Et cetera. The concept of mid-tier celebrities on the nation's hottest shopping channel may have enormous possibilities, but...
A first novel that tries for the fierce bite of satire but ends up with not much more than nasty little nibbles at the familiar.
Pity the talent on the shop-at-home channel dubbed—yes—Sellevision. During the “Toys for Tots” segment of Slumber Sunday Sundown, gay, lonesome Max inadvertently exposes himself in front of 60 million kids and their parents and loses his job—and any possibility of another. On-air person Peggy Jean Smythe, meanwhile, is a clueless, churchy mother, the oldest of whose three sons would rather play with C-4 than Silly Putty because of issues he has with mother dear. When she's bundled off ranting to detox and rehab for 30 days to get in touch with her addiction to Valium and alcohol, her much deprived husband takes up with Nikki, the almost 16-year-old Lolita from next door whose issues are a whole lot more fun—not to mention kinky—than Peggy Jean's. Then there's Leigh, who is having an affair with married boss Howard Toast, who shows no signs of leaving his own wife. Until, that is, Leigh, after consulting with already-exposed Max, exposes Toast on air and gets him fired and kicked out of his wife's house—whereupon Leigh becomes a feminist icon and much-sought-after talk show guest. And then there's Bebe, Sellevision's most successful host, who finds Mr. Right through a personal ad she puts on the Internet—except that he just might turn out to be the long-lost brother her mother put up for adoption before she was born.
Et cetera. The concept of mid-tier celebrities on the nation's hottest shopping channel may have enormous possibilities, but greater wit and sophistication than Burroughs seems able to summon—so far—are needed to raise this outing from the banalities of soap and silliness to the power of real satire.Pub Date: Sept. 1, 2000
ISBN: 0-312-26772-X
Page Count: 208
Publisher: St. Martin's Griffin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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