Categories
Exhibition

Materiality Unleashed International Juried Exhibition

powered by kunstmatrix


poster credit: Li Tang Team

Li Tang Gallery presents Materiality Unleashed, an online group exhibition from October 2 –  December 8, 2023. This exhibition delves into the exploration of materiality in contemporary art, encompassing the physicality, texture, and inherent qualities of artistic materials and mediums. We encourage artists to embrace experimentation and push the boundaries of materials, allowing their chosen medium to guide and inspire their creative process.

Artists at any stage of their career are invited to submit their work for consideration by our guest jury Han Qin and Sun Young Kang. We had an overwhelming response to this call and received 1095 artwork submissions from all over the world. The overall high quality of the submissions we received made the jurying process a difficult one. The online group exhibition is curated by the Li Tang team. It will be promoted on the Li Tang Gallery website, social media, and press coverage in the United States and China.

Title

Materiality Unleashed

Date

October 2 – December 8, 2023

Selected Artists

Ayumi Adachi, Justin Archer, Soeun Bae, Yung-wu Bae, Eskild Beck, Li Biletska, Agathe Bouton, Minyu Chen, In Kyoung Chun, Nick Gladkiy, Lizz Hamilton, Robert Matejcek, Junghoon Oh, Andrew Orloski, Jenny Rafalson, Lee Renninger, Laura Romero, Savka, cari ann shim sham*, Danyang Song, Atsumi Takemoto, Abel Tesfaye, Cheuk Yan Cherry Tung, Tianxing Xu, Amy Yoshitsu

Jury Judges

Han Qin, Sun Young Kang

Art Director

Webson Ji

Curation

Li Tang team

Exhibitor

Li Tang Gallery

Support

Art America China Project

News & Media Coverage

Art ChinaNew York TodayFOX28London JournalSohuToutiao 今日头条NETEASE 网易

About Jury Judges

HAN QIN

While primarily focusing on digital art, Han’s work also extends to printmaking, video, installation, and performance art. She earned her B.F.A. and M.F.A. in Printmaking from China Academy of Art (Hangzhou) and her M.F.A. in Digital Arts from Pratt Institute (New York) in 2017. Currently, She lives and works in New York and Hangzhou as an artist, and adjunct professor at Stony Brook University (New York) and China Academy of Art. Han’s work has continued to exhibit in the U.S. and China, including Nassau County Museum of Art, Roslyn, NY; Long Island Biennial, The Heckscher Museum of Art, Huntington, New York (2016, 2018); Open books, Connecticut College, New London, Connecticut (2018); Forms and thoughts: The 8th New Star Art Award Shortlisted Artists’ Group Exhibition 2017, Deji Art Museum, Nanjing, China, Han Qin: Where is Home, Long Island Museum, Stony Brook, New York (2017) and Changjiang International Photography & Video Biennale, Changjiang Museum of Contemporary Art, Chongqing, China (2017). 

Han’s workflows from her experience of home and relocation. Moved from China at age 24, she feels the ambivalence between nostalgia and the wistfulness of transition. This encouraged her to create this uncertainty and spectacular feeling throughout her work. Interested in the social phenomenon of groups and individuals moving from place to place, she translated the moments of passing through, getting togethering, migrating, and even conflicting.

www.han-qin.com

SUN YOUNG KANG

Sun Young Kang is a book and installation artist who creates physical and metaphorical spaces by incorporating various dimensions and metaphors associated with each material to challenge the duality fundamental to human existence. Originally from South Korea, she resided in Philadelphia and Pittsburgh, PA for a decade and currently is based in Western New York. Kang received her BFA in Korean Painting from Ewha Woman’s University in Seoul, Korea, and her MFA in Book Arts/Printmaking from the University of the Arts in Philadelphia, PA in 2007.

Kang has exhibited her work nationally and internationally, including solo and group exhibitions at venues such as Whanki Museum in Seoul, Korea, Nanchizi Museum in Beijing, China, Queens Museum, NY, Susquehanna Art Museum, PA, Carnegie Museum of Art, PA, Pennsylvania State Museum, PA, and others. In 2021, she was named the UAH Contemporary Art Fellow, funded by the National Endowment for the Arts at the University of Alabama in Huntsville, AL. She has also been the recipient of several grants and awards, including the Pollock-Krasner Foundation Grant, NY; New York Foundation for the Arts (NYSCA/NYFA) Artist Fellowship, NY; the West Collection LIFT Grant and Acquisition Award, PA, PRIX Whanki 2017 from Whanki Foundation/Museum in Seoul, Korea and the Center for Emerging Visual Artists Fellowship in Philadelphia, PA. Her work can be found in numerous museum and library special collections.

https://www.sunyoungkang.com

(text&photo courtesy of the artists)

Contact

If you have any questions, please reach out to info@litanggallery.com.

Note

Materiality Unleashed International Juried Exhibition is held and organized for the purpose of promoting artists’ artworks and projects. The Li Tang Gallery team will not be involved in any events of sales for artworks from the exhibition. All sales inquiries will be redirected to the selected artists. However, the Li Tang Gallery team will require permission from the selected artists to the usage of their artwork images for promotional purposes.

Categories
Exhibition

Materiality Unleashed International Juried Exhibition Gallery

Unseen Echos #03

by Junghoon Oh, Photography, 40×60 cm, Ed.10 – 2AP, Photo credit: ©Junghoon Oh, 2023

The Heat Death of the Universe, variant two

by Andrew Orloski, Cast bronze, stone, 11x10x12.5 in (28x25x32 cm) 2022

Collars

by Yung-wu Bae, Acrylic, pastel and wax on canvas, 24×36 in, 2023

Unseen Echos #01

by Junghoon Oh, Photography, 40×60 cm, Ed.10 – 2AP, Photo credit: ©Junghoon Oh, 2023

ln(ex)teriors: Suburban Microscapes: 43°31’09.7″N 116°03’03.8″W

by Robert Matejcek, Sculpture, Mixed Media, Frame-Animation/Still(s) of Hand-Painted Found Objects & Original 1:12 Diorama/Miniatures, Dimensions variable, 2018, NFS

Heavens of Simulation

by Tianxing Xu, Acrylic and marker on linen, 72×50 in each, 2023, NFS

A House

by Amy Yoshitsu, Paper, ink, thread, 11x14x7 in, 2022

Sunset’s Burning Late

by Jenny Rafalson, Single-channel video, color, sound, 5 minutes, 9 seconds, Edition of 3 + 1 AP, 2020

Memory of a Space and a Time 5

by Laura Romero, Phototransfer and cyanotype on cement brick, 11×5.5×4 in, 2022

Transfusion Loop

by Soeun Bae, Consumable liquid, silicone, silicone tube, steel, concrete, motorized pump system, 4x8x8 ft, 2023

Porcelain Handcuffs with Pomegranate Patterns

by Cheuk Yan Cherry Tung, Porcelain on the artist-made frame, 10×13 in, 2022

Private Language

by Minyu Chen, New media, Dimensions variable, 2022, NFS

Finding the Balance-1

by Danyang Song, Glazed stoneware, underglaze, 27x15x60 cm, 2023, NFS

Starship

by Eskild Beck, Mixed media, 43x33x38 cm, 2020, NFS

Thirsty

by Atsumi Takemoto, Photograph (35mm film collage) fine art print, 14×17 in, 5 copies & artist proof, 2023

False Prophet

by Andrew Orloski, Cast iron, 6.5×12.75×1.25 in (16.5×32.4×3.2 cm) Edition of 2 + 1 AP, 2023

The Dusk

by Justin Archer, Basswood, acrylic paint, 27x18x12 in, 2023

Seconde Peau XIV

by Agathe Bouton, Monoprints, fabric, thread and gold leaf, 16×12 in framed with natural wood, photo credit: Peggy Baud Woosley, 2019

Flashback1

by Abel Tesfaye, Printmaking on canvas, 40×30 cm, 2023

Whispers from the Bough

by Andrew Orloski, Cast bronze, glass, 23x28x54 in (58x71x137 cm) 2023

The Hanged Man, Rituals Series

by Savka, Digital collage, 3d graphic, 6584×4000 px, Edition 1/10, 2023

Four-way CPR for a Hybrid Limb

by Soeun Bae, Silicone, liquid, syringe, motors, silicone tube, metal, 14x14x48 in, 2023

Looking for a Person (photo 4)

by Nick Gladkiy, Photography, 20×13 in, Edition 1/10, 2021

Blue Gate

by In Kyoung Chun, Neon and Metal, 90x84x26 in, Courtesy of YI GALLERY NY, 2015-2022, NFS

Line

by Ayumi Adachi, Paper, black marker pen, 5x4x3 m, courtesy of @BankArt1929, 2019

Relinquished

by Lee Renninger, Porcelain, fiber, stain, glass beads, 96x91x16 in (platform), collection of the Mississippi Museum of Art, 2011, NFS

336

by Li Biletska, Mixed media, 2023

Window #1

by cari ann shim sham*, Generative art, Window width x Window height, Edition 1 of 31, 10 mints for 75 tezos available at https://www.fxhash.xyz/generative/27892, 2023

Solar

by Tianxing Xu, Acrylic and ink on burlap, 55×41 in, 2023, NFS

Return and Schedule Self-Interest

by Amy Yoshitsu, Linen, thread, canvas, chain, Dimensions variable, Photo credit: Amy Yoshitsu&AmaYah Harrison, 2023

The Shape of this Wound Existed Before Me

by Lizz Hamilton, Freshwater pearls, tanned black bear foot, tanned wolf feet, tanned coyote feet, tanned Canadian lynx feet, Dimensions variable, 2021

Unseen Echos #04

by Junghoon Oh, Photography, 40×60 cm, Ed.10 – 2AP, Photo credit: ©Junghoon Oh, 2023


Selected Artists

Ayumi Adachi http://www.ayumiadachi.wordpress.com

Justin Archer https://www.jwarcher.com

Soeun Bae https://soeunbae.com

Yung-wu Bae https://yungwu.com

Eskild Beck https://www.starflight.dk

Li Biletska https://www.instagram.com/li.biletska/

Agathe Bouton https://www.agathebouton.com

Minyu Chen

In Kyoung Chun https://www.inkyoungchoichun.com

Nick Gladkiy https://nickg.photos

Lizz Hamilton https://lizzhamilton.com

Robert Matejcek https://robertmatejcek.com

Junghoon Oh https://piusphotography.myportfolio.com

Andrew Orloski https://www.andreworloski.com

Jenny Rafalson http://www.jennyrafalson.com

Lee Renninger https://www.leerenninger.com

Laura Romero http://lauraromero.com/en/

Savka https://www.instagram.com/savkadesign/

cari ann shim sham* https://www.cariannshimsham.com

Danyang Song https://www.danyangart.com

Atsumi Takemoto https://atsumitakemoto.com

Abel Tesfaye https://www.instagram.com/abela_fitz

Cheuk Yan Cherry Tung https://www.cherrytungart.com

Tianxing Xu https://xtx1593.wixsite.com/website

Amy Yoshitsu https://amyyoshitsu.com

*Text & image & video courtesy of the artists.

* Materiality Unleashed International Juried Exhibition is held and organized for the purpose of promoting artists’ artworks and projects. The Li Tang Gallery team will not be involved in any events of sales for artworks from the exhibition. All sales inquiries will be redirected to the selected artists. However, the Li Tang Gallery team will require permission from the selected artists to the usage of their artwork images for promotional purposes.

Categories
Exhibition

Echoes of Home: A Retrospective Exhibition of Li Tang Community


poster credit: Li Tang Team

New York, NY – From August 26 to September 8, 2023, Li Tang proudly presents a retrospective exhibition featuring works by twenty-seven Asian artists, each at varying stages of their careers and with diverse creative focuses. After dedicating three years to the Asian creative community and developing two years of online exhibitions, Li Tang is welcoming its first on-site exhibition, titled Echoes of Home: A Retrospective Exhibition of the Li Tang Community, at the RIVAA (Roosevelt Island Visual Art Association) Gallery.

Spanning from the vibrant streets of New York City to the glamorous landscapes of Los Angeles, and from the lively scenes of Atlanta to the indomitable spirit of Detroit, Asian creatives have left their marks. From time to time, they often yearn for a place to resonate as home. This exhibition was curated within this context, with the intention of creating a home for Asian creatives. It provides artists with a protective, collective, and innovative space to express their ideas and creations.

Collectively, these artists have created a portrait that captures how the influence of the Asian diaspora shapes the ever-evolving contemporary art world.

Exhibition Dates 

August 26 – September 8, 2023 

Opening Reception 

August 26, 2023 4 PM-7 PM

Curators

Webson Ji

Huixian Dong

Artists

Cheng Gong, Zhiheng Gong, Ling Gui, Sun Young Kang, Doi Kim, Hannah Li, Sizhu Li, Xianglong Li, Xingze Li, Jesse Liu, Nix Liu Xin, Weihui Lu, Wendi Men, Paul Mok, Yukiko Nakashima, Megan Nugroho, Ami Park, Han Qin, Ji Shi, Broly Su, Suki Violet Su, Curry Sicong Tian, Jingyi Wang, Tong Wang, Jiannan Wu, Sunny B. Yazdani, Sophie Ruoyu Zhang

Venue 

RIVAA Gallery 

527 Main St, New York, NY 10044

Support

Fou Gallery, VillageOneArt, Tutu Gallery, A Space, Art America China Project, Yiwei Gallery, YI GALLERY, Li Tang Gallery

Contact

info@litang.zone

About Curators

Webson Ji is a New York-based Chinese multimedia artist and curator. He is the founder and creative director of the Li Tang community. His art practice focuses on the presentation of water, presenting the viewers with a unique interpretation of his meditation. Webson holds an M.A. in Sculpture from Savannah College of Art and Design, and a B.F.A. in Public Art from the China Academy of Art. He is a community leader dedicated to contributing and empowering the creative voices of the Asian diaspora.

Huixian Dong is a tireless curator, critic, and scholar. Her recent archive-based curation project has been established in multiple venues, including the Beijing Lu Xun Museum, Shanghai Museum of Sun Yat-sen’s Former Residence, Peking University, and Northwest University. As a critic, she has published numerous art reviews in popular media, as well as in the traditional media, Beijing Youth Daily. She recently shared her pioneering research on gender issues within Asian contemporary art with the discerning audience of the Art Association of Australia and New Zealand. The research paper found its home in Tainan Art Museum’s The Journal of Asian Arts and Aesthetics.

About Li Tang 

Li Tang is a New York-based community dedicated to amplifying the creative voices of the contemporary Asian diaspora. Established in 2020, Li Tang aims to feature the works and talents of today’s most innovative Asian practitioners working in the varied fields of art and culture.

For more information, please visit:

https://www.litang.zone

https://www.rivaagallery.org

(text & photo courtesy of Li Tang)

Categories
Current Open Call

Open Call: Materiality Unleashed

poster credit: Li Tang Team

Open Call: Materiality Unleashed 

Li Tang Gallery is thrilled to announce our open call for submissions for the upcoming art exhibition, Materiality Unleashed. This exhibition delves into the exploration of materiality in contemporary art, encompassing the physicality, texture, and inherent qualities of artistic materials and mediums. We encourage artists to embrace experimentation and push the boundaries of materials, allowing their chosen medium to guide and inspire their creative process.

Artists at any stage of their career are invited to submit their work for consideration by our esteemed guest jury Han Qin and Sun Young Kang. The online group exhibition will be thoughtfully curated by the Li Tang team and extensively promoted on Li Tang Gallery’s website, social media platforms, and through press coverage in both the United States and China.

Deadline  

September 8, 2023 23:59 EST

Submission Fee

Free of charge

Guest Jury Judges

Han Qin

Sun Young Kang

Eligibility

Open to all artists 18 years and older from all over the world.

All visual art media will be considered.

Artwork must be original. Artists are responsible for copyright compliance.

Submit

  • Up to 5 images and/ or 1 video.
  • Brief bio/ artist statement 
  • CV (if applicable)
  • Portfolio website (if applicable)
  • Social media handles (if applicable)

Submitted images should be renamed as follows

Firstname_Lastname_Title_Medium_Dimensions_Year. jpeg 

Jpeg files should not exceed 1MB. Selected artists will be contacted for high-resolution images. 

For video submissions, time-based or kinetic artwork can be presented in videos limited to 2 minutes. For security reasons, we cannot access sites with passwords or download attachments from the web.

We do not accept submissions via email.

Timeline

  • Submissions will be accepted until September 8, 2023 23:59 EST
  • Selected artists will be notified by September 18, 2023
  • Exhibition opens on October 2, 2023
  • Exhibition closes on December 8, 2023

Support

Art America China Project

About Jury

HAN QIN

While primarily focusing on digital art, Han’s work also extends to printmaking, video, installation, and performance art. She earned her B.F.A. and M.F.A. in Printmaking from China Academy of Art (Hangzhou) and her M.F.A. in Digital Arts from Pratt Institute (New York) in 2017. Currently, She lives and works in New York and Hangzhou as an artist, and adjunct professor at Stony Brook University (New York) and China Academy of Art. Han’s work has continued to exhibit in the U.S. and China, including Nassau County Museum of Art, Roslyn, NY; Long Island Biennial, The Heckscher Museum of Art, Huntington, New York (2016, 2018); Open books, Connecticut College, New London, Connecticut (2018); Forms and thoughts: The 8th New Star Art Award Shortlisted Artists’ Group Exhibition 2017, Deji Art Museum, Nanjing, China, Han Qin: Where is Home, Long Island Museum, Stony Brook, New York (2017) and Changjiang International Photography & Video Biennale, Changjiang Museum of Contemporary Art, Chongqing, China (2017). 

Han’s workflows from her experience of home and relocation. Moved from China at age 24, she feels the ambivalence between nostalgia and the wistfulness of transition. This encouraged her to create this uncertainty and spectacular feeling throughout her work. Interested in the social phenomenon of groups and individuals moving from place to place, she translated the moments of passing through, getting togethering, migrating, and even conflicting.

https://hanqin.myportfolio.com

SUN YOUNG KANG

Sun Young Kang is a book and installation artist who creates physical and metaphorical spaces by incorporating various dimensions and metaphors associated with each material to challenge the duality fundamental to human existence. Originally from South Korea, she resided in Philadelphia and Pittsburgh, PA for a decade and currently is based in Western New York. Kang received her BFA in Korean Painting from Ewha Woman’s University in Seoul, Korea, and her MFA in Book Arts/Printmaking from the University of the Arts in Philadelphia, PA in 2007.

Kang has exhibited her work nationally and internationally, including solo and group exhibitions at venues such as Whanki Museum in Seoul, Korea, Nanchizi Museum in Beijing, China, Queens Museum, NY, Susquehanna Art Museum, PA, Carnegie Museum of Art, PA, Pennsylvania State Museum, PA, and others. In 2021, she was named the UAH Contemporary Art Fellow, funded by the National Endowment for the Arts at the University of Alabama in Huntsville, AL. She has also been the recipient of several grants and awards, including the Pollock-Krasner Foundation Grant, NY; New York Foundation for the Arts (NYSCA/NYFA) Artist Fellowship, NY; the West Collection LIFT Grant and Acquisition Award, PA, PRIX Whanki 2017 from Whanki Foundation/Museum in Seoul, Korea and the Center for Emerging Visual Artists Fellowship in Philadelphia, PA. Her work can be found in numerous museum and library special collections.

https://www.sunyoungkang.com

(text&photo courtesy of the artists)

Contact

If you have any questions regarding the submission process, please reach out to info@litanggallery.com.

*Li Tang Gallery Disclaimer

The Li Tang Gallery team will not be involved in any sales related to the Materiality Unleashed International Juried Exhibition. All sales inquiries will be redirected to the respective selected artists, who will handle all transactions independently.

Additionally, the Li Tang Gallery team kindly requests permission from the selected artists to utilize their artwork images for promotional purposes. We understand the importance of respecting artists’ rights and will ensure proper accreditation and permissions are obtained.

Categories
Current Open Call

Call for Curators | Online Exhibition Curation for Li Tang Gallery

Li Tang Gallery Virtual Space | Fiction Beyond Nonfiction International Juried Exhibition | May 30 – July 31, 2022

Li Tang Gallery is excited to announce an open call for experienced and innovative curators to curate an upcoming online exhibition. This opportunity invites curators to explore their curatorial vision and bring it to life in a virtual space, showcasing a diverse range of contemporary art.

At Li Tang Gallery, we believe in the power of curatorial expertise to shape meaningful artistic narratives and engage audiences in unique ways. We are seeking curators who can demonstrate a strong understanding of contemporary art trends and possess a keen eye for selecting exceptional artworks that resonate with the theme. The online group exhibition will be extensively promoted on Li Tang Gallery’s website, social media platforms, and through press coverage in both the United States and China.

Submission Details

  1. Eligibility: Curators based in the US are invited to submit their curatorial proposals for consideration.
  2. Curatorial Vision: We encourage curators to propose innovative and thought-provoking concepts that align with Li Tang Gallery’s vision and values. Your curatorial vision should reflect a fresh perspective, challenge conventions, and inspire meaningful connections between artworks and viewers.
  3. Artistic Focus: While there are no restrictions on the artistic mediums or themes, we encourage proposals that embrace diverse perspectives and showcase emerging and established artists.
  4. Virtual Exhibition Format: The selected curators will curate an online exhibition that will be showcased on Li Tang Gallery’s website. It is essential to consider the virtual space and how to effectively present the selected artworks to create an immersive and engaging experience for the online audience.

Submission Guidelines

  1. Curatorial Proposal: Please provide a detailed curatorial proposal outlining your concept, theme, and vision for the online exhibition. Include information about the artistic focus, intended narrative, and any specific criteria for artwork selection (up to 500 words).
  2. Curatorial Experience: Provide a current CV or resume highlighting your experience as a curator. Share your curatorial background, including any relevant projects, exhibitions, or collaborations you have curated in the past.
  3. Artist Selection: Briefly outline your approach to selecting artists and artworks for the exhibition, including any criteria or considerations you will employ.
  4. Portfolio website (if applicable): Please include a portfolio showcasing your previous curatorial projects, including images, descriptions, and any relevant documentation (e.g., exhibition catalogs, reviews, or articles).

Submission Process

Please compile all submission materials as PDF documents and email them to info@litanggallery.com with the subject line: “Curatorial Proposal Submission – [Your Name]”.

Timeline

On a rolling basis.

Honorarium

We will provide an honorarium of $200 after the virtual exhibition setup.

We look forward to reviewing your innovative curatorial proposals and collaborating with passionate curators to create captivating online exhibitions that resonate with our global audience. Should you have any further inquiries, please do not hesitate to contact us at info@litanggallery.com.

Join us in shaping the future of online exhibitions and making a lasting impact on the contemporary art world with Li Tang Gallery.

Categories
Exhibition

Abstract, Distortion & Fragmentation International Juried Exhibition

powered by kunstmatrix


poster credit: Li Tang Team

Li Tang Gallery presents Abstract, Distortion & Fragmentation, an online group exhibition from April 3 –  June 23, 2023. From vivid colors and patterns to those who work in black and white or monochromatic approaches, Li Tang Gallery wants to invite artists who explore the areas of abstractions with no limitations on media. Taking from art’s historical lineage or blazing new paths in the field of abstraction, Li Tang Gallery wants to include artists who find new ways to connect with audiences beyond the figurative.

Artists at any stage of their career are invited to submit their work for consideration by our guest jury Chun Hua Catherine Dong, Phil Zheng Cai and E.E. Jacks. We had an overwhelming response to this call and received 1335 artwork submissions from all over the world. The overall high quality of the submissions we received made the jurying process a difficult one. The online group exhibition is curated by the Li Tang team. It will be promoted on the Li Tang gallery website, social media, and press coverage in the United States and China.

Title

Abstract, Distortion & Fragmentation

Date

April 3 –  June 23, 2023

Exhibition Type

Online Exhibition

Selected Artists

Jaynie Crimmins, Kate Rusek, Naomi Even-Aberle, Yangyang Mao, Kevin Costello, Jongwook Park, Agina Chinedu, H.C. Tiffany Lo, Bonam Kim, Alexey Adonin, Alexandra Chiou, Ainhoa Akutain, Zoha Malik, Yang Mai, Madeline Brice, Gabriel Palma, Weihui Lu, Annie Clavel, Andrew Chalfen, Ami Park, John Kayode, Jean-Michel Rolland, Yukiko Nakashima, Traci Johnson

Honorable Mention

Jessica Swank, Yiyi Wang, Kaitlin Santoro

Jury Judges

Chun Hua Catherine Dong, Phil Zheng Cai, E.E. Jacks

Art Director

Webson Ji

Curation

Li Tang team

Exhibitor

Li Tang Gallery

Support

all America Chinese Youth federation

Art America China Project

Media Support

Los Angeles Post

About Jury Judges

CHUN HUA CATHERINE DONG

Chun Hua Catherine Dong (she/they) is a Chinese-born Tiohtià:ke/ Montréal-based multimedia artist. Dong received an MFA at Intermedia from Concordia University and a BFA at Visual Art from Emily Carr University Art & Design in Canada. Dong has exhibited their works at The Musée d’Art Contemporain du Val-de-Marne in France, Quebec City Biennial, The International Digital Art Biennial Montreal (BIAN), MOMENTA | Biennale de l’image, Kaunas Biennial, Canadian Cultural Centre Paris, The Aine Art Museum in Tornio, Bury Art Museum in Manchester, Museo de la Cancillería in Mexico City, Art Gallery of Hamilton, Canadian Museum of Immigration at Pier 21, DongGong Museum of Photograph in South Korea, He Xiangning Art Museum in Shenzhen, Hubei Museum of Fine Art in China, Art Museum at University of Toronto, Varley Art Gallery of Markham, and so on.

Dong has performed in many international performance art festivals, such as Rapid Pulse International Performance Art Festival in Chicago, 7a*11d International Festival of Performance Art in Toronto, ENCUENTRO Performance in Santiago, The Great American Performance Art in New York, Place des Arts in Montreal, Infr’Action in Venice, Dublin Live Art Festival in Dublin, Experimental Action/ Performance Art in Houston, Internationales Festival für Performance in Mannheim, Inverse Performance Art Festival in California, and many public art galleries and spaces in Europe, North and South America.

Among many other grants and awards, Dong was the recipient of the Franklin Furnace Award for performance art in New York in 2014, listed the “10 Artists Who Are Reinventing History” by Canadian Art in 2017, and was named “The Artist of the Year” at the DongGang International Photo Festival in South Korea in 2018.  Dong was also a finalist for Contemporary Art Award at Le Musée national des beaux-arts du Québec (Prix en art actuel du MNBAQ) 2020, and awarded with Cultural Diversity in Visual Arts Award by the Conseil des arts de Montréal in 2021.

https://chunhuacatherinedong.com

PHIL ZHENG CAI

Phil Zheng Cai graduated from Sotheby’s Institute of Art with a master’s degree in 2014. He has held posts at Mary Boone Gallery and Phillips Auctioneers, and is currently a Partner at Eli Klein Gallery. Focusing on Chinese contemporary art, he has been with the Gallery since 2017 whose represented artists have been featured in countless international broadcasts, publications, and critical reviews. 

Phil Cai has curated numerous solo exhibitions at Eli Klein Gallery, presenting Chinese contemporary artists such as Cai Dongdong, Chow Chun Fai, Shen Fan, Li Hongbo, Ho Kan, Ji Zhou among many others. He has also curated group exhibitions that received critical acclaim. His most recent curated exhibition “Alienation?” in 2021 was reviewed by the Brooklyn Rail. He has participated in panel discussions and talks at institutions such as the SCAD Museum of Art and the Asia Society Museum New York. 

Phil Zheng Cai also works in the domain of art criticism and translation of texts on philosophy. His exhibition review “Enacting Disassociation – Jean-Luc Moulène Solo Exhibition at Miguel Abreu Gallery”; “Life as an Invitation – Yoan Capote Solo Exhibition at Jack Shainman Gallery”; “Tan Siyuan – No Stopping the Wanting to Stop” and critical essay “Take a Step: Phil Zheng Cai on the Opening of M+ Museum” were featured in the Widewalls Magazine. His most recent critical text “Everything can become an NFT, is it true?” was published by the New York Time T Magazine China. His translated book “The Story of Philosophy” was published by Shanghai Yuandong Press in 2020.

https://www.instagram.com/phil.z.cai/

E.E. Jacks

The paintings of E.E. Jacks capture life. Her intent is to imbue motion & emotion. Her work encompasses Expressionism and Representationalism. She also practices plein air painting, favoring oil paint as her medium of choice. 

Jacks has received several awards and been featured in various periodicals. Her work has also been showcased in museums such as MOLAA, Olaf Wieghorst Museum, the Yellowstone and Yosemite Museums and been recognized and exhibited in the John Wayne Airport and California State Capitol. She is a poet and has currently published four books of poetry and prose.

E.E. Jacks has also been a gallery founder, published ‘APERO’ an international online and printed fine art catalogue, has juried many exhibitions and written numerous art reviews. 

Jacks is a professional art advisor & curator of traditional & contemporary spaces. With long-standing artist & art community connections, Jacks can strategically acquire & integrate art into any lifestyle or aesthetic.

Jacks works from her home studio in Southern California and exhibits her work as a permanent artist at Quorum Gallery in Laguna Beach, Tirage Fine Art in Carlsbad and in various Galleries and Museums nationwide.

https://eejacks.com

(text&photo courtesy of the artists)

Contact

If you have any questions regarding the submission process, please reach out to info@litanggallery.com.

Note

The Li Tang Gallery team does not involve in any sales related to Portrait International Juried Exhibition. All sales inquiries will be redirected to the selected artists. However, the Li Tang Gallery team will require permission from the selected artists to the usage of their artwork images for promotional purposes.

Categories
Exhibition

Abstract, Distortion & Fragmentation International Juried Exhibition Gallery

The Voyage

by Alexandra Chiou, Ink and cut paper, 34×25 in, 2020

Untitled (1990-2005)

by Bonam Kim, Wall clock, dollhouse miniatures, wood, 26.5×13.75×5.5 in, 2022

Plate Series #3

by Kevin Costello, Copper, 12x12x3 in, 1989, NFS

New Age

by Alexey Adonin, Oil on canvas, 35.4×35.4 in, Edition OOAK, 2018

Tidal (from Deseret Haretatik project)

by Ainhoa Akutain, Sculpture, 66x70x190 cm, 2016-2017, NFS

Embryo

by Ami Park, Felted wool, yarn, cotton rope, fabric and acrylic, 34×30 in, 2023

Upside-Down I

by Jean-Michel Rolland, Video art, 01:59, 2022, NFS

The Eternal Ephemeral

by Andrew Chalfen, Mixed Media (acrylic, ink transfer, wood, glue) on wood panel, 24x24x2 in, 2021

Spell Practice IV

by Yukiko Nakashima, Oil on canvas, 56×72 in, 2022

An Architecture (For Minimal Intervention)

by Kate Rusek, Porcelain, paper porcelain, (the vestige of medication instruction booklets), 18x14x9 in, Edition OOAK, 2022

Equanimity #5

by Jaynie Crimmins, Shredded New Yorker magazine images, security envelopes over up-cycled armature, 12x12x1.5 in, 2021

If This Is A Game, I Never Learned the Rules (Choice, Chance, Change)

by Kate Rusek, Cast and handbuilt porcelain, 10x10x7 in, Edition OOAK, 2022

Wait

by Zoha Zafar Malik, Acrylic on canvas, 36×36 in, 2023

Amazonia

by Weihui Lu, Acrylic on canvas, 80×102 in, 2019

Clavicle divot (My Kestrel Heart)

by Kate Rusek, Cast and handbuilt porcelain, 15x11x10 in, 2022

Blooming

by Ami Park, Cotton rope, yarn, and fabric on cotton canvas, 48×36 in, 2021, NFS

All I wrapped in Cellophane

by Traci Johnson, Yarn, cloth, 48×48 in, 2023

Dis-oriental

by Naomi Even-Aberle, Performance, Photography, 18×24 in, 2017

Bacon Factory

by Yangyang Mao, Mix media, 120x60x200 cm, 2019, NFS

Neighborhood at Night

by Gabriel Palma, Oil, 24×24 in, 2022

UpRise (站起来)

by Yang Mai, Polo shirts, Crowd control barriers, foam, metal, 79x73x59 in (Approx.), Edition 20/19, 2022

Fish Sellers

by John Kayode, Mix media on canvas, 24×36 in, 2022

Tempus Fugit

by Kevin Costello, Wood, copper, sand, leather, 28x28x7 in, 2022

Hope of Relevance

by Agina Chinedu, Acrylic on canvas, 34×34 in, 2023

Untitled (Classroom)

by Bonam Kim, Dollhouse miniatures, wood, paint, paper, 36x24x23 in, 2022

Lighter Fuel II

by Madeline Brice, Oil and acrylic on aluminum, 24x24x1.5 in, 2022

Living in Repose

by Kevin Costello, Brass, copper, earth, 40x40x43 in, 2022

Cosmologie Bleue

by Annie Clavel, Watercolor on YUPO paper, 24×30 in, 2019

Dérive: Abundance

by H.C. Tiffany Lo, Acrylic on canvas, 20×16 in, 2019, photo courtesy of Tara Holmes, NFS

Casket Ambient

by Kevin Costello, Concrete, steel, ink, 12x4x43 in, 2023

Shore of Fancies

by Alexey Adonin, Oil on canvas, 35.4×35.4 in, Edition OOAK, 2017, NFS

Looks Like It Sounds Good

by Andrew Chalfen, Mixed Media (acrylic, wood, colored pencil, ink, wire) on paper affixed to wood panel, 11x14x2.5 in, 2022

Breathing Words

by Jongwook Park, Ceramics (stoneware, underglazes), 13x11x4.5 in, photo courtesy of Jongwook Park, 2023, NFS

Moskvich (from Lucu_Lucu project)

by Ainhoa Akutain, Mixed media, Photography 125×82 cm, Glazed ceramic 28x19x5.5 cm ea., Glazed ceramic 1 Photography 10, 2019


Selected Artists

Jaynie Crimmins https://www.jayniecrimmins.com

Kate Rusek https://katerusek.com

Naomi Even-Aberle https://www.evenaberle.studio

Alexandra Chiou https://www.alexandrachiou.com

Kevin Costello https://kscdesigning.wixsite.com/kevin-costello

Bonam Kim https://www.bonamkim.com

Agina Chinedu https://www.instagram.com/deluxychinee/

Tiffany Lo https://www.hctiffanylo.com

Alexey Adonin https://www.alexeyadoninart.com

Jongwook Park https://jon-p.weebly.com

Ainhoa Akutain http://ainhoa-akutain.com/en/

Yangyang Mao https://bumblebee-clavichord-5fkz.squarespace.com

Zoha Malik https://www.instagram.com/zohazafarmalik/

Yang Mai https://www.yangmai.us

Madeline Brice https://www.madelinebrice.com

Gabriel Palma https://www.instagram.com/gabriel_palma_artist/

Weihui Lu https://www.weihuilu.com

Annie Clavel https://www.annieclavel.com

Andrew Chalfen http://www.andrewchalfen.com

Ami Park http://www.ami-park.com

John Kayode https://www.instagram.com/johnnykay411/

Jean-Michel Rolland http://franetjim.free.fr/jim.html

Yukiko Nakashima https://www.yukikonakashima.com

Traci Johnson https://www.rugsbykailuaa.com

Honorable Mention

Jessica Swank https://jessicaswank.art

Yiyi Wang https://www.yiyiwang-design.com

Kaitlin Santoro https://www.kaitlinsantoro.com

*Text & image & video courtesy of the artists.

* The Exhibition is held and organized for the purpose of promoting selected artists’ artworks and projects. Any sales inquiries will be redirected to the artists.

Categories
Open Call Past

Open Call: Abstract, Distortion & Fragmentation

poster credit: Li Tang Team

Open Call: Abstract, Distortion & Fragmentation 

From vivid colors and patterns to those who work in black and white or monochromatic approaches, Li Tang Gallery wants to invite artists who explore the areas of abstractions with no limitations on media. Taking from art’s historical lineage or blazing new paths in the field of abstraction, Li Tang Gallery wants to include artists who find new ways to connect with audiences beyond the figurative.

Artists at any stage of their career are invited to submit their work for consideration by our guest jury Chun Hua Catherine Dong, Phil Zheng Cai and E.E. Jacks. The online group exhibition will be curated by the Li Tang team and promoted on Li Tang Gallery’s website, social media, and press coverage in both the United States and China. 

Deadline  

March 10, 2023 23:59 EST

Submission Fee

Free of charge

Guest Jury Judges

Chun Hua Catherine Dong

Phil Zheng Cai

E.E. Jacks

Eligibility

Open to all artists 18 years and older from all over the world.

All visual art media will be considered.

Artwork must be original. We do not take responsibility for copyright violations.

Submit

  • Up to 5 images and/ or 1 video.
  • Brief bio/ artist statement 
  • CV (if applicable)
  • Portfolio website (if applicable)
  • Social media handles (if applicable)

Submitted images must be labeled as follows:

Firstname_Lastname_Title_Medium_Dimensions_Year. jpeg 

Jpeg files should not exceed 1MB. Selected artists will be contacted for high-resolution images. 

For video submission, we accept time-based artwork or kinetic works that need to be presented in videos. Video submissions should be limited to 2 min. For security reasons, we don’t open sites with passwords or download attachments from the web.

We do not accept submissions via emails.

Timeline

  • Submissions will be accepted until March 10, 2023 23:59 EST
  • Selected artists will be notified by March 20, 2023
  • Exhibition opens on April 3, 2023
  • Exhibition closes on June 23, 2023

Support

all America Chinese Youth federation

Art America China Project

Media Support

Los Angeles Post

About Jury

CHUN HUA CATHERINE DONG

Chun Hua Catherine Dong (she/they) is a Chinese-born Tiohtià:ke/ Montréal-based multimedia artist. Dong received an MFA at Intermedia from Concordia University and a BFA at Visual Art from Emily Carr University Art & Design in Canada. Dong has exhibited their works at The Musée d’Art Contemporain du Val-de-Marne in France, Quebec City Biennial, The International Digital Art Biennial Montreal (BIAN), MOMENTA | Biennale de l’image, Kaunas Biennial, Canadian Cultural Centre Paris, The Aine Art Museum in Tornio, Bury Art Museum in Manchester, Museo de la Cancillería in Mexico City, Art Gallery of Hamilton, Canadian Museum of Immigration at Pier 21, DongGong Museum of Photograph in South Korea, He Xiangning Art Museum in Shenzhen, Hubei Museum of Fine Art in China, Art Museum at University of Toronto, Varley Art Gallery of Markham, and so on.

Dong has performed in many international performance art festivals, such as Rapid Pulse International Performance Art Festival in Chicago, 7a*11d International Festival of Performance Art in Toronto, ENCUENTRO Performance in Santiago, The Great American Performance Art in New York, Place des Arts in Montreal, Infr’Action in Venice, Dublin Live Art Festival in Dublin, Experimental Action/ Performance Art in Houston, Internationales Festival für Performance in Mannheim, Inverse Performance Art Festival in California, and many public art galleries and spaces in Europe, North and South America.

Among many other grants and awards, Dong was the recipient of the Franklin Furnace Award for performance art in New York in 2014, listed the “10 Artists Who Are Reinventing History” by Canadian Art in 2017, and was named “The Artist of the Year” at the DongGang International Photo Festival in South Korea in 2018.  Dong was also a finalist for Contemporary Art Award at Le Musée national des beaux-arts du Québec (Prix en art actuel du MNBAQ) 2020, and awarded with Cultural Diversity in Visual Arts Award by the Conseil des arts de Montréal in 2021.

https://chunhuacatherinedong.com

PHIL ZHENG CAI

Phil Zheng Cai graduated from Sotheby’s Institute of Art with a master’s degree in 2014. He has held posts at Mary Boone Gallery and Phillips Auctioneers, and is currently a Partner at Eli Klein Gallery. Focusing on Chinese contemporary art, he has been with the Gallery since 2017 whose represented artists have been featured in countless international broadcasts, publications, and critical reviews. 

Phil Cai has curated numerous solo exhibitions at Eli Klein Gallery, presenting Chinese contemporary artists such as Cai Dongdong, Chow Chun Fai, Shen Fan, Li Hongbo, Ho Kan, Ji Zhou among many others. He has also curated group exhibitions that received critical acclaim. His most recent curated exhibition “Alienation?” in 2021 was reviewed by the Brooklyn Rail. He has participated in panel discussions and talks at institutions such as the SCAD Museum of Art and the Asia Society Museum New York. 

Phil Zheng Cai also works in the domain of art criticism and translation of texts on philosophy. His exhibition review “Enacting Disassociation – Jean-Luc Moulène Solo Exhibition at Miguel Abreu Gallery”; “Life as an Invitation – Yoan Capote Solo Exhibition at Jack Shainman Gallery”; “Tan Siyuan – No Stopping the Wanting to Stop” and critical essay “Take a Step: Phil Zheng Cai on the Opening of M+ Museum” were featured in the Widewalls Magazine. His most recent critical text “Everything can become an NFT, is it true?” was published by the New York Time T Magazine China. His translated book “The Story of Philosophy” was published by Shanghai Yuandong Press in 2020.

https://www.instagram.com/phil.z.cai/

E.E. Jacks

The paintings of E.E. Jacks capture life. Her intent is to imbue motion & emotion. Her work encompasses Expressionism and Representationalism. She also practices plein air painting, favoring oil paint as her medium of choice. 

Jacks has received several awards and been featured in various periodicals. Her work has also been showcased in museums such as MOLAA, Olaf Wieghorst Museum, the Yellowstone and Yosemite Museums and been recognized and exhibited in the John Wayne Airport and California State Capitol. She is a poet and has currently published four books of poetry and prose.

E.E. Jacks has also been a gallery founder, published ‘APERO’ an international online and printed fine art catalogue, has juried many exhibitions and written numerous art reviews. 

Jacks is a professional art advisor & curator of traditional & contemporary spaces. With long- standing artist & art community connections, Jacks can strategically acquire & integrate art into any lifestyle or aesthetic.

Jacks works from her home studio in Southern California and exhibits her work as a permanent artist at Quorum Gallery in Laguna Beach, Tirage Fine Art in Carlsbad and in various Galleries and Museums nationwide.

https://eejacks.com

(text&photo courtesy of the artists)

Contact

If you have any questions regarding the submission process, please reach out to info@litanggallery.com.

* The Li Tang Gallery team does not involve in any sales related to Abstract, Distortion & Fragmentation International Juried Exhibition. All sales inquiries will be redirected to the selected artists. However, the Li Tang Gallery team will require permission from the selected artists to the usage of their artwork images for promotional purposes.

Categories
Exhibition

Portrait International Juried Exhibition

powered by kunstmatrix


poster credit: Li Tang Team

Li Tang Gallery presents Portrait, an online group exhibition from November 7, 2022 –  January 22, 2023. We are looking for artists who explore the realms of portraiture through both realistic and nonrealistic practices to evoke an emotional response regarding these contemporary issues. From paintings to works on paper, to digital creations, there is no limitation on the media that can be submitted. Through the portraiture discipline, Li Tang Gallery is looking for artists who question our understanding of the world and our positions in it.

Artists at any stage of their career are invited to submit their work for consideration by our guest jury artists Philip A. Robinson Jr. and Jiannan Wu. We had an overwhelming response to this call and received 1965 artwork submissions from all over the world. The overall high quality of the submissions we received made the jurying process a difficult one. The online group exhibition is curated by the Li Tang team. It will be promoted on the Li Tang gallery website, social media, and press coverage in the United States and China.

Title

Portrait

Date

November 7, 2022 –  January 22, 2023

Exhibition Type

Online Exhibition

Selected Artists

Jamie L. Luoto, Geoffrey Laurence, Shicheng Zhao, Natalia Sonia, Ivan Milenkovic, Lu HB Tran, Sinenkosi Msomi, Emily Mc Gardle, Judith Gresh, Ena Gilih, Jocelyn Keyi Wu, Boluwatife Biobaku, Amuri Morris, Ariadne Urania, Seona Sommer, Pesya Altman, Olivier Larivière, Negar Jahanbakhsh, Kiley Ames, Thomas Legaspi, Eleanor Olson, Lance Delao, Ben DeHaan, Andrea Sbra Perego, Iffat Almas, Yuchae Lee

Jury Judges

Jiannan Wu, Philip A. Robinson Jr.

Art Director

Webson Ji

Curation

Li Tang team

Exhibitor

Li Tang Gallery

Support

all America Chinese Youth federation

Art America China Project

Media Support

Los Angeles Post

About Jury Judges

PHILIP A. ROBINSON JR.

Philip A. Robinson Jr. is an award-winning multi-media sculptor and conceptual artist, who uses wood to symbolize temporality within natural cycles of time and geography to amplify the narrative of identity within popular and marginalized cultures. Robinson has exhibited throughout the tri-state area including, a solo exhibition at the High Line Nine, solo exhibition at the Untitled Space Gallery, Prizm Art Fair during Miami Art Basel, The Rush Arts Gallery, KL City Art Gallery in Malaysia, LuluLemon (Hudson Yards), The National Academy Museum and School, The Barrett Art Center, the Washington Square Outdoor Art Exhibition, The Frances Young Tang Museum and Art Gallery, Art at the Caves, 14C Jersey City Art show & Juried Exhibition, The Bronx Art Space, The Novado Gallery, The Bridge Art Gallery, Akwaaba Gallery, The Alta Art Building, Art At The Cave, The BSB Gallery, The Conceptions Art Show (New York), Neumeraki, Pro Arts Jersey City, The Carrie Able Gallery, Grace Church School Benefit Auction, the Merseles Studios, 107 Bowers Gallery, the Distillery Gallery, the NEWYORKMINDED Gallery, 1978 Maplewood Arts Center, and SNEAKERROOM. He received his BFA in Studio Art from Skidmore College and his MFA in Sculpture from Mason Gross School of the Arts, Rutgers.

https://www.philiparobinsonjr.com

JIANNAN WU

Jiannan Wu (b.1990) is a China-born, New York based artist who creates sculptures and wall reliefs made from resin. He received his BFA Degree in Sculpture from China Academy of Art and his MFA Degree in Sculpture from New York Academy of Art.

Jiannan Wu is the recipient of the Elizabeth Greenshields Foundation grant, winner of 2017 Dexter Jones Award presented by American National Sculpture Society,  winner of Compleat Sculptor Award, and other awards. He is selected as 2020 AACYF Top 30 Under 30 presented by All America Chinese Youth Federation. His work is recognized as The Best Original Sculpture in 2019 by Sculpture Magazine of China. His works have also been displayed on numerous exhibitions at renowned venues such as Accesso Gallery in Italy, Gallery Poulsen and Art Herning in Denmark, the Sotheby’s, Art Miami, and Southampton Arts Center in America, Bonner Kunstverein in Germany, Chongqing Contemporary Art Museum in China, etc. His works and art achievements have been published in The New York Times, The China Press, Metal Magazine, Beautiful Bizarre Magazine, Hi-Fructose Magazine, Collections Magazine, T(here) Magazine, etc.

https://www.jiannanwu.com

(text&photo courtesy of the artists)

Contact

If you have any questions regarding the submission process, please reach out to info@litanggallery.com.

Note

The Li Tang Gallery team does not involve in any sales related to Portrait International Juried Exhibition. All sales inquiries will be redirected to the selected artists. However, the Li Tang Gallery team will require permission from the selected artists to the usage of their artwork images for promotional purposes.

Categories
Exhibition

Portrait International Juried Exhibition Gallery

Heartsigh

by Natalia Sonia, Oil on Canvas, 18x24in, 2020

Animal Nature

by Geoffrey Laurence, Oil on Canvas, 28x18in, 2021

Alen MacWeeney Eating Grapefruit 

by Pesya Altman, Oil on Canvas, 23x18in, 2020

Veronika

by Ena Gilih, Oil on Canvas, 30x40cm, First Edition, 2021, NFS

The Lottery Vol. 16 (4190) or The Last Picture Show

by Negar Jahanbakhsh, Acrylic on Canvas, 100x150cm, 2022

More Fool Me

by Emily Mc Gardle, Coloured Pencil and Pencil on Paper, 50x70cm, 2021

Eating 1

by Jocelyn Keyi Wu, Video, 2022

Portrait of Gabriela

by Thomas Legaspi, Color Pens on Paper, 8x10in (12x14in with Frame), 2022

Monalisa

by Boluwatife Biobaku, Charcoal and Graphite Pencils on Paper, 71x90cm, First Edition, 2022

The Lottery Vol. 22 (7763) or Two or Three Things I Know About Them

by Negar Jahanbakhsh, Acrylic on Canvas, 100x150cm, 2022

Immaculate Light

by Iffat Almas, Photography, 1086×724 pixel, 2016

Track III, SellOut

by Ariadne Urania, Oil on Linen, 36x48in, 2021, NFS

Shelton Johnson Calls

by Amuri Morris, Oil Paint, 24x18in, Edition 1/1, 2022

Duct Taped Johnny

by Lance Delao, Duct Tape on Acetate, 2021

This Beautiful Sound

by Kiley Ames, Oil on Linen, 40x40in, 2017, NFS

We Cry Together

by Sinenkosi Msomi, Photograph Painted on Archival Paper, 42×59.4cm, Edition 1/10, Credit: Sinenkosi Msomi, Aphelele Ndlangamandla and Simphiwe Magagula, 2022

Sleepers

by Judith Gresh, Ink on Paper, 49x26in, 2018

Made by Myself (Self Portrait)

by Andrea Sbra Perego, Photography, Digital Collages, Fine Art Print, 39.3×26.7in, Limited Edition (5 Copies & Artist Proof), 2016

See Sun

by Yuchae Lee, Video, Credit: Dir. Yuchae Lee, 2022, NFS

Finnish Male

by Shicheng Zhao, Oil on Panel, 11x9in, 2022, NFS

Smartphone Light 30

by Ivan Milenkovic, Oil on Canvas, 150x170cm (59×66 in), 2022

Friends in India

by Seona Sommer, Oil on Canvas, 70x100cm (27.6×39.4in), 2022

The Lottery Vol. 57 (72452) or Don’t Look Back Vol. 6

by Negar Jahanbakhsh, Acrylic on Canvas, 100x150cm, 2022

Track IV, Lay Me Down

by Ariadne Urania, Oil on Linen, 30x40in, 2021, NFS

Daisy Chain 07

by Ben DeHaan, Archival Pigment Print, 36x32in, Edition 1/3, 2020

Sometime Before Six

by Lu HB Tran, Video, Credit: Lu Hernandez Tran, 2020, NFS

We Hunt the Doe

by Jamie L. Luoto, Oil on Linen, 42x49in, 2020, NFS

Somnus (God of Sleep)

by Geoffrey Laurence, Oil on Canvas, 60x42in, 2020

Basement Buds

by Eleanor Q. C. Olson, Oil on Canvas with a Gouache Insert, 36x48in, Edition 1/1, 2021

Rusty’s

by Olivier Larivière, Oil on Paper Mounted on Canvas, 66.5x100cm (26.2×39.4in), 2012


Selected Artists

Jamie L. Luoto https://www.jamieluoto.com

Geoffrey Laurence http://www.geoffreylaurence.com

Shicheng Zhao https://www.instagram.com/sc_zhao

Natalia Sonia https://artillutalia.wixsite.com/mysite

Ivan Milenkovic https://www.instagram.com/ivanmilenkovicart

Lu HB Tran https://luhtran.wixsite.com/work

Sinenkosi Msomi https://www.instagram.com/sinenkosi_msomii

Emily Mc Gardle https://www.emilymcgardle.com

Judith Gresh https://judithgresh.com

Ena Gilih https://www.instagram.com/ennagilich

Jocelyn Keyi Wu https://www.instagram.com/heureux.ky/

Boluwatife Biobaku https://www.instagram.com/hayguyz_art

Amuri Morris https://www.murisart.com

Ariadne Urania https://earthtoariadne.com

Seona Sommer https://www.instagram.com/seona.sommer

Pesya Altman https://www.pesyaaltmanart.com

Olivier Larivière https://olivierlariviere.com

Negar Jahanbakhsh https://www.instagram.com/negarjahanbakhshstudio

Kiley Ames https://www.kileyames.com

Thomas Legaspi https://thomaslegaspi-art.com

Eleanor Olson http://www.quistartwork.com

Lance Delao https://www.artbydelao.com

Ben DeHaan https://www.bendehaan.com

Andrea Sbra Perego https://www.andreasbraperego.com

Iffat Almas https://www.iffatalmas.com

Yuchae Lee https://www.leeyuchae.com

*Text & image & video courtesy of the artists.

* The Exhibition is held and organized for the purpose of promoting selected artists’ artworks and projects. Any sales inquiries will be redirected to the artists.