"Otis Redding was such a down-to-earth guy," recalls William Bell. "I met him at his first session for Stax in 1962 when he turned up as Johnny Jenkins' driver and we hit it off immediately. He was from Macon, Georgia, and was really down-home, a country guy. Once I got out of the military, we hung out and toured together and just became really good friends. He loved to hang out and have a beer. He'd go in a bar - what you call a pub - and buy everyone a beer. That was Otis."
Bell is a repository of stories about legendary Memphis musicians. As a teenager he sang on Beale Street when it was the blues Mecca, while at the same time he was part of a radio quartet alongside Isaac Hayes and Carla Thomas, both of whom would join him in achieving fame at Stax Records. B.B. King hosted his show on the same station and became a close friend. A young Al Green - long before he enjoyed a hit single worked alongside Bell on the chitlin' circuit in the early 60s. Elvis? Yes, William knew him. "Nice guy," he says of Presley. "If he had a racist bone in his body, he never showed it to me.'
This story is from the October 2022 edition of Record Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the October 2022 edition of Record Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
"THINGS CAN GO VERY BADLY WRONG"
But not too often. The Iron Maiden singer, aviator, business mogul and awardwinning everyman, Bruce Dickinson, returns with a new solo album, The Mandrake Project – Top 10 across the planet at the time of writing – and a ton of anecdotes about his extraordinarily successful career. Just don’t try and put him in a box. “I’m not a number, I’m a free man!” he warns Joel McIver.
Out Of The Darkness
Long-anticipated solo debut from Portishead singer is worth the wait
Clearing The Way
The end of an era for Bolan's glam-rock trailblazers.
SOCK IT TO ME DISC-ITS! WHEN TWO TRIBES VINYL AND CD (AND CASSETTE) WENT TO WAR
Dream, if you can, a courtyard. An ocean of violets in bloom. Alternatively, a 1984 record shop and all its pristine treasures. Close your eyes, let’s go there together. What do you see? From chest-level down – vinyl.
Steve Harley 1951-2024
As frontman for Cockney Rebel, the singer-songwriter crafted one of the glam rock era's greatest singles in Make Me Smile (Come Up and See Me).
The Collector
Swiss-based Icelander Sunna Margrét is a rising force in experimental pop. Having begun her career as a teenager touring with electro-pop ensemble Bloodgroup, she is about to release her debut full-length solo LP, Finger on Tongue.
She'd only Just gun
With their rapturous harmonies, the Carpenters dominated the 70s’ airwaves, selling over 100 million records with hits like Close To You and Yesterday Once More. But by 1979, lead singer Karen was seeking a new direction… Biographer Lucy O’Brien recounts her attempts to move out of the restrictive environment of the family band that had made her a star
PNEUMATIC FOR THE PEOPLE
Forming in West Berlin in 1980 and achieving their greatest notoriety circa 1984, industrial noise-punks Einstürzende Neubauten have far e xceeded t he i r p ro jec ted l i fe expectancy. Founding frontman Blixa Bargeld traces the evolution of the metalbashing pioneers. Jeremy Allen is all (suitably protected) ears
FRUITS OF THEIR LABOUTES
Bananarama had their first Top 3 hit in 1984, Robert De Niro's Waiting. Rob Hughes meets lifelong friends and bandmates Sara Dallin and Keren Woodward as they look back on their career, album by album
Being Soaring.
In April 1984, the original, faster Bobby Oproduced version of West End Girls was released.