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Tut

Avan Jogia (Actor), Ben Kingsley (Actor) Rated:
NR
Format: DVD
4.4 4.4 out of 5 stars 2,093 ratings
IMDb7.0/10.0
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October 6, 2015
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Genre Drama/Television, Television/Miniseries
Format Multiple Formats, Box set, Subtitled, Color, Widescreen, NTSC
Contributor Ben Kingsley, Avan Jogia
Language English
Number Of Discs 3
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From the manufacturer

paramount

Paramount provides premium content to audiences across worldwide. We connect with billions of people. Our studios create content for all audiences, across every genre and format, while our networks and brands forge deep connections with the world’s one of the most diverse audiences. In streaming, our differentiated strategy is scaling rapidly across free, broad pay, and premium.

Paramount Pictures Corporation is an American film and television production company and the main namesake division of Paramount Global

Product Description

Tut recounts the astounding saga of one of history's most extraordinary rulers, Tutankhamun (King Tut), his rise to power and his struggle to lead Egypt to glory, while his closest advisors, friends and lovers scheme for their own nefarious interests. This event series opens up a fascinating window into a world filled with heart-breaking romance, epic battles, political backstabbing, conspiracy, jealousy, and even murder - proving that Tut's world was not so far removed from our own.

Product details

  • MPAA rating ‏ : ‎ NR (Not Rated)
  • Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 3.84 ounces
  • Media Format ‏ : ‎ Multiple Formats, Box set, Subtitled, Color, Widescreen, NTSC
  • Run time ‏ : ‎ 4 hours and 30 minutes
  • Release date ‏ : ‎ October 6, 2015
  • Actors ‏ : ‎ Avan Jogia, Ben Kingsley
  • Subtitles: ‏ : ‎ English
  • Studio ‏ : ‎ Paramount
  • ASIN ‏ : ‎ B010MJ851Y
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 3
  • Customer Reviews:
    4.4 4.4 out of 5 stars 2,093 ratings

Customer reviews

4.4 out of 5 stars
4.4 out of 5
2,093 global ratings
Stunning in every way
5 Stars
Stunning in every way
Renting Tut was unsustainable. I had to buy. It is now MINE. True to fact/myth, who would entirely know, don't bother with that. Gorgeous costumes, sets, actors all. The fantastical story of Tut ankh Amon, played by Avan Jogia whose voice, mannerisms, beauty...well, was really fun to watch.If anyone loves the art and mystique of ancient Egypt, as I do, yer gonna love this!
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Top reviews from the United States

Albuquerque
5.0 out of 5 stars TUT Ben Kingsley blu ray
Reviewed in the United States on April 1, 2024
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I received my movie on ‘TUT’ on the 28th of March 2024 from AMAZON MAIL in perfect condition!! I am fond of movies concerning The Ancient Times!! The color of the props and customs plus the actors portrayal of their characters is so fascinating, to me!! When I played the two blu ray discs the story line were very interesting!! The audio played so clear and mesmerizing to my ears that enhanced the movie, like in the movies!! Then the video played so beautiful!! The colors made me feel like if I were in he ancient times, a view from the window looking in!!
I know the story line is made up in many ways but it’s an eye catcher, at least to me!! What if!!
Thank you AMAZON for listing this movie in your inventory!! KADOS!!!
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nancy colon
5.0 out of 5 stars Tut
Reviewed in the United States on April 7, 2024
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Great movie
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sparkle17
5.0 out of 5 stars Digital purchase
Reviewed in the United States on February 4, 2024
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I watched this on Prime. I thought it was a very good movie. Based on fact but a lot of artistic license used which made it a good story
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Alfred D. Byrd
4.0 out of 5 stars A Complex, but Dynamic Plot That Never Flags
Reviewed in the United States on January 6, 2016
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The life of Tutankhamun, shadowy successor to the heretic-Pharaoh Akhenaten of Egypt's Eighteenth Dynasty, has fascinated students of ancient history since Howard Carter's dramatic discovery of a hidden tomb. Now, thanks to Spike, that life has come to the small screen as a lavishly produced miniseries.

Because Tut's life was shadowy, the miniseries' writers and producers had to fill in blanks with real and invented characters in situations that likely happened, may have happened, or could never have happened as shown, but are entertaining. The result of characters in conflict is a complex, but dynamic plot that never flags.

The directors assembled a cast that is serviceable at its weakest and stellar at its strongest. Headlining the cast even above Tut is Sir Ben Kingsley in the role of the scheming vizier Ay. Fans of the Bible Collection will recall Ben Kingsley’s memorable performances as Potiphar and Moses. His turn as Ay is no less memorable. Ben Kingsley can do more with a twitch of an eyebrow than most actors can do with a page of script. His classical restraint makes his rare outbursts more powerful than they would otherwise be.

Next, cast in the role of Tut is a teen actor, Avan Jogia, who holds his own beside Sir Ben Kingsley with a performance of brooding intensity punctuated by emotions ranging from light humor to killing rage. If Tut is a sign of the future, Avan Jogia can foresee a long career as a leading man.

The Australian actor Sibylla Deen in the role of Tut's sister-wife Ankhesenamun is problematic, at times dazzling and at other times annoying. She can hold her own with the leading actors, but has a strong tendency to over-enunciate her words and overdo her facial expressions to the point that they detract from the action. She's at her best in scenes of trauma and mourning, which were likely, sad to say, as common in the real Ankhesenamun's life as in the miniseries.

As a long-time fan of Star Trek, I enjoyed seeing Alexander Siddig, formerly Siddig el-Fadil, in the invented role of High Priest Amun. (The name Amun is invented; the position of high priest is not.) Alexander Siddig brought an amazing expressiveness, both verbally and physically, to his role. At times, his action veered into excess, but, in a production on the scale of Tut, excess is hardly a vice.

Kylie Bunbury was excellent in the invented role of Suhat, Tut's true love interest: a woman, half of enemy blood, who saves him from death and becomes first a secondary wife in his harem and then a player for supreme power. Kylie Bunbury brought a broad range of genuine emotion to her role, which illustrates the vagaries of love, childbearing, and scheming for influence and succession in a polygamous royal court.

Peter Galiot, in the invented role of Lagus, a soldier who rises to become Tut's right-hand man, was good in acting, but jarring in appearance. His bearded, blue-eyed looks in a cast otherwise mostly convincing as Ancient Egyptians would have worked if he could have been passed off as a Greek mercenary who had risen to influence in the Egyptian army, but no Greek mercenaries had made it as far as Thebes in the Eighteenth Dynasty. I will discuss another problem, not with the acting, but with the writing, of his role later.

Iddo Goldberg in the invented role of Ka, a friend to Tut and a no-so-secret lover to Ankesenamun, was the weakest member of the main cast. Coming across to me as youthful and inexperienced beside the rest of the cast, he could have been the trusted, yet treacherous friend of any teen drama. Let me mention here a minor cavil about the miniseries: the Ancient Egyptians may well have made up nicknames for such a mouth-filling name as Ankhesenamun, but the way that Ka called her "Ankhe" came across to me as just silly.

I welcomed seeing Nonso Anozie, who had given a striking performance as Samson in Mark Burnet and Roma Downey's The Bible, in the role of General Horemheb. The actor brought an imposing calm to Horemheb in repose and a riveting intensity to the character to moments of conflict, which were continual in the miniseries. I doubt that I am giving too much away when I say that, late in the production, he gets to be Samson again.

Of the miniseries’ minor characters, Nakht, Ay’s son, was impressive, mostly sullen, but sometimes charming. Nakht-Min was a real person, in line to succeed Ay when he took the throne, but he somehow disappears from history before Horemheb came to power.

Recently, casting in Middle Eastern historic epics has evoked an ongoing controversy. Some have correctly pointed out that blue-eyed, fair-skinned Europeans and Americans look nothing like Ancient Egyptians. With the exception of the actor playing Lagus, Tut's directors have avoided actors fitting this description. Modern Egyptians, who feel a special connection to Ancient Egypt, tend to argue that an Ancient Egyptian epic should feature Egyptian actors. In Tut, the closest approach to an Egyptian actor is the Anglo-Sudanese Alexander Siddig. Tut's directors followed a middle course by assembling an international, multiracial cast headlined by a pair of Anglo-Indians. Perhaps, the cast makes the statement that Ancient Egypt is humanity’s common heritage.

The miniseries' strong performances are due in large part to strong direction. This shows especially in a number of amazing scenes in which the actors carry the action and conflict by expressions and body language alone. It takes both strong actors and a strong director to pull off such scenes, but they're a treat when they work, as they work in Tut.

The miniseries' main actors play against the background of the proverbial "cast of thousands," each of them lovingly arrayed in authentic Ancient Egyptian attire. The cast moves through lavish, finely detailed, brilliantly colored sets with the look and feel of Ancient Egypt restored to life. The sets in turn give way to the awesome desolation of the Moroccan desert, a character in itself.

Cast, clothing, and setting are served by strong writing that centers on court intrigue, some of which had to have actually happened. The childless, inexperienced Tut strives to gain and hold on to power amid the maneuverings of Ay and Horemheb, both with an eye on succeeding Tut should he fail or die. Ankhesenamun, unable to bear a living heir, fights to hold on to her position as Chief Royal Wife against an outsider who might bear a royal heir. The high priest schemes to gain power for himself...

Sadly, the conflict involving the high priest loses by the director's decision to deal only cursorily with the religious conflict in Egypt before and during Tutankamun's reign. We get no clear sense that Tut's father, Akhenaten, had replaced the worship of the Egyptian pantheon with one god, the Aten, and that Tut began his reign as Tutankhaten and was maneuvered by his advisers into restoring worship of the old gods. In the miniseries, we get only a brief glimpse of Akhenaten and his son -- a glimpse that makes no mention of the religious conflict -- before we move on to the last years of Tut's reign. In this, we see a rivalry between Tut and High Priest Amun, but we get no real sense of that rivalry's cause. The miniseries' extras suggest that a number of scenes were filmed with Akhenaten and the boy Tut, but these scenes were left out of the miniseries and were unaccountably not included, even as deleted scenes, in the DVD. Their inclusion in an expanded version of Tut would have strengthened it and filled a fan’s desire to see more of the world that Tut restored. If nothing else, the miniseries’ Akhenaten is so impressive that I would have liked to see more of him.

In the real Tutankhamun's reign, Egypt faced a complex set of challenges within the kingdom and a complex set of rivalries and conflicts with rival powers north of the kingdom in what are now Syria and Iraq. No doubt for the sake of a plot that could be run in six hours of television time, the writers of Tut reduced the internal conflict to a plague that weakened the kingdom in the face of foreign invasion, and the external conflict to a single enemy, the Mitanni, portrayed as if they were the southern Nubians. The movie mentions Amurru, who were Semitic foes of the Egyptians from Mesopotamia, but a non-Egyptologist would easily confuse them with the Mitanni in the miniseries.

Having earned a master's degree in microbiology, I have learned never to expect much from Hollywood depictions of an epidemic. Tut did better than many another production has done in portraying its plague, though, in Tut, those who dramatically should have gotten sick did get sick, and those who dramatically should not have gotten sick did not get sick, in the grand Hollywood manor. The miniseries did do a good job of showing how a plague disrupts a kingdom at all levels and how ill equipped ancient empires were to deal with a plague. Over all, the plague scenes gave us a dramatic, dazzling pageant, which, in a production like Tut, is what really counts. Still, I cannot help wondering what the miniseries’ miracle medicine was.

The subplot involving the Mitanni gave us a mixed bag of action scenes. The early battles were majestically and meticulously filmed as fine examples of what battle scenes should be, mixing action on an epic scale with personal drama. The full-speed chariot charges are particularly spectacular. Should we hope for Tut’s producers to remake Ben Hur? Later, however, a long sequence in which Tut and Suhat rescue Lagus from the Mitanni because Tut needs Lagus to help him regain power in Thebes comes to nothing when Lagus proves to be totally irrelevant to how Tut regains power. Still, the Lagus expedition does pay off in a final battle scene that is over the top -- totally unrealistic for its time and place. That being said, the scene was fun if you overlook its impossibilities.

The battle and rescue scenes give us a chance to see Action Tut, which is what we had come to a movie about Tut to see. It is sad, then, that, in real life, if the latest archaeological findings hold up, Tutankhamun was anything but an action figure. Still, would the real Tutankhamun blame us for watching what he might well have wished to be?

Any production on the scale of Tut has faults that one can find. It distracted me for the miniseries to contain a minor, disposable character named Seti. That is a fine Ancient Egyptian name, but anyone with even a smattering of Egyptology knows that Seti would be Horemheb's successor at the Eighteenth Dynasty's end, as this character could never be.

Too, it was distracting for the miniseries' young actors to wear their own long, flowing hair, as real Ancient Egyptians of the Eighteenth Dynasty would never have done. Loathing lice, both men and women shaved their heads; men generally went bald, whereas women wore wigs. Sir Ben Kingsley went authentic; why was what was good enough for him not good enough for everyone else? Many of the female extras looked spectacular in their wigs. As for Ankhsenamun, the Kool-Aid purple highlights in her hair made her seem more like a modern party-goer than an ancient queen.

From time to time, the younger actors, perhaps in an attempt to seem relevant to our time, dropped into contemporary language. It was jarring for me to hear the characters say “OK.” Even more jarring was it for Ankhsenamun to say at one point to Ay, “Are you sure you’re not being paranoid?” Ancient Egypt and modern psychology do not go together. Do the writers not know that Ancient Egyptians spoke Victorian English? At least, viewers of movies set in Ancient Egypt have come to expect it.

What else? Oh, yes, could the half-Mitanni peasant Suhat really have written a letter in hieroglyphics (all right, technically, hieratic)? I also wondered how a Mitanni soldier charging a position of Egyptian archers went down from an arrow in the back. Still, I've heard that strange events take place in battle.

I should mention for prospective viewers that Tut has a number of sex scenes containing partial nudity. Although the sex scenes are fairly explicit, they are not gratuitous, as all of them are deeply rooted in, and advance, the characters' passions and ambitions. How often these days do sex scenes actually advance a plot? Just keep in mind that you would have to be an Olympic athlete actually to do what the characters in the miniseries are shown as doing.

Finally in the nitpicking department, I should mention that, in some scenes, both boy Tut and teen Tut are shown walking with a limp, as the real-life Tutankhamun would have walked. In other scenes, however, the limp is nowhere to be seen. Of course, when Action Tut takes the stage, he verges on being a superhero -- at least to the end.

In the end, the miniseries' intrigue is so well handled that few viewers will be able to guess how the conflict plays out, even though we know from history that Tut, like the Titanic or the planet Krypton, is doomed. Over all, strong performances in a plot of complicated, well-motivated conflicts of life and death amid gorgeous settings and costumes make a lost world come to life before our eyes. If not all that takes place there can be true, it's at least well imagined. For the story, the acting, and the setting, you may well end up watching Tut again and again.
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author of The Inheritance
3.0 out of 5 stars Tut and the Super Powers
Reviewed in the United States on July 25, 2015
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Beautiful sets and costumes. Historically accurate chariots and bows. Light fast chariots were the fast attack weapon of the age. Breeding chariot horses and building chariots, laminated bows, and mixing tin and copper to make bronze weapons were the defense industries of that time. Copper came to Egypt from mines in Timna, Israel or Cyprus. Tin came from mines in the Taruus Mountains of Turkey. I send my compliments to the people who did props, costumes, and sets.

I wanted a more surprising plot with more power games and international intrigue. Tut lived in a more complex age than what we see in this miniseries. Trade by caravan and ship were widespread. The lapis lazuli on Tut's death-mask, around the eyes, came by caravan all the way from Afghanistan. Raiding was common. Most wood used in Egypt was imported from Lebanon from the famous forest of the cedars of Lebanon. The other super power of the Bronze Age was the Hittites with Assyrians and Greeks also powerful.

Yes, the Priests of Amun had become so powerful that they overshadowed the king of Egypt. Tut did not produce an heir, probably because his family was so inbred. They married their sisters to be more like their gods.Very bad plan genetically but a part of their religion. Ay may have been ambitious. He did rule for a brief period after Tut. Ay did marry Ankhesenamun. A seal with their names linked was found. A letter written by Ankhesenamun was found in the Hittite archive asking for a Hittite prince for her to marry and make king of Egypt. He was sent to Egypt and was killed by Egyptian assassins on the way, creating an international incident. General Horemheb was actually a very capable general and leader. As king, he curbed the power of the priests of Amun by appointing priests from the army. Horemheb also reorganized the government to prevent embezzlement by bureaucrats.

The real story is far more interesting and surprising and could inspire a more original plot. Tut must contain and curtail the growing power of the priests of Amun. He must keep Egypt well armed in the face of Greek pirates raiding his tin shipments. A real feel for Bronze Age tech and international intrigue is missing.
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wlkrs
5.0 out of 5 stars Good Entertainment
Reviewed in the United States on January 5, 2024
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Great little mini-series with great acting. If you are a history buff, don't look for accuracy here. Very little is known about Tut, but this deviates even from that. It takes the main characters names and that about it. But it is still a great watch!
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Verena Gilbert
5.0 out of 5 stars Tut
Reviewed in the United States on December 23, 2023
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It was not accurate. Tutankhamen was not in good enough shape to do all that. The truth is he drank too much to be on a chariot. He fell and broke his led which killed him. The movie ended abruptly in the middle.
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Linda L.
5.0 out of 5 stars Couldn't stop watching it
Reviewed in the United States on December 11, 2023
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The acting & story line was exceptional, really draws you in.
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Top reviews from other countries

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Mark Thomas
5.0 out of 5 stars Top Notch
Reviewed in Canada on February 24, 2024
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Excellent production - acting and cinematography. Storyline seems to follow the historical facts available.
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Bücher-Wurm
5.0 out of 5 stars Eindrucksvoll und unterhaltsam
Reviewed in Germany on March 30, 2024
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Nach einigen negativen Bewertungen habe ich die Serie mit einer gewissen Skepsis gesehen - und wurde positiv überrascht! Natürlich enthält "Tut" einige historische Ungenauigkeiten, aber die Serie hat auch gar nicht den Anspruch, dokumentarisch korrekt zu sein, sondern sie will unterhalten - und das tut sie mit einer spannenden Mischung aus Action, politischen Machtspielen und Romantik.
Die aufwendige Ausstattung kann mit teureren Hollywood-Produktionen durchaus mithalten. Meines Erachtens tut es der Serie gut, dass die Produzenten sich bewusst dagegen entschieden haben, vor einem Greenscreen zu drehen und mit Computeranimationen nachzuhelfen, wie es heute leider so oft üblich ist. Stattdessen wurde das Filmset aufwendig in der Wüste Marokkos aufgebaut, um es den Schauspielern zu ermöglichen, in historischem Ambiente zu spielen - und das merkt man den Leistungen auch positiv an.
Der mir vorher unbekannte Avan Jogia macht seine Sache als Hauptdarsteller mit (zum Zeitpunkt der Dreharbeiten) erst 22 Jahren sehr gut und spielt den "Teenager-König" Tutanchamun glaubwürdig und zugegebenermaßen auch gut aussehend - für junge Frauen und schwule Männer lohnt es sich allein schon seinetwegen, die Serie anzuschauen. ;)
Herausragend ist natürlich Oscar-Preisträger Ben Kingsley in der Rolle des undurchsichtigen, intriganten Wesirs Eje. Aber auch andere Darsteller wissen zu überzeugen, wie Nonso Anozie als machtbewusster Feldherr Horemheb oder die hübsche Kylie Bunbury als Tutanchamuns Geliebte Suhad.
Wenn man dann noch berücksichtigt, dass die Serie bei Amazon für gerade einmal 10 Euro auf DVD oder Bluray zu bekommen ist (bei über 4 Stunden Laufzeit plus Bonusmaterial), ist das Preis-Leistungs-Verhältnis für alle, die gerne spannende Filme in historischem Ambiente sehen, absolut empfehlenswert!
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MLB
5.0 out of 5 stars Magnifica interpretación y ambientación
Reviewed in Spain on October 24, 2020
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Fantástica recreación del Egipto de la XVIII dinastía. Destacan las interpretaciones y los diálogos, que son sobrios y contundentes. La producción es excelente y sostiene eficazmente la trama. Perfecta para los que se sienten atraídos por el Egipto antiguo.
El misterio que rodea todavía a Tut desde un punto de vista histórico para nada interfiere en la trama de la miniserie. Vale la pena.
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Esteban Posada Duque
5.0 out of 5 stars .... A must have : for egyptologists new & old ....
Reviewed in the United Kingdom on September 22, 2017
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.... pharaonic classic . especially with the HD release .... and I was surprised I was able to watch it because this item is labeled as Region: -paRegion B/2 , which in theory my bluray would not be able to read ... actually I found it very emotional : reviving how the boy - pharaoh was betrayed and his legacy was removed from all site ... thanks God ... burial robers never finded that TREASURE ... before Sir Howard Carter almost a century ago (1922) in the sacred valley ...
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LauraO
5.0 out of 5 stars Bellissimo
Reviewed in Italy on March 16, 2017
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Purtroppo non c'è la versione con doppiaggio in Italiano, ma è talmente bello che mia figlia se lo guarda lo stesso instancabilmente e sta imparando l'Inglese! Mini serie che avrebbe meritato maggiore esposizione in tv, fatta bene e intrigante.
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