RM2B016FE–Japan: 'Lady and Duckpond in the Snow'. Ukiyo-e woodblock print by Utagawa Tsuruya (fl. late 19th century), late 19th century. The Utagawa school was a group of Japanese woodblock print artists, founded by Toyoharu. His pupil, Toyokuni I, took over after Toyoharu's death and raised the group to become the most famous and powerful woodblock print school for the remainder of the 19th century. Hiroshige, Kunisada, Kuniyoshi and Yoshitoshi were Utagawa students. The school became so successful and well-known that today more than half of all surviving ukiyo-e prints are from it.
RMATMN7P–Japanese Ukiyo e print
RMWWC558–Wife of the elite samurai class reading books, with other women writing with a pen, one looking at ukiyo-e prints, and one folding paper. Another woman delivers reams of paper and ink. The alcove is decorated with coral, scrolls, feathers, etc. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.
RMPAM0T2–An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder. Artist: Torii Kiyomasu I (Japanese, active 1696-1716). Culture: Japan. Dimensions: 21 7/8 x 12 3/4 in. (55.6 x 32.4 cm). Date: ca. 1705. The first ukiyo-e prints were conceived as paraphrases of ink drawings. The woodblock cutter gave exaggerated attention to duplicating the irregularities of the brush stroke, for instance, the variations in thickness of the calligraphic curves and the feathery quality at the point where the brush left the paper. However, in this translation from painting to the simpl
RM2H57MJG–HIROSHIGE UKIYO-E ARTIST 100 Famous views of Edo by Hiroshige Suijin Shrine and Massaki on the Sumida River. People at the bottom of the print are on the way to the Hashiba ferry Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his vertical-format landscape series One Hundred Famous Views of Edo. Suijin Shrine and Massaki on the Sumida River is number 35 of the 118 woodblock prints constituting Hiroshige's series One Hundred Famous Views of Edo.
RMMMNNYR–. ??ѵ??ެ?: ?????????????ࡵ????ص????????????? English: Otsu on the Kisokaido, ukiyo-e prints by Hiroshige . between circa 1835 and circa 1838. Hiroshige - Kisokaido69 Otsu
RM2DMD64H–Matoi Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), In Japan, firefighters would use a unit called a matoi to put out fires. Each firehouse would have a unique matoi. This stencil represents team four. Edo is also known as the city of fires since houses were built from timber and paper. There were five hundred major fires known between 1951 and 1867. Matoi is a popular motif in ukiyo-e prints from the nineteenth century., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami
RF2GBK6XE–LEFT: Kiyomine-Woman holding out a sake cup signed Kiyomine. RIGHT:Yeizan-full-length figure-study of a geisha signed Yeizan The Japanese artist Kiyomine Torii lived from 1787 to 1868. Kikukawa Eizan (died 1867) was a designer of ukiyo-e style Japanese woodblock. prints.
RMF7NYXR–Ukiyo Matabei (Meishitsu ukiyo-e kagami) by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1820
RMTXGC0C–Benkei Dazaemon by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1820
RMER763N–Flower performance. Ukiyo-e diptych showing richly-dressed man, two children, and two women in a richly-appointed interior. Date 1862.
RM2JFYH7K–Memorial portrait of Utagawa Hiroshige (1797-1858), Japanese ukiyo-e artist, woodcut print by Utagawa Kunisada, 1858
RMD734TW–Ukiyo-e wood block prints of traditional Japanese ladies, Japan
RMDW4WT1–Ukiyo-e woodblock print of the actor Morita Kanya in the role of Ronin by Japanese artist Tōshūsai Sharaku, Japan
RM2HHPKBB–Amorous Couple early 18th century Okumura Masanobu Japanese A man and a woman sit on the veranda of a teahouse smoking long pipes. Their intimate exchange draws the attention of an errand boy who turns his head on his way past with a load of books. The depiction of amorous couples is a popular theme in ukiyo-e prints. The inclusion of this youthful observer introduces a note of curiosity mixed with envy, while indicating that the scene is taking place in public.. Amorous Couple 37130
RMPY21D5–Japan Ukiyo-e Museum, Matsumoto, Japan. No PR
RMHM1BAE–January 30, 2017 - The Carmen Thyssen Museum Malaga has inaugurated this Monday the new temporary exhibition 'Japan. Engravings and objects of art 'that can be visited until 23 April and which gathers a selection of ukiyo-e prints from the 18th century and urushi lacquer pieces from the main artists of the time belonging to the collection of the Museum of Fine Arts of Bilbao. Credit: Fotos Lorenzo Carnero/ZUMA Wire/Alamy Live News
RM2A7C8K5–Moon of Enlightenment, woodblock prints by Tsukioka Yoshitoshi.
RMW8PBBN–The Eight Scenes of Omi Province: Evening Bell at Mii Temple by Utagawa Hiroshige (1797 -1858), Edo period, 19th century, National Museum, Tokyo, Japan
RM2B017D2–Japan: ‘Reflection of Mount Fuji in Lake Kawaguchi Seen from the Misaka Pass in Kai Province’. Ukiyo-e woodblock print from the series ‘Thirty-Six Views of Mount Fuji’ by Katsushika Hokusai (31 October 1760 - 10 May 1849), 1830. ‘Thirty-six Views of Mount Fuji’ is an ‘ukiyo-e’ series of woodcut prints by Japanese artist Katsushika Hokusai. The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and 10 were added.
RFATK8KG–Japanese Ukiyo e print
RMD3D8GD–Non-Japanese female foreigner has a hand at painting a copy of old Ukiyo-e woodblock print at fair in Odawara, Kanagawa, Japan.
RMPB0G62–Kayoi Komachi, from the series 'Seven Episodes of the Poet Komachi'. Artist: Utagawa Toyokuni I (Japanese, 1769-1825). Culture: Japan. Dimensions: H. 15 1/4 in. (38.7 cm); W. 10 1/8 in. (25.7 cm). Date: ca. 1795. This print is one of the most exquisite ukiyo-e prints featuring women. The subject matter of 'Kayoi Komachi,' inscribed in the upper right corner, is drawn from a tragic Noh play. The poet Ono no Komachi promises to meet her ardent suitor Fukakusa Shojo if he agrees to spend a hundred nights on the stepstool of an oxcart. After ninety-nine nights, he dies. This print is a parody o
RM2A8152K–Vintage Illustration Lithograph 'Naruto Whirlpool' Awa Province, from the series 'Views of Famous Places in the Sixty-Odd Provinces' Artist: Utagawa Hiroshige 1853 Famous Views of the Sixty-odd Provinces is a series of ukiyo-e prints by the Japanese artist Hiroshige (1797–1858). The series consists of a print of a famous view from each of the 68 provinces of Japan The prints were first published in serialized form by Koshimuraya Heisuke in 1853–1856.
RMMMNNYC–. ??ѵ??ެ?: ?????????????ࡵ????ص?????????????뵦??+???? English: Kusatsu on the Kisokaido, ukiyo-e prints by Hiroshige . between circa 1835 and circa 1838. Hiroshige - Kisokaido68 Kusatsu
RM2DT2BD5–Artist: Kitagawa Utamaro, Japanese, 1753–1806, Persimmon Gatherers, ca. 1803, Ukiyo-e triptych: polychrome woodblock prints, sheet: 14 1/8 × 29 in. (35.9 × 73.7 cm), Japan, Japanese, Edo period (1615–1868), Works on Paper - Prints
RFKER3JN–The caption for this image reads: Toyokuni—The actors Ichikawa Omezo and Onoye Matsu-suke in character. Toyokuni was recognized as a master of ukiyo-e and he was especially known for his kabuki actor prints. The ukiyo-e style was popular between the 17th and 19th centuries. The term translates as 'picture[s] of the floating world.' There were wood prints, as well as paintings of female beauties actors, sumo wrestlers, historical scenes, folk tales, travel, landscape, flowers.
RFC5X2AM–The Great Wave off Kanagawa by Katsushika Hokusai - Very high quality and resolution image
RMTXGBYM–Yuranosuke, Kumagai and Jiraiya by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1854
RMT950WE–Entitled: 'Osaka kudari tayu Hanakawa Kotsuru' Hanakawa, born without arms, showed her dexterity in her feet, by making origami and shooting from a miniature bow. She was a main attraction around the Ry?goku bridge. Amelia is the birth defect of lacking one or more limbs. It can also result in a shrunken or deformed limb. Utagawa Kunisada (1786 - January, 12 1865) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th century Japan.
RMB7WXPK–Original woodblock for Japanese print 2- Tokyo Day in London 2009
RF2HW3KK1–Art inspired by The Third Princess and Kashiwagi, from the Tale of Genji (Genji monogatari), 1858, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Each 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865), One of the ukiyo-e artists, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMEKCBJ1–Tsuchiyama, from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô 1863 Utagawa Yoshitsuya 1822 – 1866 (also known as Kōko Yoshitsuya - Ichieisai Yoshitsuya ) designer of ukiyo-e Japanese woodblock prints Japan
RM2HHB34K–Girls Entertained by Performers, from the illustrated book Flowers of the Four Seasons 1801 Kitagawa Utamaro Japanese Theatrical performances are paradigms of people watching other people. There is a division of roles as well as a division of space. The actors move about a prescribed area, while the audience remains passively confined to another. This structure is reflected in ukiyo-e prints in which viewers are often physically separated from the objects of their gaze. They look down from balconies, peer through blinds and windows, and peek from behind screens and curtains. In this print, fro
RMPY21D1–Foyer of the Japan Ukiyo-e Museum, Matsumoto, Japan. No PR or MR
RMHM1BAK–January 30, 2017 - The Carmen Thyssen Museum Malaga has inaugurated this Monday the new temporary exhibition 'Japan. Engravings and objects of art 'that can be visited until 23 April and which gathers a selection of ukiyo-e prints from the 18th century and urushi lacquer pieces from the main artists of the time belonging to the collection of the Museum of Fine Arts of Bilbao. Credit: Fotos Lorenzo Carnero/ZUMA Wire/Alamy Live News
RM2A7C8B0–Cao Cao was gazing at a full moon on the night before the Battle of Red Cliffs, woodblock prints by Tsukioka Yoshitoshi.
RM2DKHC4N–Utagawa Kuniyoshi 1798-1861. Miyamoto Musahi Series: Untitled series of warrior prints published by Kawaguchi . about 1827-27. Ōban vertical.
RM2B01KK4–Japan: Kabuki actor Ichikawa Omezou in the role of Yakko Ippei. Ukiyo-e woodblock print by Toshusai Sharaku (1770-1825), c. 1794. Tōshūsai Sharaku is widely considered to be one of the great masters of the woodblock printing in Japan. Little is known of him, besides his ukiyo-e prints; neither his true name nor the dates of his birth or death are known with any certainty. His active career as a woodblock artist seems to have spanned just ten months in the mid-Edo period of Japanese history, from the middle of 1794 to early 1795.
RFATJFXP–Japanese Ukiyo e print
RMW3KFBY–Various household items. After a work by Japanese artist Utagawa Yoshikazu also known as Ochiai Yoshiiku, 1833 - 1904, published 1853.
RM2BT56DX–Wife of the elite samurai class reading books, with other women writing with a pen, one looking at ukiyo-e prints, and one folding paper. Another woman delivers reams of paper and ink. The alcove is decorated with coral, scrolls, feathers, etc. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanbas Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.
RMF7NYXN–Benkei Dazaemon by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1820
RMMP8REW–. Urawa on the Kisokaido, ukiyo-e prints by Keisai Eisen . Keisai Eisen (1790–1848) Description Japanese ukiyo-e artist Date of birth/death 1791 1848 Location of birth Edo Authority control : Q3046492 VIAF: 289048024 ISNI: 0000 0000 8117 2103 ULAN: 500121366 LCCN: n80061263 GND: 119150875 WorldCat 767 Kisokaido03 Urawa
RM2DREB5J–Artist: Kitagawa Utamaro, Japanese, 1753–1806, Needlework, 18th century, Ukiyo-e triptych: polychrome woodblock prints, sheet (Each): 14 7/8 × 9 3/4 in.(37.8 × 24.8 cm), Japan, Japanese, Edo period (1615–1868), Works on Paper - Prints
RFKER3JW–The caption for this image reads: Toyokuni—The actors Ichikawa Omezo and Onoye Matsu-suke in character. Toyokuni was recognized as a master of ukiyo-e and he was especially known for his kabuki actor prints. The ukiyo-e style was popular between the 17th and 19th centuries. The term translates as 'picture[s] of the floating world.' There were wood prints, as well as paintings of female beauties actors, sumo wrestlers, historical scenes, folk tales, travel, landscape, flowers.
RFC5X3DJ–South Wind, Clear Sky (Fine Wind, Clear Morning, or Red Fuji) by Katsushika Hokusai - Very high quality and resolution image
RMW2FEFW–Antique Japanese woodblock print by unknown artist. Ukiyo-e[a] is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings. SOURCE: ORIGINAL PRINT.
RM2A5YY67–Colour woodblock triptych titled 'A struggle in the Dark' by Utagawa Kuniyoshi (1797-1861) a great master of the Japanese ukiyo-e style of woodblock prints and painting. He was a member of the Utagawa school. Dated 19th Century
RMB7WT0F–Original woodblock for Japanese print- Tokyo Day in London 2009
RF2HTTB35–Art inspired by Picking Clams, Edo period (1615–1868), ca. 1791, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 5/8 x 30 5/8 in. (39.7 x 77.8 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825), In the late eighteenth century, ukiyo-e printmakers began to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2PPX07N–Suzuki Harunobu : The Bowl of Gold-fish Ancient Japanese colour print from the book ' A history of Japanese colour-prints ' by Woldemar von Seidlitz, 1850-1922 Publisher London : Heinemann 1910
RM2HHB28Y–An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder ca. 1705 Torii Kiyomasu I Japanese The first ukiyo-e prints were conceived as paraphrases of ink drawings. The woodblock cutter gave exaggerated attention to duplicating the irregularities of the brush stroke, for instance, the variations in thickness of the calligraphic curves and the feathery quality at the point where the brush left the paper. However, in this translation from painting to the simplicity of the woodblock print, the freely-drawn line of the brush artist became more precise and robust in
RMPY21D2–Special layered stamps for visitors that mimic woodblock printing process, Japan Ukiyo-e Museum, Matsumoto, Japan. No PR or MR
RMHM1B8W–January 30, 2017 - The Carmen Thyssen Museum Malaga has inaugurated this Monday the new temporary exhibition 'Japan. Engravings and objects of art 'that can be visited until 23 April and which gathers a selection of ukiyo-e prints from the 18th century and urushi lacquer pieces from the main artists of the time belonging to the collection of the Museum of Fine Arts of Bilbao. Credit: Fotos Lorenzo Carnero/ZUMA Wire/Alamy Live News
RM2A7C8GP–The Gion District, woodblock prints by Tsukioka Yoshitoshi.
RM2DKHCH9–Utagawa Kuniyoshi 1798-1861. Izumo no Imaro Series: Untitled series of warrior prints published by Yamaguchiya. about 1833-35. Ōban vertical.
RM2B01KJX–Japan: The Actor Matsumoto Yonesaburo. Ukiyo-e woodblock print by Toshusai Sharaku (fl. 1794-1795), c. 1795. Tōshūsai Sharaku is widely considered to be one of the great masters of woodblock printing in Japan. Little is known of him, besides his ukiyo-e prints; neither his true name nor the dates of his birth or death are known with any certainty. His active career as a woodblock artist seems to have spanned just ten months in the mid-Edo period of Japanese history, from the middle of 1794 to early 1795.
RMATN2FK–Japanese Ukiyo e print coming from the field
RMW3KFG1–Sumo wrestlers. After a work by Japanese artist Utagawa Yoshikazu also known as Ochiai Yoshiiku, 1833 - 1904, published 1853.
RMPA9ABH–Waking Up: A Girl of the Koka Era (1844-1848). Artist: Tsukioka Yoshitoshi (Japanese, 1839-1892). Culture: Japan. Dimensions: 14 5/8 x 10 in. (37.1 x 25.4 cm). Date: 1888. The series that made Yoshitoshi a noted artist was one of the most important Meiji series of ukiyo-e prints of beauties. The lady cleans her teeth with a split-bamboo toothbrush. Her cotton sleeping robe slips off one shoulder, and a few strands of her hair have come loose, suggesting that she is only half awake. The large morning-glory flowers, known as asagao (literally, 'morning faces'), in the pot behind her on the righ
RMF7NYXM–Yuranosuke, Kumagai and Jiraiya by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1854
RMMP8RF2–. Sakamoto on the Kisokaido, ukiyo-e prints by Keisai Eisen . Keisai Eisen (1790–1848) Description Japanese ukiyo-e artist Date of birth/death 1791 1848 Location of birth Edo Authority control : Q3046492 VIAF: 289048024 ISNI: 0000 0000 8117 2103 ULAN: 500121366 LCCN: n80061263 GND: 119150875 WorldCat 767 Kisokaido17 Sakamoto
RM2DRJWK7–Artist: Utagawa Kunisada, Japanese, 1786–1865, The Fan Store Eijudo, ca. 1800, Ukiyo-e triptych: polychrome woodblock prints, sheet: 15 1/4 × 30 in. (38.7 × 76.2 cm), Japan, Japanese, Edo period (1615–1868), Works on Paper - Prints
RF2GBK71D–The 1920 caption reads: “Surimono: Kwanyu studying a book on strategy. It is signed by Hokkei.” Totoya Hokkei (1780–1850) was a Japanese artist best known for his prints in the ukiyo-e style.
RF2B2R112–A stamp printed in Yemen, dedicated to the famous art of Japan, depicts the prints in the ukiyo-e style, by Utagawa Kuniyasu, circa 1970
RMW2FEFD–Antique Japanese woodblock print by Ogata Gekkō. Ogata Gekkō (1859 –1920) was a Japanese artist best known as a painter and a designer of ukiyo-e woodblock prints. He was self-taught in art, and won numerous national and international prizes and was one of the earliest Japanese artists to win an international audience. SOURCE: ORIGINAL PRINT.
RM2A5YY54–Colour woodblock print titled 'Oki no Jir? Hiroari' by Utagawa Kuniyoshi (1797-1861) ) a great master of the Japanese ukiyo-e style of woodblock prints and painting. He was a member of the Utagawa school. Dated 19th Century
RMB7XPEY–Japanese woodblock artist at work- Tokyo Day in London 2009
RF2HW3FTN–Art inspired by 絵兄弟, A Woman Dressing a Girl for a Kabuki Dance (E-kyodai), Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/4 in. (38.7 cm); W. 10 1/8 in. (25.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), The Ukiyo-e artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2PPX0B6–Kitagawa Utamaro : Girls under Cherry-trees Ancient Japanese colour print from the book ' A history of Japanese colour-prints ' by Woldemar von Seidlitz, 1850-1922 Publisher London : Heinemann 1910
RM2HHAEG6–Street Scene in Yoshiwara late 17th century Hishikawa Moronobu Japanese In this Yoshiwara scene by Moronobu, the originator of ukiyo-e prints, a courtesan leans on the lattice of a teahouse window and converses with a samurai who has draped a coat over his head. This attempt to cloak his identity only serves to attract the attention of the courtesan playing the samisen and the passersby. The profile view of the girl's face, which is unusual in ukiyo-e prints, emphasizes the interest with which she watches the exchange. The focus of the print is the interaction between the inside, which is fram
RM2RBMRFY–Otsu-e Paintings Coming Alive Triptych 1847 by Utagawa Kuniyoshi
RMHM1BB6–January 30, 2017 - The Carmen Thyssen Museum Malaga has inaugurated this Monday the new temporary exhibition 'Japan. Engravings and objects of art 'that can be visited until 23 April and which gathers a selection of ukiyo-e prints from the 18th century and urushi lacquer pieces from the main artists of the time belonging to the collection of the Museum of Fine Arts of Bilbao. Credit: Fotos Lorenzo Carnero/ZUMA Wire/Alamy Live News
RM2A7C8CR–Bon Festival Moon, woodblock prints by Tsukioka Yoshitoshi.
RF2H7TGJJ–Vintage Hokusai Artwork - Dawn at Isawa in Kai Province - Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
RM2RWRGPB–Japan: Kabuki actor Ichikawa Omezou in the role of Yakko Ippei. Ukiyo-e woodblock print by Toshusai Sharaku (1770 - 1825), c. 1794. Tōshūsai Sharaku is widely considered to be one of the great masters of the woodblock printing in Japan. Little is known of him, besides his ukiyo-e prints; neither his true name nor the dates of his birth or death are known with any certainty. His active career as a woodblock artist seems to have spanned just ten months in the mid-Edo period of Japanese history, from the middle of 1794 to early 1795.
RMATMNKK–Japanese Ukiyo e print
RMD7324Y–Ukiyo-e wood block prints depicting traditional Japanese lady, Tokyo, Japan
RMPB20RR–Marsh Creek. Artist: Arthur Wesley Dow (American, Ipswich, Massachusetts 1857-1922 New York State). Dimensions: Image: 4 1/8 × 6 13/16 in. (10.5 × 17.3 cm) Sheet: 5 7/8 × 9 3/16 in. (15 × 23.4 cm). Date: ca. 1907. A leader of the American Arts and Crafts movement, Dow's advanced ideas concerning color and design are beautifully conveyed by his woodcuts. Born in Ipswich, Massachusetts, the artist studied tonalist painting in France for five years then returned to Boston in 1889. Fascinated by Ukiyo-e prints, Dow examined examples at the Museum of Fine Arts, together with Japanese printing equ
RMF7NYXJ–Terutekime and Koshimoto Kaoyo by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1848
RMMP8RG1–. Yabuhara on the Kisokaido, ukiyo-e prints by Keisai Eisen . Keisai Eisen (1790–1848) Description Japanese ukiyo-e artist Date of birth/death 1791 1848 Location of birth Edo Authority control : Q3046492 VIAF: 289048024 ISNI: 0000 0000 8117 2103 ULAN: 500121366 LCCN: n80061263 GND: 119150875 WorldCat 767 Kisokaido35 Yabuhara
RM2DT08KP–Artist: Kitagawa Utamaro, Japanese, 1753–1806, Parody of Yoritomo Releasing Cranes (Mitate Yoritomo Houkaku), 18th century, Ukiyo-e triptych: polychrome woodblock prints, sheet (Each): 14 3/4 × 9 5/8 in.(37.5 × 24.4 cm), Japan, Japanese, Edo period (1615–1868), Works on Paper - Prints
RFKER3JC–The caption for this image reads: Toyokuni—Manzai (New Year) Dancers. He was recognized as a master of ukiyo-e and he was especially known for his kabuki actor prints. He lived 1769 to 1825. The ukiyo-e style was popular between the 17th and 19th centuries. The term translates as 'picture[s] of the floating world.' There were wood prints, as well as paintings of female beauties actors, sumo wrestlers, historical scenes, folk tales, travel, landscape, flowers.
RM2A52J38–The Jockey, 1899. Motivated by the popularity of the races, Henri de Toulouse-Lautrec executed this lithograph both in colour, seen here, and in black and white. He intended to publish the colour version in a portfolio of horse-racing subjects, but the project never came to fruition and Jockey was published alone. The artist's admiration for Edgar Degas's horse-racing pictures is clear in Jockey , and he shared Degas's appreciation of Japanese ukiyo-e woodblock prints. Particular elements of the lithograph reveal the influence of the Japanese woodcut: the overall flatness; the daring croppi
RMWAW5ND–[ 1910s Japan - Seta no Karahashi ] — Seta no Karahashi Bridge in Omi, Shiga Prefecture. The bridge is one of the Eight Views of Omi (Omi Hakkei). The Omi Hakkei are the eight most beautiful scenes in the southern part of Lake Biwa. They are believed to have been selected in the 13th century and became especially well-known through woodblock prints of the same name by Japanese ukiyo-e artist Ando Hiroshige (1797-1858), also known as Utagawa Hiroshige. 20th century vintage postcard.
RM2A5YY6F–Colour woodblock triptych titled 'The Eight Great Tengu subduing Benkei by Utagawa Kuniyoshi (1797-1861) a great master of the Japanese ukiyo-e style of woodblock prints and painting. He was a member of the Utagawa school. Dated 19th Century
RMB7WWBE–Japanese woodblock artist at work 2- Tokyo Day in London 2009
RF2HW3JGT–Art inspired by Street Scene in Yoshiwara, Edo period (1615–1868), late 17th century, Japan, Monochrome woodblock print; ink on paper, 10 3/4 x 15 1/4 in. (27.3 x 38.7 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), In this Yoshiwara scene by Moronobu, the originator of ukiyo-e, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2PPX08G–YEISHI aka Eishi : Lady holding Sake Cup and with Attributes of Good Luck Ancient Japanese colour print from the book ' A history of Japanese colour-prints ' by Woldemar von Seidlitz, 1850-1922 Publisher London : Heinemann 1910
RM2HJ1YHC–Interior Scene with Books and Writing Implements early to mid-17th century Unidentified artist The two-panel format, an innovation of the period, fosters an intimate feeling. Here, the focus is on the contrast between the complex arrangement of implements on the shelves and the simple figure of what appears to be a sleeping child—probably a boy—in unarticulated space.Genre painting enjoyed great popularity from the late sixteenth century until the advent of ukiyo-e prints in the late seventeenth century. This exquisite screen is typical of the Kan’ei era (1624–49), when candid scenes of sensuo
RM2B6AC1H–Japanese Ukiyo-e decorated the wall of bedroom in second floor of Claude Monet House.Claude Monet House and Garden.Giverny.Region of Normandy.France
RMHM1BAH–January 30, 2017 - The Carmen Thyssen Museum Malaga has inaugurated this Monday the new temporary exhibition 'Japan. Engravings and objects of art 'that can be visited until 23 April and which gathers a selection of ukiyo-e prints from the 18th century and urushi lacquer pieces from the main artists of the time belonging to the collection of the Museum of Fine Arts of Bilbao. Credit: Fotos Lorenzo Carnero/ZUMA Wire/Alamy Live News
RM2A7C8F1–The Moon of the Milky Way, woodblock prints by Tsukioka Yoshitoshi.
RF2H7TGJE–Vintage Hokusai Artwork - Basket Fishing in the Kinu River
RM2B01AKC–Japan: Eguchi no Kimi seated on an elephant representing Bodhisattva Fugen. Ukiyo-e woodblock print by Utagawa Sadahiro (fl. 1825-1875), 1850. The Utagawa school was a group of Japanese woodblock print artists, founded by Toyoharu. His pupil, Toyokuni I, took over after Toyoharu's death and raised the group to become the most famous and powerful woodblock print school for the remainder of the 19th century. Hiroshige, Kunisada, Kuniyoshi and Yoshitoshi were Utagawa students. The school became so successful and well-known that today more than half of all surviving ukiyo-e prints are from it.
RMATN3DX–Japanese Ukiyo e print
RM2J80DMM–The Lovers Oshichi and Kichisaburo
RMRFD6C1–Lovers Walking in the Snow (Crow and Heron). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 1/4 in. (28.6 cm); W. 8 1/8 in. (20.6 cm) medium-size print (chu-ban). Date: 1764-72. Of all ukiyo-e prints of lovers, this one creates the most romantic and melancholic mood. Harunobu emphasizes the intimacy of two lovers strolling in the snow, even suggesting perhaps a michiyuki, a path to a love suicide. The couple walk together in the quietly falling snow, in what is known as an ai ai gasa pose, literally, the sharing of an umbrella and love. Harunobu, the origi
RMF7NYXH–Namban joruni mitate by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1848
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation