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Music Watching Over

Imported ed.

Deniz Kurtel (Artist) Format: Audio CD
4.3 4.3 out of 5 stars 5 ratings
$14.49
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Editorial Reviews

After the success of singles 'Yeah' and The L Word' on Crosstown Rebels Deniz Kurtel's debut album 'Music Watching Over Me' is already regarded in much eager anticipation. One of the core members of the Wolf + Lamb family and a conceptual artist and sculptor in her own right, Deniz is also a highly innovative amazing producer and her debut album is tantamount to this fact, it's truly stunning. She is one the new breed of female dance producers that are really giving the traditionally male dominated world a run
for their money. Deniz has a concrete craft and understanding of rhythm throughout this dream-like album. She easily steps from ghostly dubstep (Trust') to rock-infused electro (Vagabond'), to enchanting dancefloor weapons of 'Best Of' and 'The L Word', thrilling for their simplicity as much as their fairy-tale vocals. At times Deniz showers us in sounds overpowering the senses ('Equlibrium') and others she strips back to bear the soul of the music ('One Chance of Happiness'), consistently crafting a strong emotional current leaving you powerless but to surrender to its aural pleasures. Deniz has worked with several notable vocalists on this album, from Jada (Defected) to Guests of Nature. She has also been extensively touring the album and playing live with the LED instillation light show display on the Rebel Rave tours

Product details

  • Product Dimensions ‏ : ‎ 5.51 x 0.19 x 5.11 inches; 3.84 ounces
  • Manufacturer ‏ : ‎ CROSSTOWN REBELS
  • Original Release Date ‏ : ‎ 2011
  • Date First Available ‏ : ‎ December 23, 2010
  • Label ‏ : ‎ CROSSTOWN REBELS
  • ASIN ‏ : ‎ B004GWS8PC
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.3 4.3 out of 5 stars 5 ratings

Customer reviews

4.3 out of 5 stars
4.3 out of 5
5 global ratings

Top review from the United States

CaliforniaDan
5.0 out of 5 stars Music Watching Over Me
Reviewed in the United States on October 3, 2012
Verified Purchase
This is a tremendously powerful album - vibrant, insistent, strangely melodic and quite hypnotic. A very original creation by a true artist.
It frankly defies conventional typing - find some samples to listen to. If you like the samples, the impact of the album is much greater.
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Top reviews from other countries

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Giacomo Sommavilla
5.0 out of 5 stars Disco ottimo
Reviewed in Italy on November 14, 2016
Verified Purchase
Techno da dancefloor, ma con inserti minimal.
L'album in realtà parte in sordina, i primi pezzi sono i meno riusciti.
Ma verso la metà del disco i pattern ritmici e le melodie diventano irresistibili.
E il disco migliora con gli ascolti.

Dan Peterson direbbe "Mmh! Per me, numero uno!"
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electrogimp
5.0 out of 5 stars oh my this is good
Reviewed in the United Kingdom on March 3, 2012
Verified Purchase
this is one of the best albums I have bought recently deep groovy hypnotic lush and very sexy if you love electronic music you really should own this i can't recommend it highly enough but that is just my opinion
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Diz
4.0 out of 5 stars New NY Cool
Reviewed in the United Kingdom on April 6, 2011
Verified Purchase
The first, and lasting, impression I got when listening to this was of space. A cool, electro-mechanical space.

There's nothing frantic or hurried about these pieces. They seem almost clinical. Drum machines, strict rhythms, treated vocals, simple melodies - kind of somewhere between David Byrne and Brian Eno's ' My Life In The Bush Of Ghosts ' and Danny Tenaglia's ' Futurism ' - so complex loops, effects, syncopation and treatments but all mixing down into a really minimal soundscape.

It sounds like it might have evolved from the classic ' Last Night (a Dj Saved My Life) ', and the intervening 30 years have not fleshed out the sound, but added textures and technology. There is a certain R'n'B/Soul feel to some of the tracks, but then others start building into a more clearly electro-techno sound ('The L Word').

It really sounds, well, Modernist, like a kind of musical  Bauhaus , plus loads of New York multicultural influences. But then you get a track 'Vagabond' with staccato electric guitars, synths, could almost be a sort of  Kraftwerk . And maybe Turkish, eastern, influences in there too.

To be honest, I'm still not sure whether I like it. But it is fascinating and I keep listening to it. :-)
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