34 Dr. Drs. 7 p.m., Show 8 p.m.

$16 Adv./ $19 Dr. • Drs. 8:30 p.m., Show 9 p.m. May 1 April 25 Saturday Night in the Atrium May 2 FREE SHOW SERIES No Cover • 9 p.m. • 21+ May 7

Rockstone Players Free Show (AGES 21+) American Economy Free Show (AGES 21+) Not From London (AGES 16+) DREAD DAZE • NORTH SWELL • ZUHG May 8 The B Foundation (AGES 16+) May 9 Superbooty (AGES 21+) Sunday, April 26 AGES 16+ May 12 Saigon (AGES 16+) SAY G&E TOUR May 13 The Devil Makes Three (AGES 21+) The May 13 Mystic Roots (AGES 16+) May 14 The Devil Makes Three (AGES 16+) May 14 Karate Explosion (AGES 16+) plus Exile also DJ Day and Afro Classics May 15 The Cataracs (AGES 16+) $16 Adv./ $20 Dr. • Drs. 7 p.m., Show 8 p.m. May 16 Bassnectar (AGES 16+) May 16 Murder Junkies (AGES 16+) Thursday, Apr. 30 • AGES 16+ • In the Atrium 17 Andre Nickatina (AGES 16+) JAY NASH/ PETE & J plus Joey Ryan May May 19 Robin Trower (AGES 21+) $10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m. May 21 Dredg/ Torche (AGES 16+) Saturday, May 21 Beats by the Pound 3 (AGES 16+) May 2 May 22 Gogol Bordello (AGES 16+) AGES 16+ 23 Gogol Bordello (AGES 16+) ‘Your Music Olympicks Finals’ May May 27 The Aggrolites (AGES 16+) $12 Adv./ $15 Dr. • Drs. 7:30 p.m., Show 8 p.m. May 28 Tomorrow’s Bad Seeds (AGES 16+) Tuesday, May 5, AGES 16+ Jun 5 The Mother Hips (AGES 21+) Jun 6 Del Tha Funky Homosapien (AGES 16+) Jun 19 Easy Star All-Stars (AGES 16+) plus Abstract Rude Aug 7 Johnny Winter (AGES 21+) also Myka 9 Oct 21 UFO (AGES 21+) The The

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MCCOY TYNER TRIO Friday, April 24th at 8pm at the Rio Theatre Gold Circle $50 s General $35 No Jazztix or Comps

Tickets available at: Logos Books & Records 1117 PaciďŹ c Ave s Downtown Santa Cruz and www.kuumbwajazz.org

Presented by Kuumbwa Jazz Sponsored by Redtree Properties, L.P. Supported in part by the NEA

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WWW.METCRUZ.COM | M E T R O SA N TA C R U Z | APRIL 22-29, 2009 Dramatization. Use as directed. ©McNEIL-PPC, Inc. 2009

28 APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

29

30 APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

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here are four simple rules for making it as a singing cowboy: (1) Have a nice horse. (2) Have a nice physique. (3) Have a nice face. (4) Be able to yodel. So says Riders in the Sky’s Ranger Doug, and he should know. He wrote the book on singing cowboys— literally. It’s called Singing in the Saddle: The History of the Singing Cowboy, and it was the first serious attempt to document the genre. “There was a lot of misinformation out there, and nobody had ever done the whole history,� he says. But the odd thing about Ranger Doug’s rules is that his own group, which plays the Kuumbwa on Tuesday, wouldn’t pass muster. There’s nothing wrong with their physiques or faces, and they can definitely yodel. But there’s no getting around the fact that they don’t have a horse. Or maybe there is. In his defense, Ranger Doug points to a little-known chapter in the history of Riders in the Sky. Back in the early ’90s, the group had a Saturday morning show. Titled eponymously, it was CBS’ replacement for Pee-Wee’s Playhouse, and featured the same zany style, not to mention the same set designer and writer. Over its year-long run, Ranger

Doug and his fellow riders Too Slim and Woody Paul (since joined by fourth member Joey the CowPolka King) would interact with puppets and talking cacti. The show was even filmed in the old Republic studios, home to some of the singing cowboy icons. “It was incredible,� says Ranger Doug. “We were working in the same buildings Roy Rogers and Gene Autry had been in.� And Ranger Doug even had a horse, whose name was “Turbo� on the show and “Pal� in real life. Thus did the show seal the deal on the Riders’ singing-cowboy cred. But just as the cultural importance of singing cowboys didn’t get its full due until Singing in the Saddle, mainstream culture hasn’t always “got� the Riders in the Sky mix of comic showmanship with sincere dedication to traditional Western music. Ranger Doug recalls that when the group started out in the late ’70s—31 years and 5,741 live appearances ago—no one believed they could pull off a fully acoustic tribute to real Western music. “Everybody said, ‘You gotta add drums.’ We said, ‘No, we don’t want to do that.’ They said, ‘What, you don’t want to work?’� he remembers. But work they did, and in a matter

of months they had already broken onto the influential Austin City Limits. Ranger Doug credits bluegrass great Bill Monroe with giving him the stubbornness to stick to his guns. In his college years, the future Riders guitarist cut his teeth playing with old-time bluegrass bands and landed a gig touring with Monroe. It wasn’t always easy—Ranger Doug describes Monroe as “intimidating� and the experience as “terrifying�—but he saw how Monroe believed in the power of his own music even before he was rediscovered and elevated to legendary status. “We played a lot of crummy little places and military bases,� he says, “but he believed in what he did so much. What I learned is that if you really believe in what you’re doing, keep doing it.� Putting a similar faith in their own mission, Riders in the Sky did just that. “Our focus is exactly the same as it was when we started,� says Ranger Doug. “We believe in keeping this dignified and poetic tradition of Western music alive.� Not only have they kept it alive, but they’ve watched its status rise within popular culture. Their upcoming album features them performing classic Western songs with the backing of the Nashville

Symphony. It’s only the most recent orchestra they’ve worked with; others include the Boston Pops and the L.A. Philharmonic. “I always love it,� says Ranger Doug of their brushes with high society. “It sounds like a Western movie. And we still have fun. We love to crack up the band.� Such high-profile cultural mash-ups are a far cry from the labor of love that was Singing in the Saddle—“We didn’t threaten Anne Rice,� he says of its university-press printing. But the book was a chance to delve into the history of his childhood heroes and cement their place in musical history. Though Autry, as the trailblazer that every other movie studio tried to imitate, will always be considered the most important singing cowboy, Ranger Doug admits he has some bias toward his own favorite. “I always loved Tex Ritter when I was a kid,� he says, “because I thought he was more authentic in his way. And he had more fights in his movies.� RIDERS IN THE SKY play at 7:30pm ($22), and a children’s show at 5pm (children $12.50/adults $16), on Tuesday, April 28, at Kuumbwa, 320 Cedar St., Santa Cruz. For tickets, contact Snazzy Productions at 831.479.9421.

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he next time Tim Eriksen starts humming something different while doing the dishes, he might better pay attention. “A lot of the stuff I do around the house is the stuff people are most interested in,â€? says the punk rock singer–turned-ethnomusicologist, speaking from his home in western Massachussetts. Stuff like harmonic singing, also known as Tuvan throat singing, with its eerie overtones wandering above a gutteral bass line. Or shape-note singing, the centuries-old notation method and musical form usually found in hymn books. Both have worked their way into Eriksen’s repertoire of northern roots music, a haunting New England–born relation of southern Appalachian song. Eriksen’s drawn to both. “In our national self-image, people locate tradition in the South and innovation in the North. They look to the Northern states for John Cage and the Southern states for Ralph Stanley. I feel like I’m kind of between John Cage and Ralph Stanley in my musical and philosophical life,â€? he says. To say Eriksen is a versatile musician is an understatement of the first order. A player of banjo, guitar, fiddle, bajo sexto, dulcimer and f lute, he’s performed folk punk with Cordelia’s Dad, Bosnian pop with Zabe I Babe and South Indian classical music in college, all the while nurturing an abiding interest in the mid-19th-century music of New England. That fascination led him to shape-note singing, and shape-note led him to Sacred Harp, a rarified a cappella form named for a book of distinctive hymns most commonly practiced in the Primitive Baptist tradition. Its four-part harmonies—intense, even raucous, and usually rendered in a minor key—are showcased in the soundtrack to Cold Mountain, which did for Sacred Harp what O Brother, Where Art Thou? did for bluegrass. Eriksen was brought in by producer T-Bone Burnett to coach other singers in Sacred Harp and perform in his own compelling voice. Nasal yet full-textured, without vibrato or ornamentation of any kind, it’s a voice from another century: stoic, lonesome and without ego, as if forced by hardship to accept the dominion of greater powers. For Eriksen, the group singing of Sacred Harp has become a passion. He regularly holds workshops, or sings, which he says feed the soul. “Honestly, I think what some people are looking for in music is work. It’s that old adage that people get more out of helping others. And we’re so tied up in passive music reception that there’s no work involved anymore. “I keep saying the next big thing in music has to be doing it. I think people are really hungry for it.â€? Ă

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get off the couch. change lives, starting with yours. get out of your comfort zone. be inspired. find your inner athlete. meet like-minded people. leave impossible behind. be someone’s hero. create a world without cancer. be extraordinary.

train. endure. achieve. matter.

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Attend an Information Meeting near you to learn more. 831.333.9124 teamintraining.org/sj

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he workers at Republic Windows and Doors were doing a lot more than twiddling their thumbs during their six-day occupation of the Chicago factory where they’d been abruptly laid off two weeks before this past Christmas. Sure, they were playing cards and dominoes, but according to filmmaker Andrew Freund, who premieres the rough cut of his film about the incident, titled Workers’ Republic, at the Eighth Annual Reel Work Film Festival on Friday, it was a lot more than a waiting game. “There was a lot of political conversation going on,� he says. “When you have a militant issue like this, it makes people think about hope and what can be done outside of the norm.� Freund arrived on the scene as a reporter for Labor Beat, a nonprofit, pro-labor news organization, after word got out that employees were refusing to leave the factory. The workers, of Local 1110 of the United Electrical, Radio and Machine Workers of America, had been laid off with only three days’ notice and no promise of severance pay, benefits or compensation for accrued vacation days, all violations of the Worker Adjustment and

Retraining Notification Act. When Republic blamed Bank of America for cutting its loans off, months after the bank’s $25 billion TARP bailout, Republic Windows and Doors became a symbol of everything that was going wrong with the economy. “Once it had begun, it was impossible to be in Chicago and not know about it,� says Freund. “Everyone was latching on to this. People were seeing you don’t have to take a bad economy lying down.� The screening, at Watsonville City Council Chambers (a city with 25 percent unemployment) and sponsored by the Pajaro Valley Federation of Teachers (whose district just made $14 million worth of cuts) is one of 24 films being shown in this year’s festival, arguably at a time when grassroots labor movements need a morale boost more than ever. Other films include Prostitution: Sex Work or Sexual Exploitation, an investigative documentary featuring interviews with the women, children, pimps and johns; and Winter Soldier: Iraq & Afghanistan, a look at a protest in Washington by Iraq Veterans Against the War wherein soldiers testified about the atrocities they’d witnessed. A sneak peak of The Red Tail follows a former Northwest

Airlines mechanic and his daughter to China after his job is outsourced, and Dos Americas: The Reconstruction of New Orleans caps off the festival with a portrait of Post-Katrina Latinos trying to rebuild in the face of wage theft, racial tension and discrimination. Sunday, May 2, will feature a daylong event at the Live Oak Grange called “Growing Food and Fuel.� Visitors will enjoy a vegetarian potluck, artwork displays, music and, of course, films, including Tackling Child Labour in Agriculture, Bracero Stories and Burger King Exposed. Many screenings feature a postpresentation talk by filmmakers or the subjects themselves. Andrew Freund will be joined after Workers’ Republic by a couple of the plant workers featured in the documentary, who will discuss what it was like to take on their company and the role of labor in these dark economic days. “[The Great Depression] gets talked about a lot as we move into this new economic crisis. What doesn’t get talked about is that people at that time were not just waiting for a savior with their hand out. Instead they were organizing,� says Freund. “It seems like now, more than ever, grassroots

campaigns for social justice are needed again, even though we have a Democratic majority. We can’t get complacent.� Other events include talks by Santa Cruzans who were at the “Battle in Seattle,� SEIU director Nick Steinmeier, and California Federation of Teachers communications director Fred Glass. In bleak times, the workers at Republic actually managed a happy ending. After the six-day occupation, Bank of America agreed to reinstate the loans necessary to pay the workers their severance, and the workers poured out into the street cheering. A Silicon Valley company actually purchased the window plant, and Freund reports that the workers will likely be reinstated to their positions. “The lesson they’re teaching us is, if they’re closing it, you should occupy it,� says Freund. “I see organized labor and grassroots organizing as the only way forward. If you look at history, it’s the only way history has moved forward.� THE REEL WORK 2009 MAY DAY LABOR FILM FESTIVAL runs April 20–May 4. For film times, locations and more information go to www .reelwork.org or call 831.477.1665.

WWW.METCRUZ.COM | M E T R O SA N TA C R U Z | APRIL 22-29, 2009

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reminder that Disney’s Earth is an event, not a movie, comes right away; it’s during the coming attractions for the sequel Disney’s Ocean, slated for Earth Day 2010. Here are small-screen excerpts from Disney’s nature shorts of the 1940s–60s; here are reminders of the eight Oscars they’ve won in a format in which “Nature writes the screenplay�—though this comment is as open to argument as the statement “Disneyland is the Magic Kingdom.� BBC and the Discovery Channel collaborated on Earth, but it is very much Disney’s movie. It begins with James Earl Jones rumbling on the soundtrack as the sunrise is viewed from outer space. Holding the series of critter-encounters together is the plight of a polar bear family—“Dad,� “Mom� and two cubs, an heir and a spare—during the course of a year. We keep returning to these bruins in a documentary in which Man never appears. The more stunning small effects are what’s worthwhile. Earth has fine trees. Remarkable new time-lapse photography pans gently across a valley, while observing the yearly change of a forest of deciduous trees from bare branches to scarlet leaves. Peaceful moments don’t sell.

What’s a movie without conflict? And so we have Shark vs. Seal, Polar Bear vs. Walrus, Lions vs. Elephant and Cheetah vs. Gazelle. The last of these battles, while bloodless, is almost pornographic. The herbivore succumbs as much as she is killed, and in ultraslow motion. One feels bad about the outcome, but not that bad. As Orwell wrote, the gazelle is one of the few animals that look as if they would be good to eat: “you can’t look at a gazelle’s hindquarters without thinking of mint sauce.� Disney’s primacy in nature documentaries is a subject Neil Gabler examines in his recent biography of Walt Disney. In the 1940s, Disney had an encounter with Stanford president David Starr Jordan, an expert on the fur seal territory debate between Japan and Russia. Thus Disney decided to make a documentary on the seal islands of the North Pacific. Disney’s inspiration was to cut out most of the human factor. “More seals,� he kept cabling to the photographers in the Arctic. RKO Studios, Disney’s regular distributor, didn’t see the percentage in it. Neither did Roy Disney, Walt’s partner and brother. “Who wants to look at seals playing house on a bare rock?� Hindsight shows how many people did. Gabler writes, “Seal Island

would become the model not only for Disney documentaries but for nature documentaries generally: a strong plot, anthropomorphized animals with emotions imputed into them, and a musical track . . . which made the documentaries into reallife cartoons.� And so forth, on to the non-Disney hit March of the Penguins. Earth sticks with the successful formula. When we see a pride of lions lapping water together, their heads squeezed together by a telescopic lens, they look as conspiratorial as the Clanton Gang. That’s the downside of Disney’s Earth, all over—the technology has changed; it’s improved brilliantly. The formula is same-ol’, same-ol’. Here is more rumbling narrator, and more overwrought music. (We hear Celtic keening when a prey animal gets it in the neck.) We sometimes learn a little something about the land—we hear we’re in the Himalayas, the Serengeti or the New Guinea habitat of the aptly named birds of paradise. Maybe the most stunning part of this film is the mating dance of the superb bird of Paradise, flashing its neon bright, iridescent turquoise feathers. But the scene is marred by the gag writing. “Git down!� Jones jokes as a different bird of paradise dances. To the organization’s credit,

Disney bites the bullet: “The planet is warming,� Jones says, leaving no room for backpedaling in this noncontroversial noncontroversy. It’s the old who might be most solaced by Earth. This audience is accustomed to being lulled to sleep at the end of beery Sundays by the nature shows on KQED, just as their grandfathers were put into narcosis by Schlitz and Mutual of Omaha’s Wild Kingdom, which was broadcast at roughly the same day and time slot some 45 years ago. Always, delicate creatures make narrow, unlikely escapes, signifying the fate of a whole endangered species: “The marmoset is safe . . . for tonight. But how long can the whiskered monkeys of Venezuela hold their dominion against the invasion of Man?� On the one hand it reminds the gentle viewer of how much of the earth’s creatures are hanging on by a thread; on the other hand it assures these viewers that some providence will look out for them . . . and so to bed. EARTH (G; 96 min.), directed by Alastair Fothergill and Mark Linfield and narrated by James Earl Jones, opens at select theaters Wednesday, April 22. Read a longer version of this essay at www.metrosantacruz.com.

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SHOWTIMES FOR FRIDAY APRIL 24 – THURSDAY APRIL 30 “Stunning! A family friendly wildlife film‌ naturally uplifting with brilliant images.â€? –BBC FROM THE CREATORS OF THE EMMY AWARD-WINNING ‘PLANET EARTH’

Disney Nature Presents Narrated by James Earl Jones Daily: (2:20),

(4:40), 7:00, 9:10 + Wed 4/22 – Sun 4/26 (12:00) “A smart & affecting coming-of-age comedy!� –New York Magazine (R)

Daily (2:30), (4:50), 7:10*, 9:30 +

Wed 4/22 – Sun 4/26 (12:15)

*No 7:10 Show Thurs 4/30

Amy Adams

Emily Blunt

Alan Arkin

FROM THE PRODUCERS OF

Steve Zahn

‘LITTLE MISS SUNSHINE’

(R) Daily

(3:20), (5:20), 7:20, 9:20 + Wed 4/22 – Sun 4/26 (1:20)

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(Opens Wed, April 22, at the Del Mar, Scotts Valley and Green Valley.)

6bZg^XVc <gV[[^i^ (1973) George Lucas’ slice of pre-JFK-assassination nostalgia has been almost completely overshadowed by Star Wars at this point. Which is too bad, because this is actually a much better film, at least in the sense that’s it’s better written, acted and directed. Star Wars’ mythic scope may have lifted it far above the sum of its parts, but American Graffiti showed that Lucas could make a more human kind of movie magic. (Plays Thu at Santa Cruz 9.) (SP)

;^\]i^c\ (PG-13; 105 min.) In the future,

Npwjf!sfwjfxt!cz!! Kfggsfz!N/!Boefstpo-! Tufwf!Qbmpqpmj!boe! Sjdibse!wpo!Cvtbdl :Vgi] (G; 90 min.) See review, page 41.

all movies will have generic titles that describe their ingredients. Citizen Kane will be renamed Monopolizing. The Big Lebowski will be renamed Arguing. Last Tango in Paris will be called Fucking. So this action flick starring Terrence Howard and Channing Tatum about the world of underground street fighting is way ahead of the curve. (Opens Fri at Santa Cruz Cinema 9, Scotts Valley and Green Valley.) (SP)

I]Z <ddc^Zh (1985) Written by the Ultimate Cheese Factory team of

Steven Spielberg and Chris Columbus, and directed by Richard Donner, Goonies is a stranger film than you might remember—the message seems to be that adolescent alienation and suburban woes can be beaten through friendship and pirate treasure. In any case, the nostalgia factor has made this one of most popular of the new crop of midnight films, and fans consider it a pinnacle of ’80s movieness, which in a certain way it kind of is. At the very least it has that catchy Cyndi Lauper song and the good half of the Two Coreys. There are also a lot of inside references to other movies, including The Great Escape, Gremlins, Star Wars and

Midnights @ The Del Mar Fun! Prizes! Hey You Guys!

The Goonies (PG)

Fri 4/24 & Sat 4/25 @ Midnight Special Pre-Show Treasure Hunt Both Nights @ 10pm – www.thenick.com for details Next Week: Sin City

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www.thenick.com

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23: ;/@

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STARTS FRI 4/24!

“A remarkable film showing the incredible hardships people will endure in order to reach El NortÊ‌ riveting from start to finish!â€? –Roger Ebert A FILM BY

CARY FUKUNAGA

" AB /D3<C3 17<3;/A

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(R) Daily (2:50), (5:00), 7:10, 9:20 plus

Sat, Sun (12:40)

STARTS FRIDAY 4/24! “An uncompromising, expertly crafted shocker about hedonism in early-’80s L.A.�

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–Film Journal

Billy Bob Thornton Kim Basinger Mickey Rourke Winona Ryder

THE INFORMERS(R)

FROM THE NOVEL BY

BRET EASTON ELLIS

Daily (3:00), (5:10), 7:20, 9:30 plus

Sat, Sun (12:50)

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STARTS FRIDAY 4/24! “Three playfully surreal shorts about human connections in the science-fiction-like Tokyo!� –The New York Times FROM DIRECTORS

MICHEL GONDRY, LÉOS CARAX, & BONG SOON-HO (NR) Daily (2:10), (4:30), 6:50, 9:10 plus

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Sat, Sun (11:50am)

“Magical! A picture perfect masterpiece about art and life!�

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–Baltimore Sun

everlasting moments

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(NR)

Daily (1:40), (4:20), 7:00, 9:35

( ) = Bargain Shows Before 5:30pm

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STARTS FRI 4/24! “Jamie Foxx gives a lyrical performance!� –Entertainment Weekly

Jamie Foxx

Robert Downey Jr.

Daily (1:50), (4:10), 6:40, 8:50 plus

Sat, Sun (11:30am)

(PG-13)

BASED ON A TRUE STORY

FROM THE PRODUCERS OF ‘LITTLE MISS SUNSHINE’

Daily (2:20), (4:20), 6:30, (R) 8:30 + Sat, Sun (12:20) COMING SOON! ‘Paris 36’ 5/1 Michael Caine in ‘Is Anybody There’ 5/8

Children under 5 admitted only on Mondays & Weekend Matinees

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Shock Treatment. (Plays Fri and Sat at midnight at the Del Mar.)

I]Z >c[dgbZgh (R; 98 min.) Nihilistic rich kids party while their loser parents run the world. Yup, it’s a Bret Easton Ellis movie. (Opens Fri at The Nick.) (SP) DWhZhhZY (PG-13; 109 min.) Ali Larter is—OBSESSED in OBSESSED! Poor little asset manager just wants to be a good husband to BeyoncÊ Knowles, but he soon discovers a temp worker is—OBSESSED! Because the sexual harassment problem in the American workplace is definitely entry-level females becoming OBSESSED with upper-management men. What are the poor guys supposed to do, these women are—OBSESSED! (Opens Fri at Santa Cruz Cinema 9 and Green Valley.) (SP) H^c CdbWgZ (R; 96 min.) See review, page 44. (Opens Fri at the Nick.)

I]Z Hdad^hi (PG-13; 117 min.) Jamie Foxx plays a homeless man whose musical talent is discovered by reporter Robert Downey Jr., a.k.a. Please Give Us An Oscar for Something. (Opens Fri at Aptos, Riverfront Twin and Green Valley.) (SP)

Id`nd (Unrated; 112 min.) Anthology film features director Michel Gondry’s adaptation of the graphic novel Cecil and Jordan in New York, as well as segments from Korean director Joon-ho Bong (who did The Host) and France Leos Carax. All set in one city, it’s not clear which one. (Opens Fri at the Nick.) (SP)

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6YkZcijgZaVcY (R; 106 min.) The intelligence and malaise level in Adventureland are fairly high considering that the film is, deep in its bones, a barf, boner and bong teen comedy. The action is set in the summer of 1987. James (Jesse Eisenberg) is a Holden Caulfieldish privileged student expecting the European tour after graduating high school, but his father’s money has run out, and James will have to land a job somewhere to pay for tuition to Columbia. At the amusement park called Adventureland he meets Em (Kristen Stewart), a sharp but quiet girl heading to NYU, and Joel (Martin Starr), a povertystricken intellectual. Bill Hader and Kristen Wiig play the couple running the amusement park. (RvB)

9jea^X^in (PG-13; 132 min.) Curdled swank. It tries to recall the 1960s slice-of-cake style with split-screen, harpsichord music, treacherous lovers and exotic locations. Director/writer Tony Gilroy adds some modern convoluted storytelling. MI6 agent Ray (Owen) thinks that he has landed a smooth pickup, but he’s knocked cold for 16 hours: Claire (Julia Roberts) has slipped him a champagne Mickey. In 2008, Ray and Claire—still feuding—now are working together for a cosmetics company, safeguarding the interests of a savage underdog named Garsik (Paul Giamatti), who is nipping at the heels of a rival corporation, chaired by Tully (Tom Wilkinson). (RvB)

:kZgaVhi^c\ BdbZcih (Unrated; 131 min.) Maria Heiskanen plays a working-class Finnish mother living in Sweden in the first 20 years of the last century. She settles down with the brutish Sigfrid, called Siggi (Mikael Persbrandt), but is touched by the attentions of Pedersen (Jesper Christensen), who owns a camera store. Director Jan Troell has a great gift with this period, as he showed in

The Emigrants (1971) and The New Land (1972). It took skill not to make this story a temperance melodrama. (RvB)

=VccV] BdciVcV/ I]Z Bdk^Z (G; 102 min.) This movie is about a young superstar who has trouble coping with the meteoric fame of her character Hannah Montana. So I was thinking it must be a narcissistic vanity project for Miley Cyrus—you know, “waah, my life as a spoiled child millionaire is so hard.� Turns out I’m completely wrong! The character she plays in the movie is named “Miley Stewart.� Totally different. Wow, do I feel like a Judgy Judy or what? (SP) I]Z =Vjci^c\ ^c 8dccZXi^Xji (PG-13; 92 min.) The Southington, Conn., Funeral Home case, investigated by the team of Ed and Lorraine Warren, is the “true story� part of this film; this (no surprise) highly fictionalized PG-13 version takes out all of the demonic sex and takes up one kind of interesting angle. Since cancer wards are scarier than haunted houses, the film traffics in some of the authentic horrors of a disease usually used in the movies for its life-affirming qualities. Young Matt (Kyle Gallner) is slightly demented from a new cancer drug, and this is the possible reasonable explanation for his seeing dead people at the scary old house in “Goatswood, Conn.� But then things get awfully familiar: Martin Donovan as the alcoholic father doing Mr. Torrance from The Shining, Elias Koteas as Fr. Merrin from The Exorcist and the licensed-tostartle house bringing out so much of the CGI you’ve seen before (the one new development being ectoplasm, or ghost barf). Too many characters, not enough development. Virginia Madsen takes it very seriously as the mom, but she’s no help. The power of prayer saves the day—wouldn’t the movie be scarier if it didn’t? (RvB)

> AdkZ Ndj! BVc (R; 112 min.) Nebbishy L.A. Realtor Peter (Paul Rudd) is going to get married. He doesn’t have a best man for his wedding, since he’s always been a man who preferred woman’s company. After a series of failed “man-dates,� he finds his perfect buddy, an overgrown boy of an investor named Sydney (Jason Segel, of Forgetting Sarah Marshall), but the friendship becomes obsessive to the point where Peter’s fiancee, Zooey (Rashida Jones), has enough. Rudd’s charmingly out-of-it qualities are at their best in a scene where he tries to play 007 during a tuxedo fitting. Just like jerks in real life, Sydney is refreshing in tiny doses, and Rob Huebel and Jon Favreau are good playing different varieties of bastards, covert and overt, respectively. And yet in some ways, the film gave me the creeps worse than any Frat Packer yet; was it director John Hamburg’s beige, deracinated L.A., with its exotic excursion to Chinatown? Was it the supposedly hilarious repeated bit about Sydney refusing to curb his dog, so that everyone has to step in it? Maybe it’s just the way this and the many, many comedies like it keep doggedly patrolling the supposedly indivisible line between men and women—and making that line the biggest comedic cul-de-sac since they buried Neil Simon. (RvB)

BdchiZgh kh# 6a^Zch (PG; 94 min.) Reese Witherspoon, Seth Rogen, Hugh Laurie and Rainn Wilson voice the creatures in this animated tribute to 1950s watch-theskies tales, which features monsters and aliens being cute. It’s a real technical feat but is hampered by a sense of restraint. (RvB)

I]Z BnhiZg^Zh d[ E^iihWjg\] (R; 95 min.) Peter Sarsgaard, Nick Nolte, Mena Suvari and Sienna Miller star in this tale of a newly minted college grad trying to figure out how to elude his gangster

dad’s line of work and try to get laid. Based on the book by Michael Chabon, directed by Rawson Marshall Thurber (Dodgeball).

DWhZgkZ VcY GZedgi (R; 106 min.) Not all that laughable. Director Jody Hill seems to be coming to the end of the rope in a scene where he has star Seth Rogen and Aziz Ansari saying “Fuck you� to each other for about a minute and a half. Still, one respects the aggressiveness; if there weren’t some spine to this comedy, some of its outrages wouldn’t stick in so many people’s craws. Barney Fife morphing into Travis Bickle isn’t a plot, it’s a mashup, and Hill (The Foot Fist Way) starts with an ordinary farce before going far darker. Seth Rogen plays the badgecrazed guard at a shopping mall; he has a witless, hopeless crush on Brandi (Anna Faris), a cosmetics salesgirl. When Brandi is upset by a flasher, Ronnie takes on the case to avenge her. Hill’s catch-as-catchcan direction gives Faris a chance to go all the way with pop-eyed blonde venom. It’s a horrendously knowing caricature of mall girl heading to some fearful Last Call. Only someone that pretty could be so ugly. (RvB) E]dZWZ ^c LdcYZgaVcY (PG-13; 96 min.) Patricia Clarkson is a sensitive drama teacher and Elle Fanning her wayward but talented student in this tale about parenting and growth. With Felicity Huffman as the striving mother.

&, 6\V^c (PG-13; 102 min.) Matthew Perry is a thirtysomething who wishes he could be a teenager again and magically turns into Zac Efron. Coincidentally, this is also Matthew Perry’s real-life backup plan for reviving his career. (SP)

H]Vaa LZ @^hh4 (Unrated; 104 min.) This interestingly stoic moral tale about adultery suggests the following: the real problem isn’t that such a lapse hurts

society or loved ones, but rather that it exposes you to a chance of losing your self-control. Director Emmanuel Mouret’s direction makes for a very dry and beige film at first but stick with it; the film picks up some steam when Judith (Virginie Ledoyen of The Valet and 8 Women) begins her trysts with a best friend (Mouret). The framing story concerns two otherwise involved people (Julie Gayet, Michael Cohen) on their own at night in a hotel at Nantes; both making a night out of considering whether or not to take it to the next level. Loaded with icons of high culture, classical music and old books, this oddly sedate, slightly contrived date movie keeps one watching. Various anecdotes (such as Mouret’s visit to a prostitute called Eglantine, of all things) have enough of a lived-in quality that we never think of the film as all taking place in a director’s head. With FrÊdÊrique Bel, very sweet as a cuddly but hard-headed stewardess. (RvB)

HiViZ d[ EaVn (PG-13; 117 min.) Russell Crowe, Ben Affleck, Helen Mirren and Rachel McAdams star in this thriller about investigative reporters who team up with a detective to solve the murder of a congressman’s mistress. Hjch]^cZ 8aZVc^c\ (R; 102 min.) In Albuquerque, two sisters get into the lucrative field of cleaning up after dead bodies. Christine Jeff ’s mostly pleasant comedy of death and bloodshed is lit up like a pink lamp shade by the everlovable Amy Adams and given some dark highlights by Emily Blunt as her grimier sibling. The film seems trampled over by a producer’s cold feet, but what’s left has charm and hard-nosed humor. With Alan Arkin as the feckless father of the sisters—looking fit as usual, Arkin; he’ll probably get a shovel and bury us all some day. (RvB)

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E

e who write about film in the Bay Area like to think we keep a good eye on upcoming talents. And then a phenomenon like Cary Fukunaga comes along, and we’re caught with our pants down. Fukunaga lived around the bay, growing up in the hills of east Oakland before moving to Sonoma County and then Albany. Over the phone, Fukunaga told me that he was a UC–Santa Cruz grad: College Eight, American History. He wrote his thesis on the politics of history-telling, which he illuminated with the story of two controversial exhibits at the Smithsonian. “It was great,� Fukunaga says of his five years at UC, but he adds that he didn’t become a film major there, because he thought the film professors were “pretentious.� Fukunaga moved on to NYU film school. With the help of the Sundance Institute, he created a feature film as his thesis. His muchlauded debut, Sin Nombre, invites comparisons to Nicholas Ray’s They Live by Night and Terrence Malick’s Badlands. Yet Sin Nombre (“Without Name�) isn’t consciously modeled on any of these films. I asked if he had been thinking of great film noirs in the movie’s closing scenes: Casper (Edgar Flores), a young lieutenant of the Mara Salvatrucha

gang, hides in a shipment of cars to the U.S. border with his Honduran friend Sayra (Paulina Gaitan). She has been crossing Mexico by land in order to join her family in New Jersey. It is the exact moment where they’ve gone from fellow travelers to people in love. Casper knows he’s a goner; the graffiti he sees lets him know that his gang has pronounced him dead—the writing is literally on the wall. Fukunaga does not mention crimestory movies when recalling this particular scene; what he was after, he says, was the magic-hour twilight shots of Iceland in Bradley Rust Gray’s 2003 Salt. “The theme of men on the run could be found in Westerns as well as film noir,� he offers. It seems that Fukunaga, then, is an intuitive filmmaker, not all that comfortable spelling out the deeper themes or motives. In Sin Nombre, it is what’s upfront that counts. What interested me then is the film’s success in showing ranges of experience. For a young first-time feature filmmaker, Fukunaga has succeeded at reconciling the tragedy and beauty of this life on the run. The movie contains multitudes: pearlescent dawn shots of smoking volcanoes, barrios seen from the crowded top of a freight train—one rider loops his belt on a railing so he won’t fall off when he sleeps. We’re in the company of immigrants

who carry cell phones and are still reduced to drinking ditchwater. There are lyrical interludes of refuge at stops along the rail yards where the travelers bathe and are fed. This passionately told, moody film includes the horrific side of urban Mexican life: of gangsters with homemade iron shotguns, whose faces are blue with demonic tattoos. One way they make money is by shaking down the Central American immigrants who come through their domain. In their lost-boys clubhouse, they butcher their rivals and feed them to their pit bulls. The film’s near-last shot of a particularly grueling tattooing may seem to be too much to be true. In fact, it’s public record that the Marielistas of Cuba used to go in for just this kind of marking. But the film’s great moment of alienation actually takes place in the United States: it’s a shot, high up and wheeling, of a vast and vacant shopping-center parking lot at dawn, as inhospitable as the surface of Mars. It’s rare we’ve seen the contrast of two separate worlds—the different sides of the border—made so clear and sharp. Explaining how he came up with the film’s title, Fukunaga says, “During my research, when I was at the Mexican side of the Rio Grande, I saw these crosses without names,

dedicated to those who didn’t make it. I thought this was a very touching detail, about those who died trying to reach the American dream. The title refers to them—not only to the members of the gang who lose their real names when they go in.� Sin Nombre is the kind of movie that’s usually het up in the visuals. In fact, Fukunaga’s lens is tranquil and objective. Could Sin Nombre be the first post-hip-hop urban movie? “You mean, post-MTV editing? I don’t know—pre- or post-MTV,� Fukunaga says. “City of God is a great film, but the look of City of God has become invariable [in movies about gangs]: high-contrast, supersaturated and an obvious choice to avoid.� For further reading, Fukunaga recommends Enrique’s Journey by the Los Angeles Times’ Sonia Nazario (soon to be a Lifetime channel movie) and Carlos Fuentes’ The Crystal Frontier. It’s interesting that this week there are two excellent movies about the immigrants’ tale, Sin Nombre and Sugar. Both films counter the sometimes hysterical rhetoric of nativist politicians with the stories of decent people caught between a hard place and a border. SIN NOMBRE (R), directed and written by Cary Fukunaga, photographed by Adriano Goldman and starring Edgar Flores and Paulina Gaitan, opens Friday at the Nickelodeon in Santa Cruz.

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6g^Zh (March 21–April 19): Astrology and Tarot cards are my favorite divinatory tools, but I also get a lot of use out of magnetic poetry kits. These are boxes full of evocative words and symbols in the form of refrigerator magnets. Sometimes after analyzing your astrological omens, I’ll close my eyes, beam a question out into the ethers and pluck a few magnets at random from one of my poetry kits. I just did that for you. “What are the keys to unlocking the enormous reserves of energy that are potentially available for Aries folks right now?� I asked. Here’s the message that came: “swooping orgasms & laughing tears.� (Or it could also be arranged this way: “laughing orgasms & swooping tears.�)

IVjgjh (April 20–May 20): Rachael Yanetta, a young English woman, got a bellyache while working her regular job at the local pub. Despite the pain, she toughed it out until her shift was over, then went home. Her distress increased, though, and at 3am she checked into the hospital. A little over an hour later, to her shock, she gave birth to her first child, having been unaware she was pregnant until the very end of her nine-month term. I predict a comparable sequence for you in the coming days, Taurus. You’ll power through some perplexing anomaly that leads to the unexpected arrival of a new creation or vital revelation. <Zb^c^ (May 21–June 20): As I close my eyes and ask

my deep self for a psychic vision that symbolizes your current astrological omens, here’s what I see: You’re trying to look relaxed even though you have one foot on a dock and one foot on a boat as the boat pulls away. How should we interpret this scene? Here’s what I think: It seems likely that at any minute now you will have to commit yourself to either the dock, the boat, or the water.

8VcXZg (June 21–July 22): This would be an excellent time for you to lead a populist revolt to overthrow the abusive authorities or out-of-touch elites who have been working their dumb magic for far too long. It would also be a perfect moment for you to stop cooperating with energy-draining situations that undermine your autonomy. The Age of Passivity is ending, thank Goddess. Launching the Age of Awakening may not be easy or fast, but you will attract extra help and encouragement if you do it now. AZd (July 23–Aug. 22): “I am not interested in

money,� said actress Marilyn Monroe. “I just want to be wonderful.� Consider the possibility of trying out that approach for a while, Leo. I’m not, of course, encouraging you to be apathetic toward financial matters. But I do think it’s an excellent time to for you to specialize in making yourself more wonderful. The cosmic signs say that you now have access to unprecedented reserves of the most profound kind of charm (not the cheap, fake, manipulative stuff ). They also suggest that certain qualities in you that have previously been merely fine are primed to evolve into being amazingly marvelous.

K^g\d (Aug. 23–Sept. 22): I once had a Virgo girlfriend who was exceedingly well-organized. The capstone of her heroic efforts to keep life rigorously ordered was her approach to her underwear. Each of her panties was embroidered with the name of a day of the week. In the large drawer where they were kept, all the Mondays were in a neat pile at the upper left-hand corner, followed by the rest of the days in their proper sequence. She was always able to grab the correct pair, even when she was half-asleep and the room was dark. If I were going to contact her now, I’d recommend that she should, for a change, arrange her intimate items out of order, and maybe wear Monday on Friday, or put Tuesday on inside-out on Saturday. According to my reading of the omens, this kind of playful self-trickery would set the right tone for you Virgos; it would encourage the universe to send you the benevolent interruptions and interesting interventions you need. A^WgV (Sept. 23–Oct. 22): “Being understood is not the most essential thing in life,� said actress Jodie Foster. While that may be true for her, I bet you won’t turn it down if a f lood of appreciation and acknowledgement comes your way in the next few weeks. According to my reading of the astrological omens, you now have the potential to be better understood than maybe you’ve been in a long time.

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1126 Soquel Ave. Santa Cruz, near the Crepe Place and Rio Theatre At your service everyday from 10-9 since 1978

Free Public Parking at Cayuga & Soquel O (831)429-9600

I suggest you take maximum advantage of this good fortune. Make it easy for people to see you for who you really are.

HXdge^d (Oct. 23–Nov. 21): The famous physicist

Robert Oppenheimer sometimes displayed a disarming humility. “There are children playing in the streets who could solve some of my top problems in physics,� he said once, “because they have modes of sensory perception that I lost long ago.� I invite you to consider the possibility that you, too, could learn a lot from people you regard as beneath you or utterly unlike you. It’s one of those rare phases in your astrological cycle when useful revelations are likely to arrive from outside your normal frame of reference. (P.S. Animals might be great teachers as well.)

HV\^iiVg^jh (Nov. 22–Dec. 21): It’s a Love

Emergency! Am I right? There’s a growing itch in the romantic sphere, and it needs immediate scratching. I mean it really can’t wait for a few more days to pass; something’s got to be done soon. It may be true that this thickening of the plot has been underway for quite a while, and its growing urgency may have snuck up on you. It also may be true that the shift will ultimately be a promising development. But that doesn’t mean you can afford to be casual about it. Take action!

8Veg^Xdgc (Dec. 22–Jan. 19): From an astrological

point of view, the coming weeks will be an excellent time to start a band and record an album. Your creativity is waxing, your attunement with the right side of your brain is especially sweet, and you will benefit immensely from anything you do to become less of a spectator and more of a participant. To jumpstart the process, go to Wikipedia and click on “random article.� That’s the name of your band. Then go to en.wikiquote.org and click on “random page.� The last few words of the last quote on that page will be your album’s title. Finally, go to f lckr.com, click on “the last 7 days,� and choose a photo from the new page to be your CD cover. (My band is Widemouth Blindcat, our album is More Time for Dreaming, and our cover art is a spiral staircase from here: tinyurl .com/c89rt7.)

6fjVg^jh (Jan. 20–Feb. 18): You’ve said enough for

the time being. You have expressed the hell out of yourself and have been thorough in providing your vision of how the collaborative efforts should unfold. But now I think you should cultivate the power of silence. Keep your evolving thoughts to yourself for a while so that they can ripen in your imagination, and allow the ideas you have already put out there to fully work their way into the imaginations of others. In early May, it will be time to jump back in with a new dose of your insight and inspiration. By then, people should be begging you for more.

E^hXZh (Feb. 19–March 20): As a leading practitioner

of magical thinking, I regard it as my responsibility to serve as a kind of Quality Control Board. Excessive trust in invisible forces and odd coincidences, after all, can be as hazardous to your intelligence as blind faith in pure reason. This week, in fact, I’d rather see you operate like a scientist than a mystic. I hope you’ll evaluate every situation by invoking the powers of unbiased perceptivity and lucid objectivity. So please don’t heed anyone’s mumbo-jumbo, especially if it’s fear-based. Reject supernatural explanations if natural ones make equal sense. Be assured that when superstitious fantasies pop up, they’ll have little to do with what’s actually happening.

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Be the Hero of Your Own Sacred Quest Special Event Friday, May 15 at 7 pm

Master Mantak Chia

Wednesday, April 22 at 7 pm Patricia WhiteBuffalo Earth Day Celebration Take part in a rich and deeply heartfelt evening of Celebration and Honoring of our Mother Earth. Chanting, Slide show & Shamanic Sound Healing Meditation.

Thursday, April 23 at 7 pm Catherine Crawford, MFT, ATR Understanding and Parenting Highly Intuitive Children “Taoist Learn to help highly intuitive children manage their gifts without getting Alchemy� Creator of the Universal overwhelmed. Wednesday, April 29 at 7 pm Healing Tao ... a practical system of Myra Lewin self-cultivation and Freedom in Your Relationship with Food spiritual development. A�how to� guide for a lifestyle of healthy eating from the principles of Mantak Chia's sincere Ayurveda and Yoga wish is that every indiWednesday, May 6 at 7 pm vidual have the opporCynthia Copple tunity to complete the Dean of the Mt. Madonna Institute College of Ayurveda harmonious evolution Achieve Vital Health and Personal Power through Ayurveda of body, mind and spirit. Through these Learn how to become an Ayurvedic Practitioner practices the student Monday Workshop Series — May 4 at 7 pm learns to take personal Laura Davis responsibility for their Journey Through Writing own physical, emoMay’s Theme: Exploring Family History. Seating is available. No tional and spiritual pre-registration. Begins promptly at 7 pm. Bring Pen and Notebook. well being.

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46 APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

Wine shop Tasting

Pacific Ave.

Museum of Art and History

Abbot Square

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Annie Glass

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Front Street

Downtown Santa Cruz on Abbott Square off Cooper Street (Near Annie Glass).

831-426-VINO (8466) www.vinocruz.com

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omehow you know you’ve been here before. Metaphorically, at least. The Greek offers a melodious echo of its progenitor, Vasili’s—the restaurant that launched a thousand spontaneous dancing parties and retsina afterglows. Well, the Greek is the new Mediterranean kid in downtown Santa Cruz, and it’s deliciously armed with the irrepressible menu that made Vasili’s a local legend. As I looked around the lovingly decorated dining room—a former record-store-turned-nightclub-noweatery—I reminded myself that you can’t eat ambience. The Greek is an uncomplicated pastiche of gleaming hardwood floors, little tables and chairs and a wraparound tribute to every Greek tchotchke known to the gods. In fact, where the tiny stage is at the far end (right where you would expect the Rotary Club toastmaster to be standing delivering a sales pitch) is a shrine to Aphrodite, complete with charming white plaster caryatids on Grecian columns with Doric and Ionic capitals. Or maybe it’s Corinthian. Miniature Greek flags lend their sprightly blue and white vibes to

the entire ceiling, and that signature lineup of Polaroids works its way around all four walls. But that’s it. No tablecloths, no frills. The service is very warm and friendly, and often helpful too. Remember, this place is a little bit of Greece right here in Santa Cruz. Laid-back rules. My lunch date had already devoured a Gilroy’s worth of garlic in the form of electrifyingly tart tzatziki and pita by the time I arrived 15 minutes late. But she was happy to pile into yet another plate of this addictive and aromatic variation on flat bread with some delicious soft stuff to dip it into. Traci’s chicken kebab plate ($9.95) offered a huge oval platter wall-towall with the spices and textures of Greek cooking. Warm pita dusted with paprika cushioned a spike of tender, grilled chicken redolent of oregano, garlic and lemon. Next, delicious rice pilaf—neither crunchy nor mushy. Perfect. And next to that lay the mystery potato for which Vasili’s was, and maybe still is, famous. Marinated in lemon and olive oil and then roasted for a millennium, this baby is always deeply rewarding, especially to those who remembered to bring their

appetites to the Greek. More of the tangy, garlicky yogurt—terrific on everything except probably baklava—cozied up to a brilliant island of fresh, crisp romaine topped lavishly by chopped Bermuda onions and sliced tomatoes. The perfume of oregano—which haunts my memories of Crete—filled the plate. But my moussaka ($10.95) was even better, simply by virtue of the unexpectedly glorious and plump slab (yes, slab is the word) of this multilayered eggplant specialty. The Greek does moussaka worth its weight in authentic flavors. Served room temperature, which is the correct culinary style, this life-affirming creation was dense with untold layers of spice, tomato, garlic and red pepper flavor. The creamy bechamel sauce layer was spot on, but the mixture of ground meats had been layered, intriguingly, not only with eggplant but with green bell pepper—very sweet and tender—and even a slice of zucchini. I couldn’t stop eating this dish. Great Jumping Zeus! I jumped straight to the moussaka and completely forgot to mention our appetizer of dolmathes, a bit pricey, we both thought, at $6.95 for four.

Had I not already overused the word “authentic,â€? I would use it again here. These lovely, lemon-soaked beauties were the thickness of an ancient mariner’s thumb. Falling apart in my mouth, the grapevine leaves were unctuous with oil and lemon. Served with thick slices of lemon (yes, a theme), more of the ubiquitous and garlic-intensive tzatziki, plus a few choice Kalamatas, this single dish did more to fuel my consumption of après-lunch Altoids than any meal I’ve had in years. Do not rush immediately to a romantic assignation after eating this fabulous garlic-spiked yogurt. Swill something minty first. Or better yet, bring your date so he or she can also enjoy that sensational garlic aftertaste. Garlic is the gift of the gods, and I made sure I did a tiny bow in the direction of the goddess at the end of the dining room. Zorba would have loved that moussaka!

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48 APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

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WWW.METCRUZ.COM | M E T R O SA N TA C R U Z | APRIL 22-29, 2009

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HOURS TUE-SUN 7AM-2:30PM 819 PACIFIC AVE.

Surf City Movie night Wednesday, April 22 @ 8 PM LOST Enterprises & Woodstock’s Pizza Present

Redux

25% OFF Any Surf City Pizza Not good w/other offers. Valid 4/22/09. Please mention coupon # when ordering SC1

wednesday Pint Night

3#

#

$

*

1 Beers!

Weekly 9 - 11 PM

1st Pint $5

Keep the Glass

*$

1 Refills (Premium $2)

710 Front St (Next to Trader Joe’s)

(831) 427-4444 Deals, Menu & More:

woodstockscruz.com

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4

Pancake Breakfast

$ 95

! WOW

with coupon

• 2 Eggs any style • Sourdough pancakes • Bacon, ham, or sausage (must present this coupon, one per customer, valid thru 5.6.09 Tues-Fri only, not valid weekends.)

# 27<7<5 5C723 j />@7: ' ' j ;3B@= A/<B/ 1@CH j EEE ;3B1@CH 1=;

We have our store’s Environment Down

& We’re doing Our Part for the planet’s See How: woodstockscruz.com/green

+

We Hand-Make Our Pies From Scratch We Make Our Salads Fresh Daily We Offer Wheat Crust, Vegan & Organic Options

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WWW.METCRUZ.COM | M E T R O SA N TA C R U Z | APRIL 22-29, 2009 | C L ASS I F I E DS

CLASSIFIEDS CLASSIFIED INDEX ¡ ™ £ ¢ ∞ §

Employment Real Estate Family Services For Sale Home Services General Notices

PLACING AN AD

53 54 53 53 53 53

‡ • ª º ⁄

Classes & Instruction Mind, Body & Spirit Music Vacation & Travel Single Services

53 53 53 53 53

BY PHONE Call the Classified Department at 831.440.3860, Monday through Friday, 8.30am to 5.30pm.

BY FAX Fax your ad to the Classified Department at 831.457.5828.

Please include your Visa, MC, Discover or American Express number and expiration date for payment.

IN PERSON

DEADLINES

Visit our offices Monday through Friday, 8.30am 115 Cooper St, Santa Cruz,.

For copy, payment, space reservation or cancellation: Display ads: Friday 12pm Line ads: Friday 3pm

EMAIL classifieds@metronews.com

Employment Detailed Admin Assistant Wanted! Expertise with Excel. Write Reports, Keep track of Data. Track Inventory of Products in. Health Conscious Company. AA or BA a Plus! Looking for people with High Energy. KELLY SERVICES, 425-0653 e-mail: vermije@kellyservices.com. *Never A Fee*

Earn Extra Money Immediately

P/T - Temporary Set your own hours! Anyone needing immediate MONEY Start immediately. Earn a Paycheck by delivering telephone directories in the Santa Cruz Area Must have a car and insurance, be 18 yrs+. Get paid within 48-72 hours of completion of route. Plus a car allowance. Clerical and warehouse positions also available. CALL TODAY - START TODAY (877)642-8931 Job Ref. # 1218 www.deliverPhoneBooks.com

GOVERNMENT JOBS

Help Wanted

Earn $12 to $48 Per Hour. Benefits, Paid Training. Homeland Security, Law Enforcement, Administrative, Clerical, Office, Accounting, Finance, Wildlife, More! 1-800-320-9353 x 2001 (AAN CAN)

Earn extra income assembling CD cases from home. Call out live operators now! 1-800-405-7619 ext 150. www.easywork-greatpay.com

HEALTH CONSCIOUS COMPANY

Booth rental for manicurist. $125/wk. Large Esthetician room for booth rental $200/wk. Must have license and insurance. 408-568-0490.

looking for Like-Minded People! Great growing company looking for staff with the ability to grow w/ it. The Following Skills Desired: -High ability to multitask -High energy, fresh ideas and a passion for the health industry Extremely detail oriented Proficient in MS Office (Excel) -AA or BA a Plus! Experience desired in: -Customer Service -Project Management -Fast Paced Restaurant -Sales Experience and/or passion for sales. Looking for people seeking longevity in a Stable Growing Company! Send your resume today! KELLY SERVICES, 425-0653 e-mail: vermije@kellyservices.com *Never A Fee*

$600 Weekly Potential Helping the government Part time. No experience, no selling. Call 1-888-213-5225 Ad Code L-5. (AAN CAN)

Manicurist and Esthetician Wanted

Possible Upcoming Warehouse Positions: *Shipping Receiving Clerk Customer Order Fulfillment Tracking Shipments/Packages Computer Literate Required *Forklift Driver Must be Certified (with current card) *Shipping Clerk - Label containers. Measure, weigh and count product. Examine and inspect for quality. Remove defective product. Load materials into processing equipment. ACCEPTING RESUMES NOW KELLY SERVICES, 425-0653 e-mail: vermije@kellyservices.com *Never A Fee*

Post Office Hiring Nationally $21/hr 60K/yr avg, incl Fed ben/OT, UTEC assistance optional, not affiliated with the US Postal Service. 1-888-334-5038 (AAN CAN)

Earn $75-$200 Hour Media makeup artist training. Ads, TV, film, fashion. One week class. Stable job in weak economy. Details at www.MediaMakeupArtist.com 310/364-0665 (AAN CAN)

MOVIE EXTRAS NEEDED NOW!

Job Opening For Online Processing At Home Earn extra $300-$500/week. 1. A computer with internet access and a valid email account. 2. Basic knowledge of internet. 3. Motivation to earn extra cash. If you feel like you fit this position and meet the requirements, please respond to finesse75@gmail.com.

Garden Maintenance Job Wanted With small, quality co. 13 years experience. Pruning skills. Bruce Frye. 831-425-7231.

Practice a martial art based on harmony with nature, with others, and within oneself in a non-competitive, mutually-supportive environment. ADULT/TEEN BEGINNING CLASS STARTS May 5th (enrolling through May 16th). Tue/Thurs 5:45pm & Sat. 9:15am, 6wks $95, 8wks $120 OR Intro Pkg: includes 8wk class, training uniform, and extra month of general training $185. Youth ages 6 & up open to enrollment. Non-profit org. Family Discounts. AIKIDO OF SANTA CRUZ, 306 Mission St, Santa Cruz (831) 423TEAM. www.aikidosantacruz.org

s

For Sale

DIRECTV Satellite TV Special Offer:

Earn $100 - $300/day. No Experience Required. All Looks Wanted -FT/PT. Call Now 1-800-605-5901 (AAN CAN)

Save $21/month for one year, Free HD-DVR, Plus 3 Free months of HBO/Starz/Showtime! Call Expert Satellite. 1-888-246-1956 (credit card required) (AAN CAN)

Live the lifestyle you’ve always dreamed.

April Ash Designer Outlet

Work from the comfort of your own home and enjoy the lifestyle others only dream of. Visit homeezincome.com for your free tour. Start today!

Bundini’s Used Furniture

Dressers, Chests, Beds, Bookshelves, Sofas, etc. Call 831.325.9388, or walk-in 3641 Soquel Dr., (behind Senate Furniture) Santa Cruz.

RUG SALE!

Gorgeous Oriental Rugs, Persian rugs, must see! www.paradiseorientalrugs.com/. Penny Krieger, owner 707-823-3355

DIRECTV Satellite TV Special Offer: Save $21/month for one year, Free HD-DVR, Plus 3 Free months of HBO/Starz/Showtime! Call Expert Satellite 1-888-246-2215 (credit card required) (AAN CAN)

Classes & Instruction AIKIDO

CONTACTING US

Mail to Santa Cruz Classifieds, 115 Cooper St, Santa Cruz, CA 95060.

BY MAIL

Music

Professional Services Chapter 7 - Bankruptcy

General Notices NEW LIVING EXPO Is Looking For Volunteers To Assist With This Premier Show!

April 24, 25, & 26, 2009 at The Concourse 8th & Brannan Streets, San Francisco, CA. In exchange for your time, professionalism, and energy - you’ll receive a 3-Day general admission pass to attend the Expo. Contact Michelle Deem 707/263-1510, volunteer@newlivingexpo.com, newlivingexpo.com

Talented Custom Clothing Designer

From nightgowns to day wear, wedding dresses, dance wear and costumes, I can create your dream attire. Elegant and affordable, offering prototypes of any kind for men, women and children. Call Noa Levin, 831.713.8592. mecondo.com

Art, Paperie, and Pleasantries!

Metro Santa Cruz Classifieds 115 Cooper Street, Santa Cruz, CA 95060 Monday to Friday, 8.30am – 5pm Charge by phone, fax or email 24 hours a day ¬ 831.440.3860 PHONE

√ 831.457.5828 FAX @ classifieds@metronews.com

Home Services

Lil Wayne E-40 Snoop Home Renovation Dog San Quinn Specialist Thug World Records explosive label with major features lil Wayne Snoop dog E-40 Gunit and more free Downloads mp3s RingTones videos R&b over 15 hours of music www.thugworldrecords.com 408-561-1255

$975 + Costs Robert M. Haight, Attorney 831/4386610

Affordable, reliable carpenters for home improvement. Frame, finish, doors, windows, decks, fences, tile, sheet rock and remodels. Lic#925849. Call Dave 831/332-6463

Bathroom and Kitchen Tiling and Repairs For all home repairs. Reliable and Reasonable. For Free Estimates. Call Ray 831/477-1998

Real Estate Rentals Extra large 1 bedroom, 1 bath, loft style townhouse. One year lease required, $1400 per month, plus one month deposit. Please call 408/227-2046

Suffering With Anxiety or Depression? Think no one understands? Lucinda Bassett does. Get her free tape that will stop the suffering without drugs or alcohol. Call 800-652-9619. (AAN CAN)

g g Single Services Chatline

♥Hot Singles 408/514-0101♥

Or 650/223-0299. Browse and respond free! Use free code 6668, 18+ or try Megamates.com

SAT & SUN May 2 & 3, 2009. Art Paperie and Pleasantries takes place at the Alameda County Single Services Fairgrounds in Pleasanton, Furniture accessories and mattresses. 2800 South Rodeo Gulch California. Open to the public from 11 a.m. to 5 p.m. both days, Rd., Soquel. Friday, Saturday, and ♥Hot Guys this incredible event includes artiSunday 10am-5pm. sans from all over the country, live 408/514-1111 ♥ book signings by arts and Or 650/223-0505. Browse and Brand New Mattresses music, craft celebrities, hourly make and respond free! Use free code 5494. Still in plastic. Full sets take workshops, and much more. 18+ or try Megamates.com $229. Queen set $259. www.ArtandPaperie.com. Call 831/338-0321.

Felton - TAHOE STYLE HOME

Check out this home for an extreme value! Nearly 1200 sq. ft home with 2 bedrooms and 1 and a half baths. The kitchen features hickory cabinets and Corian counters with newer appliances included in sale, There are vaulted ceilings with operable skylights for light and ventilation. Both upstairs and down have large sunny decks and there is a hot tub on the lower deck. Call us, we’ll show you why this home is a must see! PRICED AT $299,000. Team Thomas with David Lyng R.E. work4-u.com 831/402-2442

g Homes

Boulder Creek - WALK TO WORK

Payne/ Winchester

Mind Body, Spirit

53

This commercial/residential property has much to offer. This 3 bedroom 2 bath home has a separate commercial building with garage. Both units have their own private fenced yards. This property is in a great location on the main street and has plenty of parking. Priced at $415,000. Team Thomas with David Lyng R.E. 831/ 402-2442 or 408/307-4178

g Land

Real Estate Sales THE MARKET IS MOVING Inventory is still high and interest rates are still at all time lows! These 2 factors make it a perfect time to start your home shopping! Call Team Thomas with David Lyng R,E. work4-u.com 831/402-2442

Boulder Creek This one is a beauty! Come see. Bloom Grade. 5 acres. TPZ. Private road. Serene and quiet. By the golf course. Ridge-top view. Beautiful. Power and water. Pad cleared. $289,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/3955754 or www.donnerland.com

54 CLASSIFIEDS | APRIL 22-29, 2009 | M E T R O SA N TA C R U Z | WWW.METCRUZ.COM

real estate

Boulder Creek 40 acres. Timber Preserve Zoning. Creek frontage. Wild and serene. Off grid. Private Road. Small ridge top site. Good owner financing offered. $295,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc., Broker at 408/395-5754 or www.donnerland.com

VISIT OUR WEBSITE FOR INSTANT SEARCHES OF HOMES FOR SALE www.work4-u.com

G TIN LIS

A Beautiful spot! 16 acres. Pre-site development review completed. It used to be a helicopter landing pad. Full sun, tremendous views. Easy access. Good well. E-Z location. Timber Preserve Zoning. $485,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

W NE

Boulder Creek

Map properties and get a “birds eye view” of the areas of interest to you. See something of interest? Give us a call! 831/ 402-2442 or 408/307-4178

Boulder Creek 10 acres. Rough and rugged and a beautiful spot right on top! Long private bumpy road. Private road association. Good owner financing. $215,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

Choice Spot by the River Asking $225,000 • New model, only four years old • Spacious, two bedrooms, one bath • Includes washer and dryer • Cathedral ceilings, lots of light • Easy access to river walk • Minutes to town, shops, beaches Low income mobile home park Income restrictions apply Judy Ziegler GRI, CRS, SRES ph: 831-429-8080 cell: 831-334-0257 www.cornucopia.com

AN EXPERIENCED

TEAM

for buying, selling and managing property in Santa Cruz County

Pacific Sun Properties 734 Chestnut Street Santa Cruz, CA 95060 831.471.2424 831.471.0888 Fax www.pacificsunproperties.com

WWW.METCRUZ.COM | M E T R O SA N TA C R U Z | APRIL 22-29, 2009 | C L ASS I F I E DS

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To place an ad, call

831.440.3860

MAKE AN INCREDIBLE DIFFERENCE! Egg Donors REALLY Needed! $7000+ Women ages 20-29 can help another woman to finally get pregnant! What a gift! Educate yourself about becoming an ovum donor. Healthy, dependable, no drugs/smoking, see www.fertilityconnections.com or Call 415/383-2553.

Garden Maintenance Job Wanted

Get a New Computer

Seriously Ill? Need MMJ?

With small, quality co. 13 years experience. Pruning skills. Bruce Frye. 831-425-7231.

Brand name laptops and desktops. Bad or no credit, no problem. Smallest weekly payments available. It’s yours now. Call 800/803-8819.

WAMM is NOW accepting applications for membership into our collective. Looking for members who can donate generously. Serving Santa Cruz for 16 years! Your application does not ensure membership. wamm.org, 831-425-0580. peace

Pottery & Glass Seconds Sale

Medicann - Med. Marijuana Evaluations

Just in time for spring! Shop our wide variety of dresses in stores and online.

Lic. MD 866-632-6627 Free I.D. card 24/7 verification. Doctor/patient confidentiality. Discount for MediCal, MediCare and veterans.

CRANIO-SACRAL CLASSES (Beginning Level)

Wanna Be In Movies?

With Sylvia Skefich, D.C., April 25th or June 14th, $125 each. 831/475-1995

Film & TV acting classes starting now! Free DVD & consultation with working actor Ralph Peduto. Call (831) 475-UACT (8228). www.actingoncamera.com Be a pro, work with one. Training pros since ‘86.

Your Personality Determines Your Happiness Know why? Call for your free personality test. Call 1-800-293-6463

Huge Firewood Sale! One cord $225. Two cord $440. Standard pick up load $80. Call 831/475/1714 for more information.

Online Pharmacy

Bathroom and Kitchen Tiling and Repairs

Retail Locations: Santa Cruz—Pacific Ave 1531 Pacific Ave. (Near the Bookshop Santa Cruz) Phone: (831) 426-4070

For all home repairs. Reliable and Reasonable. For Free Estimates. Call Ray 831/477-1998

Gilroy—Gilroy Premium Outlets 681 Leavesley Rd., Suite C290 (Near DC Shoes) Phone: (408) 848-6800

WE LOVE BLUEGRASS The Santa Cruz Farmers Market is booking its spring 2009 season of music for the Live Oak and Westside Farmers Markets. Support local farmers, promote your band, bring home the bacon and have fun at the same time! We are looking for lively upbeat music, especially of the bluegrass persuasion. Musicians are encouraged to contact sccfmusic@gmail.com.

Palo Alto—University Ave 170 University Ave. (Near Caltrain station) Phone: (650) 328-4900 Burlingame—Downtown 1320 Burlingame Ave. (Between Primrose & Park Rds) Phone: (650) 558-8171 To learn more about our company, to shop online, and to find all store locations, visit our web site: www.americanapparel.net

New Windshields Installed For Under $195 That’s right, we will come to your home or work and put in a new windshield in your vehicle. FOR UNDER $195. Santa Cruz Auto Glass. 831-688-4431.

RUG SALE! Gorgeous Oriental Rugs, Persian rugs, must see! www.paradiseorientalrugs.com/. Penny Krieger, owner 707-823-3355

Buy Soma, Ultram, Floricet, Prozac, Buspar. $71.99/90 $107/180 quantities. Price includes prescription! Over 200 meds. $25 Coupon meition offer: #71A31. 1-888661-4957. tripharmacy.net

Art, Paperie, and Pleasantries! SAT & SUN May 2 & 3, 2009. Art Paperie and Pleasantries takes place at the Alameda County Fairgrounds in Pleasanton, California. Open to the public from 11 a.m. to 5 p.m. both days, this incredible event includes artisans from all over the country, live music, book signings by arts and craft celebrities, hourly make and take workshops, and much more. ArtandPaperie.com

NEW LIVING EXPO Is Looking For Volunteers To Assist With This Premier Show! April 24, 25, & 26, 2009 at The Concourse 8th & Brannan Streets, San Francisco, CA. In exchange for your time, professionalism, and energy - you’ll receive a 3-Day general admission pass to attend the Expo. Contact Michelle Deem 707/263-1510, volunteer@newlivingexpo.com, newlivingexpo.com

Bundini’s Used Furniture Dressers, Chests, Beds, Bookshelves, Sofas, etc. Call 831.325.9388, or walk-in 3641 Soquel Dr., (behind Senate Furniture) Santa Cruz.

Sunday, May 3rd, 10am-2pm at Cabrillo College. Dozens of professional Bay Area potters, glass artists, and jewelers sell seconds and overstock at ridiculously low prices! www.seconds-sale.com 831-429-0650

Are You Hiring? Let Metro help you find the right candidate! Call today to hear about our specials. 408-200-1309.

Get Rid of Stress and Depression Brand New Mattresses Still in plastic. Full sets $229. Queen set $259. Call 831/338-0321.

Find out how NOW! Call 1-800-293-MIND

Chapter 7 - Bankruptcy $975 + Costs Robert M. Haight, Attorney 831/438-6610